Bernard Labbe

1950 s Modernist/ Cubist Painting - Two Fine Lady Caricatures

1950 s

Two Figures by Bernard Labbe (French mid 20th century), stamped verso original oil painting on artist paper overall size: 21 x 25.5 inches condition: very good and ready to be enjoye...

French Figure by Bernard Labbe (French mid 20th century) original gouache on paper, mounted on card size: 17 x 11.5 inches condition: very good and ready to be enjoyed provenance: t...

Amoureuses (Women in Love) Acrylic on Canvas 41 x 33 cm In Amoureuses, Greg Mathias delivers an emotionally charged dual portrait that merges bold modernism with raw intimacy. Two female figures emerge from a tapestry of angular lines, fragmented planes, and vibrant contrasts. Black contours define and disrupt the forms, while saturated reds, yellows, and earth tones highlight the figures' lips, hair, and eyes with almost theatrical intensity. Mathias’s Diachronic Cubism is palpable in this compact yet powerful composition. The faces appear to hold more than one emotional state or temporal expression, inviting the viewer to imagine multiple layers of affection, memory, or desire unfolding across time. The figures are both stylized and expressive—unified yet distinct—suggesting a narrative of closeness, duality, or romantic introspection. Executed in acrylic on canvas, this smaller-format work makes an immediate impact and is well-suited for collectors of contemporary figurative cubism. It’s a standout piece for those interested in bold color palettes, emotional resonance, and distinctive portraits with modern edge. Perfect for: Collectors of modern figurative cubism, lovers of expressive portraiture, and buyers seeking a compact yet high-impact artwork. Ideal for interiors emphasizing bold lines, vibrant colors, and character-driven contemporary art. Keywords: Greg Mathias, Diachronic Cubism, Modern Cubist Portrait, Contemporary French Artist, Acrylic Painting, Abstract Figurative Art, Red Lips Painting...

Deplacement Acrylic on canvas 60 x 92 cm “Déplacement” (“Displacement”) exemplifies Grégoire Mathias’s signature Diachronic Cubism — a contemporary evolution of Cubism that captures not only multiple perspectives in space, but also the passage of time within a single frame. In this work, intertwined faces and figures emerge through rhythmic geometric planes, suggesting both emotional movement and physical transition. The warm palette of ochre and sienna contrasts with sharp greys and whites, creating a powerful sense of fragmentation and reunion. Subtle red linework recalls the artist’s architectural precision, while the composition’s temporal layering evokes fleeting moments suspended between past and present. This piece reflects Mathias’s ongoing exploration of the human form through temporal geometry — a visual dialogue between motion, memory, and identity. Collector’s Insight: This work belongs to the artist’s larger inquiry into time and perspective, where emotion and structure coexist. It offers a bold yet intimate statement for modern interiors or collectors drawn to the lineage of Cubism reimagined for the 21st century. Perfect For: Collectors of figurative or abstract Cubism • Modern and contemporary interiors Collector’s Insight: This work belongs to the artist’s larger inquiry into time and perspective, where emotion and structure coexist. It pairs beautifully with Après Midi en Grèce or Le Banquet, offering a bold yet intimate statement for modern interiors or collectors drawn to the lineage of Cubism reimagined for the 21st century. Perfect For: Collectors of figurative or abstract Cubism • Modern and contemporary interiors • Vertical wall art...