20th Century Paintings

* No US duty or taxes to pay on this item * A beautiful signed and dated 1953 French naïf oil on canvas depicting the River Seine at the Pont Neuf, by Louis Florquin. Excellent qua...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed dated 93 canvas size: 22 x 18 inches condition: overall very good, ...

Title: "Spring Garden" Artist: Attributed to Rafael Durán Benet Technique: Oil on canvas board Dimensions (unframed): 13 x 16 inches Dimensions (framed): 14.6 x 17.7 inches Date of c...

Henri Masson, 1907-1996, Canadian Road to Ripon Quebec Oil on canvas 18 x 24 in Signed lower left; signed and titled on the stretcher framed For our US customers: 1) The artwork is...

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

5079 Cool Dog screened on canvas with hand applied impasto colorful oil

Linda Stein, Before the Computer 121 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Before the Computer 121 is from Linda Stein's Missives series--a body of work born ...

Artwork sold with frame (92 x 76.5 cm) Armand Cacheux (1868–1965) was a Swiss painter and engraver born in Geneva. He studied at the Geneva School of Fine Arts under Barthélemy Menn...

Open Landscape by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 18 x 24 inches Colors: Green colors, beige, orange, brown, grey...

"Village Près de la Mer en Italie" Jacques Martin-Ferrières (1893-1972) 1950s Oil on panel 18 x 14 1/2 (22 x 18.5 frame) inches Published "Intimité & Horizons" by Marie-Anne Destreb...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Unknown Artist Untitled (Geometric Abstraction, Cityscape, Feyninger) Medium: Oil on Canvas Year: Circa 1970s Size: 39 x 48 inches Framed Size: 39.75 x 48.5 x 1 inches Unsigned Frame...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Unique expressionist nude figure by Michael Eggleston (American, 20th Century). From a collection of his works. Unframed. Measures 40"H x 30"W. Eggleston is a San Francisco Abstract...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto and Oceanside, California; From Joan Irvine Smith Fine Arts, Inc., Laguna Beach, California. Signed "A. Espoy" on lower left Description In California Lupines and Poppies, Angel De Service Espoy captures the vibrant splendor of California’s springtime wildflowers with lyrical brushwork and atmospheric sensitivity. A hillside awash in blooming blue lupines and golden poppies slopes gently toward a distant view of rolling hills beneath a soft, clouded sky. Espoy’s confident handling of color and texture brings the landscape to life, evoking the fleeting beauty of the state’s native flora and the delicate transitions of light across the land. This intimate composition reflects the artist’s deep affection for California’s rural countryside and his enduring legacy as a painter of its most poetic vistas. Based on the painting’s style, subject matter, and scale, California Lupines and Poppies was most likely created between 1925 and 1940—a period when Espoy was actively painting California’s coastal and inland landscapes, particularly in the Monterey Peninsula and Carmel Highlands regions. The composition, with its gently rolling hills, distant haze, and vivid display of native wildflowers, closely aligns with Espoy’s known plein air works of the Central Coast. The loose yet confident brushwork, naturalistic light, and spontaneous floral groupings all support the likelihood that this piece was painted en plein air. Espoy often created small-format oils like this one outdoors as finished works in their own right or as preparatory studies for larger studio paintings. His style blends Realism and Impressionism, drawing upon the influences of his training under Joaquín Sorolla (1863–1923) and the French Barbizon School, resulting in works that balance truthful representation with a painterly, light-filled immediacy. Historical Significance Born in Spain and trained in Barcelona, Angel Espoy immigrated to the United States in the early 20th century, eventually settling in California, where he became known for his floral landscapes, maritime scenes, and depictions of the Pacific coastline. Espoy’s lupine and poppy paintings are among his most beloved subjects, reflecting the natural beauty of the state and the influence of California Impressionism. In the 1920s–1930s, Espoy’s work gained popularity among collectors who sought colorful, uplifting views of the West, particularly during the Depression era. His florals not only document California’s seasonal splendor but also contribute to the legacy of artists who elevated regional wildflowers to a fine art subject—following in the tradition of Granville Redmond, William Wendt, and Guy Rose. Today, Espoy’s flower-filled landscapes remain a favorite among collectors of early California art...

Framed size: 26" x 30" - Signed bottom left La Plage de Cannes is a striking example of Lebasque’s mature Post‑Impressionist style: serene yet subtly vibrant, intimate yet expansive...

Apples by Paul-Louis Bolot (French 1918-2003) signed & dated signed oil on canvas canvas: 15 x 18 inches original oil painting condition: minor surface scuffing but overall very good...

Signed to the lower right and dated, 1970. On board.

Antique American landscape oil painting by . Oil on board. Signed. Framed. Measuring 16 by 19 inches overall and 10 by 13.5 painting alone.

Saltfleet by Ronald Birch, British circa 1970's watercolour on art paper, unframed signed lower corner overall paper measures: 15 x 22 inches Lovely original watercolour painting by...

Belgium. East Flanders - Ghent by Leonard Machin Rowe (1880-1968) signed in both front lower corners, inscribed and dated to the back watercolour painting on artist's paper, unframe...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

Green Trousers by Jean Marc (French 1949-2019) gouache paint painting: 15.75 x 11.75 inches provenance: private collection, South of France Superb original painting by the widely e...

Painted sculpted cardboard Unique work Coming from the artist's studio Jacques ROUBY, the aesthetics of mystery "Experimental dreamer, passionate about graphic adventures, delibera...

Lady Portrait by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 24 x 18 inches Colors: Grey colors, pink, red, blue, brown and c...

Early 20th Century Likeness of Jack London Wonderful portrait of a gentleman with a striking likeness to Jack London by Robert Alexander Graham (American,...

