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Paul FournierTropic Celebration - painting, acrylic on canvas2017
2017
$17,500
£13,338.81
€15,384.92
CA$24,855.23
A$26,709.56
CHF 14,331.23
MX$314,622.32
NOK 180,199.32
SEK 164,610.92
DKK 114,980.78
About the Item
"This contemporary abstract painting by Paul Fournier captures the turquoise-colored waters of the Caribbean.
Paul Fournier is among the most significant painters in the Canadian art world—a masterful artist whose lyrical and colourful expressionist work is distinctively his own. He works ‘free form’, without a sketch and chooses colours as he works—a highly intuitive process that results in uniquely colourful artwork. Traces of Fournier’s influences—the storied abstract artist Jack Bush and Matisse, the French artist and leader of the early 20th century Fauvist movement can be seen in his lyrical form and vivid palette. This joyful, large acrylic piece illustrates a view of the deep blue waters of the Caribbean—its sea life rendered in bright yellow, orange, hot pink, purple, orange, green and white appears to float on the canvas.
""There is a beauty and a sense of rightness about things that happen immediately.” Paul Fournier
“His best works continue to be joyous metaphors for intense feelings about the natural world, filtered through experience of the painters he admires most, and translated into a non-specific language of gesture, inflection and color.” Karen Wilkin, Art Critic
Paul Fournier was born during the Great Depression in Simcoe, Ontario. He first studied at the Ontario College of Art and Design in 1959 and went on to study printmaking at McMaster University in Hamilton in 1967. Fournier also received an Honorary Doctor of Laws from Sir Wilfrid Laurier University in 1996, where he’d also been the artist in residence. Fournier became a member of a group of artists in Toronto who were mentored by Jack Bush and together explored modernist expressionism. During a career that spans six decades, Fournier has had solo exhibitions in several Canadian cities and in the U.S. His work is held in private collections in North and South America and Europe. Public collections include the Art Gallery of Ontario, the National Gallery of Canada and the Hirshhorn Museum and Sculpture Garden in Washington."
- Creator:Paul Fournier (1939, Canadian)
- Creation Year:2017
- Dimensions:Height: 36 in (91.44 cm)Width: 54 in (137.16 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29117444872
Paul Fournier
Paul Fournier (b. 1939, Simcoe, ON) first emerged within a movement of third-generation non-figurative painters who worked in Toronto during the 1960s. His peers included Milly Ristvedt, K.M. Graham, David Bolduc and others exploring techniques and forms of post-painterly abstraction. Fournier began studies in 1959 at the Ontario College of Art and Design. He soon became known for his use of bright fauvist colours for which he was dubbed an "exotic modernist" by New York art critic Donald Kuspit. Fauvism was a post-impressionist movement in France characterized by the "wild' use of colour. Fournier has had major solo exhibitions in Toronto, Guelph, Hamilton, Edmonton, Houston and Washington, D.C. His work was selected by critic Andrew Hudson for 14 Canadians: A Critic's Choice at the Hirshhorn Museum and Sculpture Garden and by Boston Museum of Fine Arts curator Kenworth Moffett for inclusion in The new Generation: A Curator's Choice at the Andre Emmerich Gallery in New York. In 1996, Fournier received an Honorary Doctor of Laws from Sir Wilfrid Laurier University. His paintings and graphics are included in most major public collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Tate Museum, as well as in private collections in the United States, South America and Europe. "...Paul Fournier’s canvases seemed typical of his generation of Toronto painters. Like his colleagues K. M. Graham, Daniel Solomon, Paul Hunter and David Bolduc, Fournier demonstrated an almost Fauvist sense of color and an ability to be both playful and lyrical in the same picture. Like them, too, he clearly admired Matisse and Jack Bush. Yet Fournier’s pictures were and have remained stubbornly personal, in a challenging territory of his own, a narrow zone between reference and invention." Karen Wilkin, Canadian Art, 1991.
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