Framed Portrait Paintings

Lisa Fricker's "A Realist" is an original, handmade oil painting that depicts a portrait of a man deep in thought, it measures 8 x 8 inches. This painting is framed and ready to hang...

Portrait of James Stanley (1750 - 1810), circa 1775-1778, full-length, wearing a red coat and breeches and a gold embroidered waistcoat, hold...

Francesco Galante (1884-1972), "The Young Mother," oil on canvas signed lower left F. Galante. Neapolitan school of the early twentieth century. This painting belongs to the highes...

An unusual detailed oil depicting a female figure darning socks in a country cottage. Signed and dated 1889 to the lower left. Well presented in a swept gilt effect frame. On canvas ...

Benjamin Herring Snr (British, 1830-1871) Saddled bay hunter 1863 Oil on canvas With old Christie's stencil verso Property of a gentleman From the collection of Peter Roe Dimension...

Aixa Oliveras's (US based) "Desvelada" is an original, handmade oil painting that depicts a model laying in bed looking at her cell phone. This piece i...

A charming oil portrait of a seated young lady wearing a light blue cardigan and pleated skirt. Well-presented in a gilt wood frame with a white inner window. Unsigned. On canvas board.

The painting is painted on money. It represents a new trend in world art. This trend is represented in 40 countries. My paintings are in museum collections around the world. This is ...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...

“Petit Garçon” Huguette Ginet-Lasnier (French 1927-2020) inscribed verso framed signed oil painting on canvas framed: 16 x 12 inches canvas: 13 x 10 inches. All the paintings we have...

Joseph Lavos (Austrian, 1807-1848) Signed: J. Lavos (Lower, Right) " Memories of The Year 1840 ", 1840 (written on the note within the sitter's hand, translated from German) Oil o...

Fedor Encke (1851-1926) – German Full length Portrait of Jeannie Netter, standing in an interior, wearing a Burgundy Velvet Dress holding a Pink Rose Oil on canvas :85 ¾ x 50 ¼ in. Frame :103 x 67 ¼ in. Signed & inscribed ‘New York’. Circa 1910 Jeannie Netter was an American born musician and song-writer but was mostly merited for her sculpture having been taught by the Russian artist Bernstamm. Fedor Encke was born in Berlin, Germany in 1851. Younger brother of Erdmann Encke who was a sculptor, Encke was the illegitimate grandson of King Frederick Wilhelm II of Prussia and Mistress Wilhelmine Encke, Countess of Lichtenau. Fedor studied under Karl Gussow in Berlin and then went on to study in Rome and Paris. Although he set up a studio in Berlin during the 1880’s, he seems to have travelled regularly between Paris and New York painting many American Society sitters, including President Theodore Roosevelt. Encke’s portrait of Roosevelt dressed in Rough Rider uniform, originally hung in the dining room of the White House and is now at the Presidents place of birth, Segamore Hill, New York. This portrait was also published as the frontispiece of ‘The Rough Riders’ by C. Scribners&Sons, 1899. Encke was in Paris in 1902 and painted the two banking giants, John H. Harjes and J.P. Morgan both having their portraits painted at the same time. To try and finish Morgan’s painting Encke hired a young photographer named Edward Steichen to take Morgan’s picture as a kind of aid memoir to minimize the sitting time. This photograph and the painting that resulted from it caused a considerable stir because of the uncompromising pose of Morgan. The portrait became synonymous with the new capitalism. Encke seems to have been very well connected socially and painted for many members of the European nobility as a result. Encke died in 1926. Works in Museums: Segamore Hill, New York (Portrait of Theodore Roosevelt) National Portrait Gallery America; Smithsonian; Brooklyn Museum of Art; Philadelphia Museum of Art. Bibl: Book on Moses Ezekiel...

"Route 66" (2018) is a mixed media piece on canvas by Inés Silvalde, measuring 22.4 x 32.3 x 5 cm, and presented in a wooden frame. This work, part of the Influencers de Taberna seri...

Artist/ School: French School, circa 1930's, signed very lower right corner and inscribed verso Title: 'Jeune Fille' Medium: oil on canvas laid over board, framed in a period gilt ...

Frank Samuel Eastman (1878-1964) Self Portrait Oil on canvas Canvas - 34 1/2 x 26 1/2 in Framed - 40 x 32 in Provenance: by descent from the artist Frank Eastman...

Painted by the noted British Impressionist artist Bernard Fleetwood Walker, this fine oil on panel portrait depicts Pauline and was painted circa 1950. It was exhibited at The Royal Academy the same year. Housed in its original Bourlet exhibition frame, it is a fine example of his work. Signed lower left. Provenance. Exhibited Royal Academy 1950, Memorial Exhibition. Bourlet frame and transportation label verso. Condition. Oil painting on panel, 20 inches by 16 inches and in excellent condition. Housed in its original exhibition Bourlet frame, 27 inches by 23 inches. In very good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-965) was an English artist and teacher of painting. Invariably known as B. Fleetwood-Walker, he was born in Birmingham, United Kingdom, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

"Admiring Her Looks" by Auguste Toulmouche is a quintessential example of 19th-century academic art, emphasizing beauty and technique. Toulmouche's work often explores themes of femi...

Portrait of a Young Girl – Charles Hermans (1839–1924) Oil on panel – 35 x 27 cm Antique carved and gilded frame Signed at the top right This intimate work is signed by Charles Herma...

