Saint James The Greater, 17th Century ALBRECHT DÜRER (1471-1528)

Saint John the Baptist & Saint Benedict, 18th Century Diptych after lost work by Bartolomeo Montagna (1450-1523) Large 18th Century Italian Old Master depiction of Saint John the B...

Saint Nazarius & Celsus (350AD), 18th Century Diptych Of The Christian Knights & Martyrs after lost work by Bartolomeo Montagna (1450-1523) Large 18th Century Italian Old Master de...

Portrait Traditionally Identified as Topal Osman Pasha (1663–1733), 18th Century Italian School Large 19th Century Italian School Ottoman portrait identified as Total Osman Pasha, oil on canvas. Circa 1730 profile portrait of the Ottoman military...

Penitent Saint Peter, 17th Century School Of Carlo Saraceni (1579-1620) Large 17th century Italian Old master depiction of the Penitent Saint Peter, oil...

Saint Jerome in the desert Cercle of Lambert Van Noort (1520-1571, Antwerp) Antwerp School, mid-16th century Oil on oak panel. Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...

17th-Century Flemish School School of Peter Paul Rubens "Portrait of a Man with a Beard" Oil on Canvas 45.5 x 32.5 cm Based on a lost composition by Rubens, known from several copi...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Portrait de Frederic III, Electeur de Saxe, Year: 1873, Medium: Heliogravure, Size: 8 x 5.5 in. (20.32 x 13.97 cm), ...

Chiaroscuro woodcut on cream laid paper, printed from three blocks in black, olive-green, and yellow ochre, 8 3/16 x 6 1/4 inches (207 x 157 mm), thread margins. Some scattered light discoloration throughout, lightly backed with laid paper, however the sheet retains translucence when viewed through raking light. Trimmed at or near the margin. Archivally sound small repaired corner tear, upper right, with a very minor (1/4 inch) vertical edge split in the center top margin, above the figure's head. All condition issues are consistent with age, and present an exceptionally good example of this truly remarkable work. With the collector's stamp of Friedrich August II, King of Saxony, last King of Poland (1797-1854), Dresden, on the right corner, recto (Lugt 971). This work likely appeared in a well-known posthumous sale of Friedrich August II's private collection, which was handled by C.G. Boerner, and took place in Leipzig, on May 7-9, 1928, presumably this print was presented as lot 1551. [Stechow 16] Ludolph Busïnck was born at Hann, Germany around 1590. By about 1620 he was actively working as a printmaker in Paris, collaborating with publisher and celebrated cartographer Melchoir Tavernier. Busïnck may have studied printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the bold woodcuts he produced in France. Busïnck was the first printmaker to create chiaroscuro woodcuts in France, a technique originated by German artist Hans Burgkmair...