Bernard Glasgow

Man in Cowboy Hat

This artwork captures the beauty, strength, and grace of women from the diverse cultures of Africa and celebrates the beauty of African women in all their forms. Shipping Procedure ...

Learn from the past, Live in the present, Hope for the future, Do your best today, Never give up, Improve your tomorrows. Shipping Procedure Ships in a well-protected tube from Nige...

Oil on canvas by Pere Creixams Pico (1893-1965), School of Paris, ca.1920. Beautiful Spanish woman. Provenance: Charpentier Gallery, 76 rue du Faubourg Saint Honore, Paris (Sotheby's...

Mother Elizabeth, c. 1930 - 40s, tempera on Masonite, signed and titled upper left, 22 5/8 x 16 inches, artist's name inscribed verso of original frame Ernest W. Scanes was a Mich...

Sax Berlin is currently working in the heat of a villa in the Spanish desert, his "billion dollar hands" creating pieces referencing cutting edge icons. This new work has such colour...

This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...

Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1...

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

"Enjoying Old Times" by Charles Baker captures a poignant and joyful moment in the life of an older man, immersed in the beauty of nature. The painting features the man in the midst of a hike, his weathered walking stick in one hand, and a bottle of champagne in the other. His gaze is fixed on the bottle, a focused and content expression playing on his lips, suggesting a celebration of memories or perhaps a spontaneous toast to the present moment. Baker’s use of warm, earthy tones highlights the natural surroundings, with the man standing against a backdrop of greenery, a rocky path, and a clear, open sky. The composition is rich in detail, from the rugged texture of the man’s clothes...

Signed portrait oil on canvas circa 1898 by French neo-impressionist painter Achille Lauge. The piece is a beautifully textured with impasto and is a portrait of a French station mas...