A delightful 20th-century expressionist study of a sophisticated lady enjoying a glass of wine. Loose brushstrokes, a unique perspective, and cool tones convey a relaxed elegance, wh...

Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...

This piece is a pertinent example of Martha Walter's most precious oil portraitures. Her use of the pallet is effortless with bold brushwork, strong executions, and soft details. Wal...

In the style of the Old Masters. Unsigned. Presented in an oval gilt frame. On board.

Richard Gibbons Mother and Daughter, 2021 oil on canvas board 16h x 12w in 40.64h x 30.48w cm RAG090 Richard Gibbons Born in Toledo, OH 1972–1973 American Academy in Rome Archaeol...

Casey Childs' (US based) "Last Light" is an oil painting that depicts a female with upswept blonde hair reflected in a mirror. Artist Statement: "My work as a whole encompasses an ...

The Game Keeper by John Edwards (English, 1940 - 2020) signed oil on canvas, framed framed: 29 x 23.5 inches canvas : 23 x 18 inches Provenance: private collection, England Condition...

The Lovers Signed lower right: C.W. Hawthorne Tempera on panel, 40 x 40 inches (101.6 x 101.6 cm) Framed dimensions: 44 1/8 x 44 1/8 inches Provenance Sotheby's, New York, March 17,...

This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...

L'Etrange Puzzle Surrealism Contemporary Creatures Animal Universe In Stock - Size is without frame Gérard Willemenot (1943, Paris, France) graduated as an architect at the School o...

Modernist mixed media abstract portrait. Framed. Mixed media original collage. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, r...

Oil on canvas sold with frame Total size with frame 78x87 cm Hannes FRITZ-MÜNCHEN is an artist born in 1886 and died in 1981

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter ye...

David Cheifetz's "Convergence" is an original, handmade oil painting that depicts a woman converging with a city. About the Artist: David is an internationally acclaimed and collec...

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...

JAUME QUERALT (Tarragona, 1949). “Raquel”. Técnica mixta y collage sobre papel. Firmado y titulado en el ángulo inferior izquierdo. Fechado en el ángulo inferior derecho. Medidas:...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...

Gerard Portielje Antwerp 1856 – 1929 Remich, Luxembourg Belgian Painter 'Cutting the Bread' Signature: signed lower left 'Gerard Portielje', artist’...

Oil on canvas 130 x 90 cm (51 x 35,4 inch) ; 165 x 132 x 8 cm the frame (64.96 x 51.97 x 3.15 inches) Provenance: Achille François Bégé ; family estate Louis Hersent, second “Prix d...

Portrait Of A Ballerina, early 20th Century by Marcel BLOCH (1882-1966) Large early 20th Century French Impressionist portrait of a ballerina, oil on canvas by Marcel Bloch. Good q...

"Portrait of a Lady" French School, early 1900's oil painting on canvas, framed painting: 48cm x 41cm framed: 69cm x 60cm Beautiful quality early 1900's French Impressionist oil pa...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame .unsigned. Identity of the sitter as yet unknown. The artist has managed to capture her ethereal b...

This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Portrait of a Girl Year: circa 1964 Medium: Oil on Canvas, signed l.l. Size: 14 in. x 10 in. (35.56 cm x 25.4 cm) Frame Size: 21 x 17...

Circle of Jacob Ferdinand Voet Portrait of a Little Girl Oil on canvas H. 44 cm; W. 38 cm Unsigned This delicate portrait of a child, from the circle of Jacob Ferdinand Voet, demons...

Country girl - Angelo Granati Italia 2005 - Oil on canvas cm. 51 x 38 In this precious painting, the painter drew inspiration from the masterpieces of the Neapolitan...

James Dean Smoking Cigarette Portrait Pop Art by British Urban Graffiti Artist, Chris Pegg. Chris Pegg is a self-taught Street Artist producing artwork with a strong social commentar...

Fine Portrait of a lady standing in a landscape wearing a white satin dress and holding a posy of flowers. Manner of Sir Godfrey Kneller (1646-1723) ...

Antique impressionist painting. Watercolor and gouache on paper, circa 1950. Housed in a vintage frame. Image size, 11L x 9H.

This vibrant acrylic painting by Natasha Lelenco, part of her on process Ancestor Clones series, features a striking symbolic face depicted in intense shades of green. The portrait's...

Portrait of a Genovese Sailor, ca. 1890. Watercolor on cardboard measuring 4 x 5.5 inches; 9 x 11 inches framed.

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Beautiful portrait of Anna Morell Blix Sjöberg painted by Astrid Kjellberg-Juel, 1899 Oil on masonite 15.5" W x 19.5" H Frame: 18.5" W x 22.75" H ASTRID KJELLBERG-JUEL (1877 - 1965) Kjellberg-Juel studied art for Julius Kronberg...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Como pueden apreciar, la obra va firmada por el artista en la parte inferior (A.GROSZ) Se presenta enmarcada la obra (el marco presenta algunas faltas) El estado de la obra es buen...

A fine portrait oil on canvas by noted British Staithes listed artist Ernest Higgins Rigg. It is a super Edwardian portrait of Enid Richards and was painted at Govilon in Wales in 1...

A charming portrait depicting a woman in fine evening wear. Unsigned. Presented in a gilt frame. On board.

Artist/ School: George Robert Rushton (British 1869-1948), signed lower left Title: Figure Walking in Continental Landscape Medium: oil on boar...