19th Century Paintings

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after th...

Portrait of a Bearded Man French Impressionist artist, late 19th century, unsigned oil on canvas, framed framed: 38.5 x 30.5 inches canvas: 36 x 28 inches provenance: private collect...

It would be hard to surpass the luscious allure of this 19th-century still life. Although unsigned, the vibrant colors and exquisite detailing reveal the hand of a master. That maste...

Auguste Serrure 1825 - 1903, was a Flemish born painter. The description of his birthplace is generally described as Belgium, however the Flemish nationality became Belgian in 1830 a...

Bernard H Cobbe English 1860’s Kittens and caterpillar oil in canvas 19x13 inches image size 27x21 inches with frame good condition Signed lower right Here we have a beautiful 1860...

A very beautiful signed and dated 1875 oil on panel depicting a river landscape, by Belgian artist Vital de Gronckel. Excellent quality early impressionist work, presented in an orn...

Wonderfully painted luminous European sunset landscape painting. Framed. Oil on canvas. Signed. Image size, 16H by 11L.

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Couple within Interior Dutch artist, late 19th century oil on canvas unframed canvas: 16 x 13 inches provenance: private collection, France condition: good and sound condition

The following is an account of the 1851 Goodwood Cup from the Sporting Magazine: We have now arrived at the event of the day par excellence ...The Goodwood Cup, value 300 sovereigns. This lot furnished a field of half a score with final odds: Nancy, 2 to 1 against her; 9 to 4 Cariboo, 9 to 2 Cossack. Cariboo was the first at work when the flag fell, the ruck close behind him. No change of any account occurred till at the mile-post, Cariboo showed in the van; but the speed was obviously a very low average, the whole of them being still upon good terms. As they ascended the hill the favourite drew towards the front, and consequently forced the rate of running. As they faced you, coming down the fall to the rails, it seemed that the pace had unfolded its tale — or tail — for, save Nancy and Cossack, all were out of it and the filly had it apparently her own way. Between the Stand and the Chair, however, Alfred Day made a rush with Cossack that for some cause or other looked as if it had put the result in jeopardy — ultimately Nancy winning cleverly by a head. Canaeus, the third, was a couple of lengths from Cossack. I refrain from any comments on the result. It is manifest that the best animal in the race won it, and that I take to be the end and purpose of the turf. About this time, the stewards having gone into a “case” alleged against Nancy for the Cup—namely, that she was the property of “notorious defaulters“ — came to the subjoined resolution: “The stewards, having investigated the objections to Nancy’s qualification to start for the Goodwood Cup, are of opinion that she is entitled to run.” .... know no more of Mr. Martinson than I do of the man in the moon (if there be one there, which is very doubtful); but this I must say, if he were as big a rogue as Jonathan Wild, instead of an upright inhabitant of Hull, as I am assured he is, he would be justified in denouncing the treatment to which he has been subjected as anything but English fair...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

A well-executed portrait of a gentleman in profile. This portrait was acquired alongside another of the same sitter. A label to the reverse of the other piece identifies the sitter a...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

Sir Alfred East was both a full member of the Royal Academy and president of the Royal Society of British Artists, so his pedigree is impeccable. He be...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 7 x 5.5 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Tranquil Pastures circle of Thomas Sidney Cooper (British 1803-1902) signed oil painting on board, framed framed: 10 x 14 inches board: 8 x 12 inches provenance: private collection,...

Chasing the Rat! by Frank Cassell (British 1862-1908) oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private collection, UK Condition: very go...

Rick Borens' piece showcases a Native American chief standing in front of a landscape Dimensions without Frame: H: 20in x W: 31.5 in. Artist Bi...

The deposition of Atala Follower of Anne-Louis Girodet de Roussy-Trioson (Montargis, 1767 - Paris, 1824) 19th-20th century Oil on canvas 47 x 65 cm. - Framed 67 x 84 cm The propos...

