Portrait Of Ferdinand I Gonzaga, Duke of Mantua Montferrat, Knight Of Malta

From the late 1920s to the eve of World War II, Anton Vorauer was an art professor at the Vienna Fine Art Academy. While painting at the Parthenon during the Nazi invasion of Greece,...

Helena Adele Dunlap American, 1876-1955 Study of a Nude Man Oil on canvas 16 X 12 in. w/ frame 19 ½ X 15 ⅝ in. Signed lower left Helena Dunlap was best known for her involvement in...

Helene Girod De L’Ain French, 1926–1966 Woman Surrounded by Golden Flowers Oil on canvas 24 X 18 in. w/ frame 28 ⅜ X 22 ½ in. Signed upper right Helen studied at the L’Ecole Nation...

Portrait of a Girl is an original Contemporary artwork realized in 1970s Century by the italian Contemporary artist Leo Guida (1992 - 2017). Original Oil on Canvas. Dimensions: cm ...

A terrier named Joe standing in an English country house walled garden, painted by the eminent animal painter John Emms (1844-1912) in the late 19th cent...

Two Warwickshire hounds, named Hermit and Wildboy, standing in a landscape. Signed and dated 1889 (lower right) and signed, inscribed and dated on the reverse. Oil on canvas in a gil...

A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted feigned oval, wearing a green silk gown with chestnut coloured cloak over one shoulder, her fair hair curled in the fashionable ringlet style of the period. Oil on canvas in an English giltwood 'Lely' frame. We are grateful to Diana Dethloff and Catharine MacLeod (who are currently working on a Lely catalogue raisonné) for their confirmation of Lely as the artist from photograph analysis of this previously unidentified early work. Provenance: Private collection Nottingham until 2021 Mellors and Kirk sale December 2000, lot 1173 The sitter is likely to have been from an upper class or aristocratic family in court circles, who were the main source of Lely`s patronage. The simple composition serves to highlight the beauty of the sitter through portraying her pale decolletage and complexion, set against the gentle gaze of her blue eyes, the soft blush of her cheeks and her full red lips. Peter Lely (1618-1680) was originally of dutch origin and became Principle Painter to the King in 1661, following in the footsteps of Van Dyck who had died in 1641. He dominated the portrait painting scene in England for over 20 years, creating a distinctive 'court look' in his work which had a strong influence on many other artists. He had an extremely successful and popular portrait practice which meant that he soon had to develop production methods that could accommodate the high demand for portraits, and also for copies and versions of them which were given as gifts to family and courtiers. The use of studio assistants was a common practice for busy artists and as with Van Dyck, Lely is known to have used specialist assistants to execute particular parts of his paintings. Artists who worked in Lely`s studio included John Baptist Gaspars who specialised in drapery painting, William Wissing, John Greenhill...

A queer figurative painting of a shirtless man coming out of the ocean by Mark Beard. Signed in red, u.l. This work is offered by ClampArt in New York City.

[Bruce Sargeant (1898-1938)] Christopher Posing with Leather Jacket in White Jockstrap n.d. Signed in red, u.r. Oil on canvas 24 x 12 inches $3,250 + $125 framing This work is o...

Bruce Sargeant (1898-1938)] Nude Male with Towel n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 81.875 x 34.25 inches This work is offered by ClampArt in New York City.