This artwork titled "Monte Carlo" c.1990, is a large oil on canvas by noted Italian artist Mario Sanzone, b.1946. It is signed and titled at the lower left corner by the artist. the ...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking the streets by the Porto st. Martin in Paris with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a wonderful wood carved antique frame with original name plate affixed bottom center and hanging wire on verso ready to be displayed. Art measures 20 x 24 inches Frame measures 28 x 32.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A sub...

Signature: Signed Lower Left Medium: Oil on Board Frame: Gilt Frame with Decorative Elements and Linen Inset Brightly colored and bold illustration of an American hunting scene...

Bruno Côté, Canadian, 1940-2010 L'Isle-aux-Coudres, 1981 Oil on masonite 16 x 20 in Signed and dated ’ lower right; Signed and titled verso framed For our US customers: 1) The artw...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

Hurricane in the Afternoon original Oil Modernist look at a Hurricane coming by Pennsylvania artist John R. Fell (American/English, 1917-2009) Image 18"H x 48"W Frame 19"H x 49"L x ...

“Phenomena Rights of King", 1976. Gouache on Paper Framed: 43 ½ x 35 ½ inches Signed bottom center The Phenomena series is a celebrated body of abstract expressionist paintings and ...

This charming British portrait oil painting is by noted artist Richard Evelyn Fuller-Maitland. Painted in 1916, the composition is a full length portrait of a young boy, dressed in a...

Still Life, 1959 Oil on canvas 31 1/16 x 21 15/16 inches (78.9 x 55.72 cm) Framed dimensions: 39 1/2 x 29 3/8 inches Signed and dated lower left: Fairfield Porter 1959 Provenance Ti...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

This is an Robert W. Wood Original Oil Painting 1941. Measures 34x28. Condition report painting has some damage. Small hole on top, hole that’s been repaired in the center. Minor scr...

Portrait of a Woman in Thought French School, early 20th century indistinctly signed oil on board, glass covering framed (please note the frame is a modern example) framed: 13 x 9 in...

OLD MASTER PISSARRO LARGE CANVAS OIL PAINTING 20th CENTURY FRAMED “Good condition" ..Piece has been cleaned good condition for age (see pictures) OLD MASTER OIL PAINTING LARGE S...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20.5 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist ...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

Title: Abstract Landscape with Cypress Trees and Pavilion - Contemporary Oil Painting Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 11 (height) x 14.25 (w...

A wonderful Impressionist Snow covered pastoral scene of the colorful and quaint early morning Carversville Pa Bucks County. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this large scale work. It is almost as if we are there in the snow in the early morning, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Bucks County with the calm, endearing charm of a snowy morning. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This piece is signed lower right and it comes housed in a wood carved antique gold tone wood frame ready to be displayed with hanging with wire on verso. Art measures 12.5 x 15.5 inches Frame measures 15 x 19 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

Signed lower right, 'Chiesi' and painted circa 1975. Born in Felina, in the province of Reggio Emilia, Chiesi first studied in Milan and, subsequently, with Vicentini Enzo and Gianf...

Antique American impressionist landscape oil painting. Oil on canvas. Framed. Measuring 20 by 27 inches painting alone. In excellent original condition. Handsomely framed in a gold g...

'Abstract Composition', oil on board (circa 1960s), by Edgar Stoëbel (1909-2001). In his very original style, artist Stoëbel's abstract image seems to form a human torso with the lively colours of a modernist work. The image has a pop art quality to it and was created just as that movement was emerging. Pop art challenged traditional painting by embracing colourful images from advertising, popular culture, comic books and mundane objects from everyday life. This artwork has a powerful intensity of tone and colour having somewhat faded with time. It speaks to Stoëbel's very distinctive style which remains completely approachable and appealing. In fact, this is not pop art. This is part of the post-war concrete abstract movement, or Constructive Art...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a male figure wearing a white jacket, blue shirt, and red tie. Signed in ...

Cubist Abstract Composition French school, circa 1960's period oil on board, unframed board: 29 x 22 inches provenance: private collection, France condition: very good and sound con...

Work on canvas Molded frame in plaster and beige wood 82 x 102 x 6 cm

Original oil paint on heavy card stock of a european thatched cottage near a stream by the American impressionist artist, Bird Lefever. Signed lower right. Condition is very good; n...

Sunlit Forest French School, 1970's signed by J.Bredeche ( French School) oil on canvas, unframed Canvas : 21 x 25.5 inches Inscribed verso Provenance: private collection, Paris Cond...

Author: Francisco Salès (Barcelona, 1904 – Paris, 1976) Title: Houses in the Twilight Technique: Oil on canvas Dimensions: 50 x 73 cm (19.7 x 28.7 in) Dimensions with frame: 58 x 81 ...

Antique Italian impressionist seascape oil painting. Oil on canvas, lain to board. Framed. Signed. Measuring: 30 by 42 inches overall, and 24.5 by 36.5 painting alone. In excellen...

A beautiful 1930's impressionist oil on board depicting roses and wildflowers in a vase by Italian painter Carlo Marzorati. Excellent quality work which is in very good original con...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

View Towards Christmas Cove, Maine, c. 1923 Watercolor on paper Signed lower right 14 x 19.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1...

SALE ONE WEEK ONLY Stephen Goodfellow's figurative paintings can be read as a narrative puzzle that are a challenge to pick apart. In this painting both characters are smiling suggesting something pleasant has happened or is about to happen. There is much more going on: sink full of forgotten dirty dishes...

William Samuel Horton (American, 1865–1936) Cattle Grazing at Dusk Oil on canvas laid down on board 25.25 x 29.125 in. (64 x 74 cm) Provenance: From the estate of the artist and then...