Monogrammed TG, Late 19th Century Symbolist Pre- Raphaelite Oil Painting Luna An intriguing painting displaying imaginative symbolism and referencing the Pre-Raphaelite movement. T...

German realist painter (19th century) - Two children playing with a trained dog. 56.5 x 46.5 cm without frame, 69 x 59 cm with frame. Antique oil painting on canvas, in a gilded wo...

Late XIX Century Italian Signed Landscape Painting A beautiful mountain painting by the great Italian artist Celestino Ghione, who speciali...

Hebe with Zeus mythological nude by Eduard Buchler 19th Century Hebe is the daughter of Zeus and his sister-wife Hera. Pindar in Nemean Ode 10 refers to her as the most beautiful of...

Hare Coursing by J.C Mitchell (British sporting artist, 19th century) dated 1879 signed oil on board, framed framed: 11.5 x 14 inches board: 9.25 x 12 inches provenance: private coll...

A finely detailed still life by Thomas Collins (1835–1893), featuring holly, carnations, and an array of other blooms. The work demonstrates Collins’ meticulous attention to detail a...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

European painter (late 19th century) - Landscape with grazing cows. 101 x 76 cm. Old oil painting on canvas, without frame. - Work signed lower right. Condition report: Lined can...

The Riverside Pathway Italian School, early 1800's period oil painting on paper laid on board, unframed size: 12.75 x 17.5 inches condition: overall very good for age, a few very sma...

John White Alexander's graceful depictions of beautiful women earned him critical acclaim both in Europe and America. However, his career did not get off to an easy start—Alexander b...

Marion Eldredge was born in Brooklyn in 1903. She graduated with a bachelor's degree in Costume Illustration from Columbia University Teacher’s College in 1924 then worked as a fashi...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

The painting captures a wonderfully amusing family moment set in the 16th century. In the center of the painting we see the father, exhausted by worries and dozing in his chair in fr...

Oil on Canvas. Signed in lower left hand corner. The work was previously acquired at a Sotheby's auction in Milan 10/12/2007. It was displayed in 1991 in the exhibition "John Sott...

Paul Weber was a German born artist that painted beautiful American Landscapes. He exhibited his works in New England, specifically Philadelphia and Boston. After his famed period of...

This evocative oil study by Charles Sprague Pearce captures a rare moment of stillness in the lives of two working women. Seated along a golden riverbank, their figures are bathed in...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...

Landscape Signed by Édouard Righetti (1924-2001) Inscribed Verso on back oil/gouache painting on artist paper, beautifully painted. Very good condition Size: 15 x inches x 23.75 inc...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Conditions: Very good condition. In its original frame and glass. A similar composition, but less accomplished, is currently part of the collections of the Musée des Invalides. Signed at the bottom and dated. Complementary shipping worlwide by DHL, FEDEX. Returning customers : 25% OFF listed price on all Belfort SAS catalogue. Description: This work of art, framed by a majestic golden frame, accurately depicts a group of soldiers in 19th-century uniforms. Every detail, from the golden buttons to the epaulettes, finely illustrates the military equipment of the time. Behind them stands a sober architectural structure, evoking a barracks or a guard post. The color palette, dominated by earthy tones and dark shades of blue, gives a solemn and dignified atmosphere to the scene. The disposition of the soldiers, turned towards the artist, with an attitude both alert and relaxed, captures a moment of daily military life. This painting, with its attention to detail and harmonious composition, transports the viewer into a bygone era, inviting reflection on history and military traditions. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

Late 19th Century Upstate New York Oil Painting Landscape by Frances B. Clark Moody rural Hudson River School style painting of Upstate ...

Oil Painting Pair by George Harris "Fishing on a Devonshire River" flourished 1855 - 1936. Born in Collumpton, Devon. Younger brother of Henry Harris with whom he shared a studio in ...

