1920s Paintings

Oil on board, in excellent conditions. Beautiful cityscape of Rome from Pincio Hill, realized by Amedeo Bocchi in 1920 ca. Includes vintage wooden gilded frame 46x74 cm. A Certificate of authenticity will be released by the Gallery. Amedeo Bocchi (Parma, 1883 – Rome, 1976) At the age of 12, Amedeo Bocchi is enrolled at the Regio Istituto di Belle Arti in Parma. After graduating in 1901 with the highest grades, he attends the School of Nude Art in Rome where he will spend the rest of his life. In 1910 Bocchi is accepted, for the first time, with two paintings, to the Venice Biennial where he is able to admire the great solo exhibition by Gustav Klimt. In 1911, at the grand Exposition in Rome for the fiftieth anniversary of the Italian Unification...

Oil on board. Signed in oil, lower left recto, and inscribed "no. 20" in watercolor verso. With the "Douane Centrale" ink stamp verso. Provenance: Private collection, Chicago.

Pair of watercolors on translucent laid paper. Likely English, circa 1920. Displayed in cream archival mats. The sheet size of each watercolor is 14 1/2 x 11 inches.

This charming oil painting is by British female artist Agnes L Reid. Painted circa 1920 the painting is of a little boy playing on the floor with his train set, with balloons and a b...

Joseph Stella (1877 - 1946) Tree, Trunk, and Roots, Bronx, New York, circa 1924 Oil on canvas 12 x 16 inches inscribed in another hand Joseph Stella/Estate and bears Joseph Stella Estate stamp (on the reverse) Provenance: The Estate of the Artist Rabin & Kreuger, New Jersey Parke Bernet Galleries, New York, March 14, 1968, Lot 147 ACA Galleries, New York Thence by descent Stella was born June 13, 1877 at Muro Lucano, Italy, a mountain village not far from Naples. He became painter laureate of Muro Lucano when he was in his teens with a representation of the local saint in the village church. Stella immigrated to America in 1896 and studied medicine and pharmacology, but upon the advice of artist friend Carlo de Fornaro, who recognized his undeveloped talent, he enrolled at the Art Students League in 1897. Stella objected to the rule forbidding the painting of flowers, an indication of his lifelong devotion to flower painting. He also studied under William Merritt Chase in the New York School of Art and at Shinnecock Hills, Long Island in 1901-1902, displaying the bravura brushwork and dark Impressionist influence of Chase. Stella liked to paint the raw street life of immigrant society, rendering this element more emotionally than the city realists, the Aschcan School headed by Robert Henri. Stella went through a progression of styles--from realism to abstraction--mixing media and painting simultaneously in different manners, reviving styles and subjects years later. The "Survey" sent Stella to illustrate the mining disaster of 1907 in Monongah, West Virginia, and in 1908 commissioned him to execute drawings of the Pittsburgh industrial scene. Steel and electricity became a major experience in shaping his responses to the modern world, and Stella succeeded in portraying the pathos of the steelworkers and the Pittsburgh landscape. Stella went abroad in 1909 at the age of thirty-two, lonely for his native land. He returned to Italy, traveling to Venice, Florence and Rome. He took up the glazing technique of the old Venetian masters to get warmth, transparency, and depth of color. One of Stella's paintings was shown in the International Exhibition in Rome in 1910 and was acquired by the city of Rome. The influence of the French Modernists awakened his dormant individuality. His friendship with Antonio Mancini, a Futurist, also played a role in his new style. At the urging of Walter Pach...

Still Life with Vase of Flowers Oil on board with incised scraffito, c. 1929-1930 Unsigned by the artist Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, ...

Jac MARTIN-FERRIÈRES (Saint-Paul Cap de Joux 1893 – Neuilly sur Seine 1972) The Painter (Self-Portrait) - Sketch Oil on canvas H. 65 cm; W. 65 cm Signed lower left, dated 1925 Exhibi...

Small format watercolor and gouache painting by an unknown French artist, circa 1925.

