1980s Paintings

This painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) embraces the "figurative post-cubism" style. In fact Salvador Aulestia was artistically grown during the maximum su...

Painting for a poster, Comisky Park, Chicago White Sox Stadium 1985. Illustrator's Works Defined an Era: Bernie Fuchs, 76 By Adam Bernstein Washington Post Staff Writer Saturday, September 19, 2009 Bernie Fuchs, 76, an illustrator whose influential work for magazines ranging from Cosmopolitan to Sports Illustrated seamlessly blended qualities of traditional narrative with hints of abstract composition, died of esophageal cancer Sept. 17 at a care facility in Fairfield, Conn. He lived in nearby Westport. Mr. Fuchs was adept at balancing art and commerce. He met the needs of mass-circulation magazines accustomed to Norman Rockwell-style realism, but he injected a fresh vitality and impressionism that became hugely popular and transformed the illustration field. He even experimented with bold designs based on the abstract expressionism movement popularized by painters Jackson Pollock and Willem de Kooning. One vivid example, commissioned by McCall's magazine in the late 1950s, was a portrait of two young couples relaxing in a small room after dinner. One man is lying on the ground, his head nestled on a woman's lap and smoking a cigarette as she strokes his hair. While the image has the control and realism of Rockwell, it also has several more dynamic features taken from avant-garde techniques: the vigorous brush strokes; the tilted horizon that heightens a sense of drama; a lampshade in the foreground that appears slightly distorted; and, most strikingly, the placement of the couples in the distance instead of being the center of the picture. "Bernie combined the best of both worlds," said illustrator Murray Tinkelman, who directs the University of Hartford's master of fine arts program and chairs the New York-based Society of Illustrators' hall of fame committee. "He became the most emulated and imitated illustrator in the field through the 1980s . . . when the vogue turned to more decorative, whimsical, punkier illustrations that were influenced by underground cartoons like those of Robert Crumb." Mr. Fuchs entered the hall of fame in 1975. He was among the youngest inductees on a roster that includes Rockwell, N.C. Wyeth, Winslow Homer and John James Audubon. Bernard Leo Fuchs was born Oct. 19, 1932, in the coal mining town of O'Fallon, Ill., and his father soon abandoned the family. As a young man, Mr. Fuchs enjoyed drawing characters from Walt Disney movies...

Molly Lamb Bobak, Canadian, 1920 – 2014 Bouquet Watercolour 18 x 24 in signed framed For our US customers: 1) The artwork is shipped from Montreal, C...

Oil Painting by Ian Houston "Tuilleries November" Born 1934 Studied at Martins School of Art and Royal College of Music Protege of Edward Seago. President of the Guild of Norwich painters...

"The Dordogne river passing by Civrac" blues and violets colours representing a very romantic and naif landscape by Sheila Querre Dimension art cm: 80 H x 65 W Dimension art inc...

"The green tree, monumental landscape" in Romantic style by English artist Sheila Querre. Dimension art cm: 60 W x 81 H Dimension frame cm: 78 W x...

Classic 80's Fine Art! This painting was used in the advertising for the United States tour of Ceravolo's one man show! New York art Critic Malcolm Preston wrote of Ceravolo's pa...

Italian painting from the second half of the 20th century. Mixed media artwork on canvas depicting a surreal subject, masked characters, signed lower right S. Carpini. Painting by st...

"Sun in the port", Laimonis Bubieris (1934-2012), cardboard/oil, 89x70 cm

Laimonis Bubieris (1934-2012) Girl with a faun, cardboard/oil, 58x68 cm

André LEMAITRE (1909-1995) Nu de dos, 1980 Oil on canvas Size : 73 x 60 cm Signed lower right Tille and dated on reserve Painting in very good condition. Gilded frame offered. Size...

This 1983 El Hanani oil painting comes from the estate of Anita Rosen. The overall artwork size is 15" x 15" with the central image area measures 9" x 9".

A. E. and Co. is a water color painting by Italian-born multidisciplinary artist, Lucio Pozzi. The work is currently housed at Hal Bromm Gallery.

This framed "Mandala" thangka is hand painted on canvas with 24K real gold. Earthy tones of color marries perfectly with matt black and touches of gold gives it a beautiful look. Measurement of art without the frame: 15" x 11" A handout on process of making a thangka will be included with the purchase. Mandala represents "wholeness" and is also used as an aid in meditation. The term mandala has become a generic way of describing any circular geometric pattern. The word mandala originated from Sanskrit which means “Circle”. Early versions of the Mandala can be found in the Hindu faith where we would see geometric shapes representing deities. Buddhism took this concept one...

