Giuseppe Cammarano

Portrait of Vincenzo Bellini

1819

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Carl Magnus Lindqvist (1884-1977) Sweden Portrait of a Young Woman (1911) oil on canvas mounted on masonite signed and dated unframed 43 x 35 cm (16.9 x 13.8 in) framed 49.5 x 41 c...

Painting, 19th century, oil on canvas, "Young woman with flower basket" Signed, F.Bach. Dimensions with frame 52cm x 72.5cm

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

THE SUNDAY STROLL - ADAPTED TO TODAY'S TIMES Carl Spitzweg, the painter of "The Sunday stroll," was a German genre painter representing the Biedermeier ...

Gold & Despair is my adaptation of Gustav Klimt’s masterpiece "The Woman In Gold", also known as The Mona Lisa of Austria. Having admired the symbolic art of Klimt since my working days as a fine art restorer at Vienna’s prestigious Conservation Institute (Bundesdenkmalamt) in the 1980’s, I conceived the idea to recreate the jewel of his gilded period with an interpretive lens on the looming darkness of the Holocaust and World War II. As a native of Austria, Salzburg, I have developed an appreciation for Klimt’s art, and Art Nouveau in general. For the last thirty years, I have lived in New York City and worked as a fine art restorer, conservator, and painter as well as in the healing arts. Klimt had executed The Woman in Gold in the span of four years (1903-1907). My own creative process during 2014-2017, reflects my diligent care and thoroughness in rendering the original painting. In 2014, I started with the preparation of the canvas using Klimt’s original size of 54 x 54 inches (167 x 167 cm). For gesso, I used the traditional method of rabbit skin glue and chalk. For the painting, I used oil paints and genuine 23.5 karat gold in various shades, as well as silver leaves, to magnify the brilliant sheen of Klimt’s gold...

"Muses of the Universe" is a visual poem about the profound unity of the elements and feminine energy. The images are interconnected and unified in a Single Circle of Power: a self-s...

Ca. 1820 Portrait of a Woman. Léon Cogniet (1794-1880, Paris), attributed. French school of 19th century. Tecnicque: oils on canvas. Dimensions: 70cm x 61cm 20th century wooden frame. Old attribution to Léon Cogniet (1794-1880, Paris) is inscribed on the wooden frame. Portrait of the restoration period, post Napoleonic wars. Stylistically the painting is found in the transition period from the late Empire period to the beginning of Romanticism. The new artistic trends can be seen in the increased naturalism, representation of the landscape/nature, in the contrasts, and in a greater emotionality of the person represented. Detailed but loose is the way to describe the winter dress...

"Lucia" is a painting by the South African - French artist Leith Ridley. A bit of fun and colour based on the face of portrait of a young woman in a black hat by Petrus Christus in ...