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Vintage modernist abstract village painting. Oil on board. Housed in a period frame. Image size, 24L x 12H. Signed.

Signed lower left "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A substantial, early twentieth-century Impressionist still-life of blue ast...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Roof Top Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 33.5 x 27.5 inche...

Signed lower right, "Hagedorn-Olsen" for Theodor Hagedorn-Olsen (Danish, 1902-1996) and painted in 1989. Formerly in the collection of the Johannes Larsen Museum, Norway (label vers...

Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco Antonio Petruccelli (1907 - 1994) Firemen Textile design, c. 1929 19 1/4 ...

A stunning portrait of Mr John Gilbert. This original oil on canvas was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A fine portrait, it is in excellent condition and framed in the original period frame. This is a fine painting by a noted Australian listed artist. Signed right. Provenance. Exhibited at the Paris salon 1929. Condition. Oil on canvas in very good condition, image size 40 inches by 30 inches. Housed in its original gallery frame, 47 by 37 inches framed. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne. He was the third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Harold C. Dunbar (1882 - 1953) Meadow Landscape in Summer, 1929 Oil on canvas 17 1/2 x 21 inches Signed and dated lower left Harold C. Dunbar — painter, teacher, writer, and illustrator — was born in Brockton, MA on December 8, 1882. He resided in Chatham, MA and died in 1953. His work includes portraits, landscapes, street scenes, still lifes, harbors and coastal scenes. Dunbar studied with Ernest Lee Major (1864-1950) and Joseph De Camp...

This gorgeous and vibrant early twentieth century British landscape oil painting is by Margaret Maitland Howard. Painted circa 1920 the landscape is of a rocky out crop or escarpment...

"Lady at dressing table" Oil on canvas signed and dated right below 1929 Old original frame gild with leaves Dim canvas : 72 x 56 cm Dim frame : 92 X 80 cm ENJOLRAS Delphin (1857-...

Antique American impressionist landscape oil painting of :"The Drive, University of Minnesota". Oil on canvas, circa 1920. Signed in monogram...

The artwork is signed on the lower right. Ivar Albertovitch Puni, known as Jean Pougny, was born in Kuokkala (now Finland, then in the administrative district of St. Petersburg) in...

Joseph Stella creates a beautiful and colorful still life rendered in lush expressive bright colors and quick spontaneous bravura brushstrokes.. Signed Lower Right Joseph Stella Fra...

Original cover for The Saturday Evening Post, published May 12, 1923. A patriotic illustration of Uncle Sam trying on hats in front of a mirror. Housed in a custom frame with stars ...

Artist: Ernest Beaumont, British (1871 - 1933) Title: Gloucester, MA Year: 1926 Medium: Oil on Canvas, signed l.r. Size: 20 x 24 inches (50.8 x 60.96 cm) Frame: 27 x 30.5 in. (68.58 ...

Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...

Artist: Harold Bennett, British (1880 - 19??) Title: Brigsley Village, Lincolnshire Year: 1920 Medium: Oil on Board, signed Size: 13 in. x 15.75 in. (33.02 cm x 40.01 cm) Frame Size:...

"The New Foal" by LaVerne Nelson Black is a stunning example of the artist's work during his short time in New Mexico. This painting showcases his distinctive style—simplified forms,...

Artist/Designer; Manufacturer: Chaim Gross (American, 1902-1991) Marking(s); notes: signed; 1928 Materials: pencil and watercolor on paper Dimensions (H, W, D): 9"h, 6.5"w; 17"h, 13"...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Antique American school signed New York City street scene oil painting. Oil on canvas, circa 1920. Signed. Image size, 18L x 24H. Housed in a period modern frame.

This rare circa 1925 Ex-Voto, “Holy Tribute for Saving a Brother,” is an original oil and ink on tin by an anonymous Mexican artist, presented in a contemporary hand-carved frame by ...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Large portrait of an independent woman with blue hair, sharp eyed, killer look Technique: oil, acrylic, glue, ink on canvas streched on a wooden frame 100x81cm ■■ 39,4 x31,9 inch ...