Italian painting from the late 20th century. Framework mixed media on canvas depicting still life, table adorned with a musical instrument, globe, candle, book and notes of good pict...

Door #1 1988/89 33 inches x 24 inches oil on canvas Artist Statement: "This is an early work I produced in my studio at 11th street and Ave 'B" NYC. I was working at free expressio...

"Beaumont landscape" An other Sheila Querre's blue landscape, very much in Romantic Style. Dimension art cm: 65 H x 92 W x 2 D Dimension art inches: 25.6 H x 36.2 W x 2.3 D The c...

Pierre PALUÉ (1920-2005), Still life with cherries, oil on canvas signed lower right, 44.5 x 59 cm, 65 x 80 cm with the frame. Pierre Palué was born in Bordeaux on May 13, 1920. In ...

Gerald Campbell’s abstract composition, signed on the reverse and dated 1989 and 1992, is a refined exploration of form, texture, and color. The work is divided into angular, geometr...

Untitled - Brown Square Juan Sánchez Juárez, Mexican (1946 - ) Oil on Canvas, signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

Includes a Certificate of Authenticity

Original mixed media on paper. Hand signed and dated on front by Peter Max. Frame size approx 22 x 28.5 inches. Artwork size 11.6 x 18.4 inches. Artwork is in excellent condition...

"Blue dreams" oil on canvas, romantic style by Sheila Querre The colours of the original work are a bit lighter than those on the photo. The picture is in good condition despite its...

The painting is being offered with a work and authenticity certificate

GRAZING COWS Oil on board Size: 49 x 53.5 cm (including frame) An expressive and charming landscape painting, executed in oil onto board and dated 1982. The artworks captures a pea...

Provenance: Court Gallery, Copenhagen, Denmark Private Collection, Baltimore Private Collection by descent This painting has a Certificate of Authenticity from the Eugenio Carmi Arc...

Tulips in a vase #3. Oil on cardboard, 45 x 31 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School o...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Acrylic on canvas, signed, titled and dated verso. 47.6 x 59 cm (18 3/4 x 24 1/4 in)

Study for Sculpture by Ernst Neizvestny, Russian (1926–2016) Ink and brush on paper, signed upper right Size: 17.5 x 12 in. (44.45 x 30.48 cm) Frame Size: 22.75 x 16.75 inches

Evocative, contemporary portrait of a woman wearing a hat by celebrated, twentieth-century California landscape painter, Ronald Shap. Washes of thin, gold-colored paint, which we bel...

Artist: Michael Knigin, American (1942 - 2011) Title: Broken Silence Year: 1990 Medium: Acrylic on canvas mounted on board, signed verso Size: 60 in. x 36 in. (152.4 cm x 91.44 cm)

"Prometheus 10" oil on canvas by important New York artist Stephen Greene (1917-1999), signed lower left corner.  Dated 1981.  In artist frame.

Claude Le Sauteur, Canadian, 1926-2007 Oil on canvas, 1978 12 x 16 in Signed and dated lower right; titled on verso framed For our US customers: 1) The artwork is shipped from Mont...

Unique work by famous Israeli artist, Menashe Kadishman. Made witht he artist's signature style.

This painting by John Naber, the Olympian swimmer, was created in 1980 for a charity event.

Exhibited in Almach Art Gallery Milano during 2023 Hand-signed by artist, Certificate of authenticity Included (issued by authorized authenticating body. Acrylic on canvas Image r...

One-Person Exhibitions 2022 Coming From the Earth, curated by Peter Doroshenko, Dallas Contemporary, Dallas, TX The Growth of Communication, Edel Assanti Gallery, London, UK 2021 The Influence of Images, Elizabeth Leach Gallery, Portland, OR Tangled Up in de Kooning’s Fence, South Etna, Montauk, NY Everything That Wasn’t White, Parrish Art Museum, Water Mill, NY 2019 Somewhere in a Dream I Got Lost, Southeastern Center for Contemporary Art, Winston-Salem, NC 2017 The Weight of Everything, James Fuentes, New York, NY I Snuck Off the Slave Ship, Atlanta Contemporary, Atlanta, GA Which Do We Drop First, the Baby or the Bomb?, James Fuentes, New York, NY 2015 Something to Take My Place, Halsey Institute of Contemporary Art, Charleston, SC Supported by the Power, John Hope Franklin Center, Duke University, Durham...

signed on bottom

Original gouache interior painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant still life in purple, blue, pink, yellow, orange, green and neu...

