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Jennifer HornyakFemme avec cheveaux rouges - small lavender, pink, purple, female figurative oil2014
2014
$4,750List Price
About the Item
- Creator:Jennifer Hornyak (1940, Canadian)
- Creation Year:2014
- Dimensions:Height: 18 in (45.72 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU291487802
Jennifer Hornyak
Jennifer Hornyak (Jennifer Lynne Hampton) was born in Grimsby, England. From 1956 to 1959, she attended the Grimsby School of Art. In 1961 she immigrated to Montreal, Quebec, Canada. She continued her art studies at McGill University, the Montreal Museum of Fine Arts, and at the Saidye Bronfman Centre where she first exhibited her paintings of Montreal scenes and personalities. Hornyak's first solo exhibitions were held in 1984 and 1985 at Galerie Claude Lafitte (Montreal). Praised by art reviewer André Martin for her gift of "anecdote",[1] Hornyak then participated in a group show at Place des Arts (Montreal) and held a solo exhibition at Nancy Poole's Studio (Toronto). In 1987, Hornyak was the sole Canadian to participate at the Paris World Exhibition at the invitation of her patron, Baroness Marie-Hélène de Rothschild.[2][3] Exhibiting her paintings alongside those by Pablo Picasso, Amedeo Modigliani, and Kees van Dongen, increased recognition led to her participation in Feminissima at Galerie Artcurial (Paris) as the sole Canadian among artists from 35 countries,[4] and at the Palais des Expositions (Nice).[5] The following year she exhibited at Donna Heuhhoff Gallery (Dallas), at Sandra Werther Fine Art (New York) in 1989, and held a solo show at Eleonore Austerer Gallery, San Francisco in 1991. Throughout this period, she honed her technique at the Vermont Studio Colony with Stanley Boxer, George McLean and Elmer Bischoff and with Elizabeth Lyons in Tuscany, Italy.[6] By 1991, Hornyak's work had been reviewed in the prestigious journals ARTnews, Art Auction, Art in America, Beaux-Arts (France) and Mizue (China),[4] but continued to evolve. Increasingly introspective, in 1994 art reviewer Bernard Théoret noted that her "'appeal to the unconscious was impressionistic like an invitation to the garden of the soul".[7] Flowers soon became her symbol of "universality" and dominant subject.[8] Influenced by the graphic still lifes of Giorgio Morandi,[8] her signature style, of "semi-figurative, almost abstract, works... built up through a complex technique of richly coloured glazes", was evident by 2003.[9][10] Since 2003 Hornyak has held over ten solo exhibitions in cities such as Ottawa[11] and Halifax.[12] A participant in many group shows,[13] her paintings are exhibited alongside work by Jim Dine, Chuck Close, and Tom Hopkins in Montreal,[14] and at Miami Art Basel, the Chicago Contemporary and Classic, and Toronto International Art Fair. In 2013, Hornyak exhibited across Canada at Wallace Galleries (Calgary), Trias Gallery (Toronto), Oeno Gallery (Kingston), Galerie St-Laurent + Hill (Ottawa), Galerie de Bellefeuille (Montreal), Studio 21 (Halifax) and Trinity Gallery (Saint John). In April 2015 her first solo exhibition of figurative works in over twenty-years, The Figure Revisited at the Visual Arts Centre (Montreal), was included in the "Must-Sees" column in Canadian Art.
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EXHIBITIONS
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
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Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
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Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
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Khalid Altijir
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Thomas Kaczmarek
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SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
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