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Genevieve May
"Killing Them Quietly" Oil Painting 24" x 24" inch by Genevieve May

2025

$12,500
£9,518.49
€10,960.28
CA$17,713.60
A$19,053.51
CHF 10,182.75
MX$224,586.61
NOK 128,380.62
SEK 117,364.25
DKK 81,891.82

About the Item

"Killing Them Quietly" Oil Painting 24" x 24" inch by Genevieve May Medium: Oil and gold leaf on panel Killing Them Quietly: The serpent is an animal of instinct and calculation. I have never understood why people repeatedly throughout time, depict the serpent as an evil creature; as if the snake’s intentions behind their strike or strangle has any malice. Are we projecting our fears in our own humanity onto the reptile; applying an alternate incentive behind their need to quietly kill? Or are we merely intimidated by the animal’s ability to have such a powerful impact on the ecosystem, in complete silence? Almost blind, no limbs to run, no ears to hear; they rely on the very vibrations of the earth and surrounding temperature changes to assist in their hunting skills. A snake will patiently wait for their prey to arrive at the perfect moment before they strike. Their life depends on it. The snake will embed their venomous fangs into warm bodied creatures, paralyzing their kill within moments. They will strangle their prey to death, insuring that the animal will not attack or hurt them during their vulnerable digestive process. Yet we find that to be strange, misleading and sly, as if the serpent intends to make their prey feel foolish for being in the wrong place at the wrong time. We find it unsettling that they slither and do not walk, that they are cold blooded and lack any hint of emotional expression on their faces. Yet still, the serpent has never started a war, told a lie, or taken more than what they need. About Genevieve May: Genevieve May is celebrated for her distinctive fusion of typography and symbolic realism. Coming from a diverse creative background, including painters, authors, filmmakers, fashion designers, sculptors and musicians, she embraces different mediums to convey the human experience. Her work often integrates elements of fashion, music and calligraphic poetry to convey her narrative. Although painting is central to her work, May’s practice is multifaceted, fusing together visual art with music, calligraphy, symbolism, cinematography, and fashion elements. She feels that her artistic language cannot be confined to a single medium. Raised in a renovated tobacco barn in a rural town outside of Northampton, Massachusetts, Genevieve May was born the daughter of accomplished artists and authors, Dennis Nolan and Lauren Mills. Genevieve remembers many formative trips to museums, art classes, and gallery openings. As a child she studied classical drawing, calligraphy and painting with her parents and later studied figure drawing and sculpting at Lyme Academy, all before the age of fifteen. Upon entering high school she took credited college courses in egg tempera painting and in addition, studied watercolor and fresco painting with her parents in Europe. Later, Genevieve studied color theory and cadaver life drawing at Stamford University. Here she was able to practice the old renaissance tradition of dissecting human bodies in order to improve figurative drawing skills. She attributes her knowledge and deep understanding of the human form to this intensive. Once she felt that she had grasped the techniques her education provided, she summoned her art forms and created her own methods of self expression and story telling. Genevieve May currently lives and creates alongside her partner, artist E.C. Baugh, in New York City.
  • Creator:
    Genevieve May (American)
  • Creation Year:
    2025
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Culver City, CA
  • Reference Number:
    1stDibs: LU1085117209902

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