Snowy roofs. Oil on canvas, 54x73,5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sarat...

Still life with plums. 1985, watercolor on paper, 74x55 cm (bilateral) Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1...

Still life with a lemon 1980s, paper, watercolor, 75,5x55,5 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 19...

Still Life with card 1989, paper, watercolor, 75,5x55 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – l...

Josif Elgurt (1924-2007) Born in 1924 in Kischinow in Romania. In 1947 resumed his art studies in Kischinow. Since 1952 he hase lived in Riga and until 1958 he studied at the Latvia...

"Saturn 3." Preliminary poster maquette for the 1980 science-fiction film of the same title. Artist unidentified. Unsigned, not dated.

John Havens Thornton, Untitled (Structures), 1988 — oil on canvas A pared-down stage of sunlit yellow holds two enigmatic forms: a teal, shed-like structure with a deep black doorwa...

John Havens Thornton, Untitled (Forms) c. 1980s — oil on canvas A stage-like space unfolds across a pale ground: a window-box at the top recedes in cool greens while, below, a hinge...

A beautiful and unique large scale oil painting by Israeli artist Menashe Kadishman. Featuring a figure of a shepherd and his flock of sheep.

Certificate of authenticity Included (issued by gallery)

Original gouache interior painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant piece of a chair and footstools with bold orange and blue backg...

Artist: Peter Nagy, American (1959 - ) Title: Field of Subsumed Use Year: 1984 Medium: Acrylic and Photocopy Collage on Canvas, signed and titled verso Size: 16 x 20 in. (40.64 x 50....

Artist: Edd Meyers Title: A Kiss Year: 1983 Medium: Oil on Canvas, signed l.c. Size: 45 in. x 57 in. (114.3 cm x 144.78 cm)

Artist: Robin Morris, American Title: Partners Medium: Oil on Canvas, signed l.r. Size: 72 x 60 in. (182.88 x 152.4 cm)

Artist: Gabriela Patulea Dragut, Romanian (1935 - 2007) Title: Marea Ofranda Year: 1982 Medium: Oil on Canvas, signed and titled verso Size: 57 x 53.5 in. (144.78 x 135.89 cm) Frame ...

This framed "Mandala" thangka is hand painted on canvas with 24K real gold. Earthy color tones and touch of gold makes it a stunning piece of artwork. Measurement of art without the frame: 14.25 X 11.25 inches. A handout on process of making a thangka will be included with the purchase. Mandala represents "wholeness" and is also used as an aid in meditation. The term mandala has become a generic way of describing any circular geometric pattern. The word mandala originated from Sanskrit which means “Circle”. Early versions of the Mandala can be found in the Hindu faith where we would see geometric shapes representing deities. Buddhism took this concept one step further and today if you speak to someone in the Buddhist faith they will tell you that these paintings are in essence a 3 dimensional celestial palace with rooms that contains deities. Let’s call this a mind map, a map to help us further our spiritual journey. Our collection will focus almost entirely on Buddhist Mandalas, a Mandala by Buddhist standards will respect certain basic rules of composition and geometric proportion, although each painting you see is unique in its own way, we will try and cover some of these basic iconographic rules. A Mandala almost always consists of two elements, an outer circle combined with a square positioned inside. In most cases these circles or rings create a pure space protected from external impurities and negative forces. The number of these circles can differ from one painting to another. In almost all mandalas the outermost circle will show flames which commonly represents protection and the innermost circle with be lotus petals which is the Buddhist symbol for purity. This imagery is typical of Mandalas and Thangkas in general which is why almost all deities are seated on lotus thrones. The square represents this symbolic palace or mind map, which is mentioned in the previous section. Any Mandala will always contain a principle deity it can be painted or symbolized by a lotus flower in the case of the Kalachakra Mandala...

Artist: Nick Wallis Title: ABCDEF Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 36 x 48 inches (91.44 x 121.92 cm)

Oil on canvas 13 x 20 inches Signed and dated center right: "Matthew Spender / 1981" Titled on canvas overlap verso: "#16 Remote Foreground" Retail: $2...

HILLSIDE BY THE SEA Size: 45.5 x 53.5 cm (including frame) Oil on canvas A vibrant and pleasant modernist landscape painting that captures a sweeping view of a coastal hillside desc...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...