Istvan Szasz

Istvan Szasz "Fortune Teller" Original Oil Painting C.1930

Circa 1930

Lajos Szanto (1889-1965) Original Oil Painting c.1930s A bustling market scene. Oil on canvas. Dimensions 30.5" wide x 24.5" high. The frame measures 36.5" wide x 30.5" high. Sig...

Pair of 19th Century "Gambling" Oil Paintings After Adriaen van Ostade Each painting shows men gambling in a cellar Original oil on canvas Dimensions 10" wide x 12" high The orna...

Mid 20th Century Oil Portrait of a Fashionable Young Woman by Barrow c.1970 Bright, bold and colorful painting - Classic vintage oil portrait Or...

Early 20th Century Oil Painting "Fishing" by E. Smette c.1917 Antique oil painting of a group of young friends fishing on the backyard dock. Original oil on canvas. Signed in the l...

Large Oil On Canvas With Young Gypsy Fortune teller. LARGE OIL ON CANVAS WITH YOUNG Gypsy guessing the future VERY INTERESTING OIL ON CANVAS REPRESENTING A YOUNG Gypsy guessing the FUTURE. IT IS SIGNED BY: PRADILLA AND TITLE: discovering the future. CIRCA 1900. MEASURES 104X94 CM ONLY OIL WITHOUT FRAME . Francisco Pradilla...

Herbert Ashwin Budd The Fortune Teller 1881-1950 Oil on canvas, signed 'H.A Budd' lower right Image size: 18 ½ x 14 ¾ inches (47 x 37.5cm) Original frame Rendered in an almost autumnal colour palette with Darnley Fine Art, Budd’s oil painting depicts a Romani Gypsy engaging in the practice of fortune-telling whilst an enraptured crowd watches on. Clasped in the fortune-teller’s hand is a crystal ball, whilst behind him is a wall on which a deck of cards is pinned. Crystallomancy and cartomancy are two ways in which fortunes have historically been told, and are two practices particularly associated with Roma communities.In communities where Romani people have historically been confined to the periphery, fortune-telling - or dukkering, as it is called in the Romani language - provided an opportunity to earn money whilst practicing their own culture. Budd was known for his paintings depicting scenes of life from London, so it is likely that the setting of this painting is an anonymous London street. It is easy to see a continuity between the performer depicted in this work from the early 20th century, and the variety of magicians and acrobats enticing crowds in today’s world. Herbert Ashwin Budd Herbert Ashwin Budd was born in Staffordshire in 1881. In his twenties, he was an apprentice lithographer at Allbut Stanley, and was eventually elected a member of the Amalgamated Society of Lithographic Artists in 1901. Between 1903 and 1907, Budd studied at the Hanley School of Art before winning a scholarship to study at South Kensington’s Royal College of Art. Budd was an Associate of the Royal College of Arts and a member of the Royal Institute of Oil Painters. His works were exhibited at the Royal Academy, the New English Art Club, and the Ipswich Art Club - he was also given an Honourable Mention at the 1927 Paris Salon. In the 1930s, he worked for London Transport and designed their travel posters, whilst also teaching at St Martin’s School of Art until 1949.Herbert Ashwin Budd passed away in 1950, leaving behind a wonderful artistic legacy with his striking oil paintings of London...

Jadviga Žilvinska (1918-2010) was born in Tallinn. She grew up in Liepāja, where her great interest in art began and strengthened, which led the young artist to study at the Art Academy of Latvia. During her studies at the Academy, she studied with K. Ubāns, V. Tone and J. Liepiņš, and defended her diploma thesis under the guidance of L. Liberts. Later on, she devoted her entire life to art, working at the Liepāja School of Fine Arts and as a portraitist at the "Māksla" combine. She had four favourite themes: landscapes, portraits, flowers and sacred painting. Her works have lyricism and inner harmony. In the portraits, we see not only the outer form of a person, but the artist allows us to look into the very essence of a person - it is likely that the models themselves often saw something new and bright in themselves through the artist's vision. The works are executed in various techniques - tempera, oil, pastel and watercolour. CV: 1938 - Graduated from the Liepaja Secondary School of Applied Arts, Department of Decorative Painting. 1943 - Latvian Academy of Art, L. Liberts Figurative Painting Workshop with her diploma work "At the Artist's" 1946-1948 - teacher of painting and drawing at Liepāja Fine Arts High School. 1948-1966 - portraitist at the "Māksla" combine Participated in exhibitions since 1948. Member of the Artists' Union since 1966. Solo exhibitions in Riga, Jelgava, Sigulda (1972); Riga (1975; 1978; two in 1981; 1986; 1994), Jurmala (1979). Works exhibited in Latvia as well as abroad (Poland, Switzerland, Italy, Japan, Finland, Venezuela, Germany, Hungary). The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia of Riga The altarpieces "The Heart of Jesus" and "Our Lady of Fatima", the paintings "John the Baptist" and "The Holy Family" , all from the late 1960s, in the Church of St Mary Magdalene...

3831 Oil painting of a gypsy fortune teller