Joshua Shaw Summer Picnic by the River, circa 1840 Signed lower right Oil on canvas 15 1/2 x 13 1/2 inches Born in Bellingborough, Lincolnshire, England, Joshua Shaw became known f...

The Family Group German School, late 19th/ early 20th century oil on board board: 17.5 x 13 inches provenance: private collection condition: sound condition but with various surface ...

Stunning Hudson River School landscape by George Lafayette Clough (1824-1901). High Bridge and Croton Waterworks, Harlem River, ca. 1870. Oil on canvas measures 14 x 21 inches; 26 x 33 inches in original frame. Signed lower left. Old repair of small diagonal puncture measuring 1/2 inch in length to the right of ship sail. Otherwise no damage or conservation to painting. Original frame has several areas of damage and loss and will require conservation. George Lafayette Clough was born September 18, 1824, in Auburn, New York, and was that city's leading landscapist and, known as a Hudson River School painter, became Auburn's most noted resident painter of the mid-century. His mother was widowed shortly after his birth, and he was raised without paternal influence. He had little formal education and was employed by the age of ten. By age fifteen he had taken up painting, and his first and informal art influence came from the portraitist, Randall Palmer. In 1844 Clough opened his own studio in Auburn. About that time Charles Loring Elliott...

Francis Edward Jamieson (British, 1890–1930s) View of an English River Landscape at Sunset Oil on canvas, signed lower right Presented in an ornate antique gilt frame, circa 1890 Th...

The Dismounted Hunter, Sir William Rowley, circa 1800 attributed to DEAN WOLSTENHOLME (1757-1837) Large circa 1800 English Hunting scene of a dismounted huntsman, horse and terrier...

A finely detailed silhouette of a Victorian young man. Circle of Hinton Gibbs (1783-1839) Portrait of a young man, bust length, turned to the right, wearing coat and cravat watercol...

This beautiful painting, due to its very high quality of execution, style and era, can be referred to the great artist Warren Sheppard, who specialized in seascapes. Of great evocati...

Artist: English School, early 1800's, circle of John Constable (British 1776-1837) Title: The Woodland Path Medium: oil on canvas, framed, unsigned Size: 12 x 22 inches Picture: 9 x 18 inches Provence: from a private collection in East Anglia...

Very impressive antique American flower still life oil painting. Stunning and unique original frame. Oil on canvas. Painting size, 18H by 14L. Exceptional quality. Signe...

Artist/ School: Scottish School, 19th century, indistinctly signed lower corner Title: The Angler in the Scottish Highlands, beautiful landscape scene. Medium: oil painting on canv...

This elegant English 19th-century portrait of a young boy dressed in a Cavalier costume, painted circa 1860, is a striking example of Victorian portraiture that seamlessly combines h...

Valentine Thomas Garland British, (1845-1914) After the Show Oil on canvas, signed Image size: 28.5 inches x 18.5 inches Size including frame: 40.75 inches x 30.75 inches A wonderf...

Early American Impressionist Moonlit landscape with river by Charles Morris Young (1869-1964). Oil on canvas, dated 1894. Signed lower right. Disp...

GEORGE (SMITH) ARMFIELD This is a classic example of George Armfield's paintings with terriers. Picture Size: 10 x 14" (25 x 35cm) Outside Frame Size: 16 x 20" (40 x 50cm) Exhibitio...

Charles Thomas Bale (British, 1845 - 1925) - Still Life of Peaches. 61 x 30 cm without frame, 88.5 x 57.5 cm with frame. Antique oil painting on canvas, within passe-partout in a c...

A fine Italian school oil showing three women in conversation. The blonde lady to the left of the canvas can be seen flaunting her new engagement ring with much delight to her two cl...

Study Of A Lamb / Sheep Head, 19th Century circle of Rosa BONHEUR (1822-1899) Large 19th Century French study of a sheep's head, oil on panel, circle of Rosa Bonheur. Excellent qua...