Agnes Harrison Lincoln

Mystical Portrait of Woman in a Wicker Chair

Circa 1900

“A Lady in Black, 1894” by Paul-Marie Lapierre Renouard (1854-1940) This exceptional pastel portrait of an elegant woman in black is among the artist’s finest works. A close examina...

etta Crapo Smith (American, 1862 - 1921) Signed: L. Crapo Smith (Lower, Left) " Resting on the Shore ", January 9, 1898 Pastel and Gouache on Paper 18" x 13" Housed in its origi...

"La Femme en Gris" Portrait Painting 25"x25"in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally ...

Beautiful pastel on paper laid down on canvas in an oval shape. It depicts a young noblewoman portrayed three-quarter-length with her little dog in her arms. Seated in a gilded armch...

Louis Kronberg American, 1872-1965 Dancer in Green Pastel on board 14 by 21 in, w/ frame 20 ½ by 27 ½ in Signed lower right Louis Kronberg, a popular portraitist of the early 20th ...

Oil paint and pastel on paper Hand-signed and dated lower left

Oil paint and pastel on paper Signed by the artist

Oil, acrylic, pastel, and mesh. Unframed and un-stretched canvas.

"Woman in Red Turban” Portrait Oil Painting 63x47 in by Katherine Bakhoum Tisné Pastel on paper. Framed. Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...