Antique illustration painting. Gouache and watercolor on board, circa 1920. Signed. Image size, 12L x 11H. Housed in a period frame.

Still Life. 20s-30s, canvas, oil, 48.5x70 cm

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

1920 Cesare Ciani Credited Italian Macchiaiolo Portrait Painting A beautiful, intense painting, although it is not signed, is attributed to the great Macchiaioli painter Cesare Cian...

Couple of paintings depincting a Berber man and woman by the spanish artist ANGLADA PINTO Luis. The man is painted on panel and the woman on canvas. Both same size. Not framed. A bea...

Ernst Huber war eine zeitlang am Kunstmarkt aufgrund einer Nachlassauktion so omnipräsent, dass mir etwas das Entdeckungsinteresse an diesem sehr guten Kün...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Sonnenblumen waren stets ein beliebtes Bildthema für Stillleben. Kuhfuss zeigt seine ockerfarbigen Sonnenblumen beim Verwelken. Ein bläulich-grüner Farbton dient als Kontrast zu dem ...

Oil on canvas, signed lower left. Carlos Abascal est un peintre orientaliste et illustrateur espagnol né à Madrid en 1878. Il a peint à l’huile et à l’aquarelle des scènes de genre...

Harlequin. 1923, oil on canvas, 40x53 cm Jekabs Bine (1895 11 04 Riga – 1955 24 10 Riga) painter, glass artist, teacher and writer of art critics. His ar...

oli on canvas signed bottom left 34x44 cm Karl Eduard Onken (also known as Carl Eduard Onken) was an Austrian landscape painter and etcher of German origin. Here are some key ...

Sand Pit Hungarian American Oil Painting Workers Horses European Modernism 1928 WPA The board measure 10 3/4 x 15 1/2 inches. The work was painted in Hunga...

Oto Pladers (1897.8.III – 1970.2.V) Oto Pladers learned in Riga city school of art (1913 – 15). He was called into the army in 1916 and continued studies after the war in Latvia Art ...

“Their Romantic Honeymoon: The Bride and Groom Visit Niagara Falls,” original cover for Liberty magazine, published July 9, 1927 Newlyweds Lil and Sandy are on their honeymoon at N...

Oto Pladers (1897.8.III – 1970.2.V) Oto Pladers learned in Riga city school of art (1913 – 15). He was called into the army in 1916 and continued studies after the war in Latvia Art ...

Herman Österlund was a renowned Swedish artist recognized for his stunning portrayals of the west coast of Sweden. In 1896, he relocated to Stockholm and successfully passed the entr...

"Oil Painting On Canvas Dated 1921, Military Portrait By Paul Leroy" Paul Alexandre A. LEROY (1860-1942), French school. Description: Very beautiful oil painting on canvas, represent...

Friedrich August Seitz (1902 Staffort - 1944 Belgrade). Half-length portrait of an elderly man with a beard. Oil on canvas, 42 x 34 cm (visible seize), 58 x 50 cm (frame), signed and...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a view of the town of Gstaad in Southwestern Switzerland. The buildings and ...

A classic French subject that would enliven any room. Beautifully painted and the colors are restrained which make it elegant. A noted artist and a rare subject especially with the...

Charcoal drawing by Angelo Dall'Oca Bianca depicting child. Angelo Dall’Oca Bianca nasce a Verona nel 1858. Despite a difficult childhood, he demonstrated extraordinary artistic qua...

Illustration by Grattan Condon for the February 8, 1930 Saturday Evening Post story entitled "Wide-Open Throttle" by A.W. Somerville, which appeared on page 56. The tension between ...

Jim’s of Lambertville is proud to offer this artwork by: Antonio Pietro Martino (1902 - 1988) Signed and dated lower right. Complemented by a period frame. Antonio Martino was ...

Rhythms. Stage. 1927, paper, watercolor, 41x28 cm Women figures, watercolor on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latv...

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

This attractive portrait features the five-masted schooner ELINOR H. at full sail in an active sea. The ship has crisp lines and a sharp sense of detail, likely because it was painte...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...