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John MacWhinnie
Portrait of Patrizia Anichini
1972

Name: Portrait of Patrizia Anichini
Brand: John MacWhinnie
Rating: 4.9 (49 reviews)

$1,800List Price

About the Item

John MacWhinnie (b.1945). Portrait of Patricia Anichini. Oil on canvas, 1972, signed 'MacWhinnie' and dated lower right, with label from the Parrish Art Musuem. 28 x 18 in., 29 1/4 x 19 1/4 in. (frame). Provenance: Elaine Graham Weitzen Gallery; collection Dr. and Mrs. Hyman Weitzen. Condition: Craquelure and surface soiling. Oil on canvas, 1972, signed 'MacWhinnie' and dated lower right, with label from the Parrish Art Musuem. 28 x 18 in., 29 1/4 x 19 1/4 in. (frame). Provenance:The artist. Condition: Craquelure. Biography: 1945 - Born April 22 in Rockville Centre, NY 1963 - Moves with family to Southampton, NY 1964-72 Undergraduate studies in Philosophy at Southampton College, New School for Social Research, Hunter College. 1964- Meets Fairfield Porter 1972 - Graduated Magna Cum Laude with Bachelor of Arts degree from Southampton College of Long Island University. 1965 - Lives in Greenwich Village, New York. Begins painting. 1966 - Studies painting under Larry Rivers. First one-man shows, Southhampton College. 1967-73 Willem DeKooning visits studio several times. 1967 - Paints backgrops conceived by Alex Katz for John Myers Artists Theater at Southampton College. 1967-75 - Fairfield Porter becomes close friend. 1969 - First New York one-man show, Brata Gallery, New York. John Ashbery review, Art News. One-man show, Gotham Book Mart, New York. One-man show Southampton College. 1970 - One-man show at Gotham Book Mart, New York. Group show, Dorsky Gallery. 1971 - Selected for Who's Who among American Students. Prize for excellence in painting, Heckscher Museum, NY First prize for painting, Parrish Art Museum Southhampton, NY. One-man show, Tower Gallery, Southampton, NY 1973 - One-man show Parrish Art museum Southampton, NY One Man Show Tower Gallery, Southampton, NY; One-man show, Southampton College, NY. Included in New York Directions Show, Heckscher Museum. 1974 - Prize for excellence in painting, Heckscher Museum, NY Oneman show, Borgenicht Gallery, New York. John Ashbery catalogue introduction. Major article by Amei Wallach in Newsday. 1975- Guggenheim Museum purchases major painting "The Studio" 36 ft, long. Group show, Borgenicht Gallery, New York. Group show at University of Bridgeport, Ct. Brooklyn Museum acquires landscape. Interview with David Shapiro appears in Art International. Group show, Andre Emmerich Gallery, New York. 1976 - One-man show, Andre Emmerich Gallery, New York. Tara Collins article appears in Arts magazine. 1978 - Joins Marlborough Gallery, New York. "Aspects of Change" Group show, Heckscher Museum, NY. One-man show Tower Gallery, Southampton NY. In his drawings, John MacWhinnie's touch looks both fast and careful. As passages of light and dark gray build themselves into volumes, the surface takes on a lively filicker. Lots of paper shows through, so white advances constantly twoard the eye, flattening volumetric forma and working against illusions of space. Space resists: MacWhinnie's flickering grays lead into depth and provide form - especially bodies - with convincing situations to inhabit. Art Contradictions the Fascinate - NY Times Article By DAVID L. SHIREY Published: June 28, 1981 WATER MILL THOUGH he is only 36 years old, John MacWhinnie has been a presence in Long Island painting circles for 15 years. He had his first solo exhibition at the Cord Gallery in Southampton in 1966, followed by a number of shows at Southampton College. He has also been featured at the Parrish Art Museum and garnered a prize at the Heckscher Museum for excellence in painting. Mr. MacWhinnie took some time to find his own voice, having been influenced by Willem de Kooning, Larry Rivers and Alex Katz. He flirted with a variety of popular stylistic persuasions as if he, like Raphael, had to swallow all he admired before he could become his own man. As his current exhibition at the Louise Himelfarb Gallery proves, he has been his own man for quite a while. We can still recognize his artistic infatuations - at times too strong - but in most cases he has subsumed them into his own mature vision. In his best endeavors, we view these infatuations as nods to his own past. The exhibition is not big enough to provide a comprehensive notion of Mr. MacWhinnie's esthetic evolution toward autonomy, yet it offers a number of examples that demonstrate his broad and considerable talent as both a draftsman and painter, as well as his individual strengths. One aspect that contributes forcefully and intriguingly to Mr. MacWhinnie's art is its contradictory nature. In works like ''Kerri'' and ''Sleeping Woman,'' it pays a strong tribute to the traditional with its emphasis on primacy of line, its modeling techniques and subject matter, while the overall effect is decisively modernist. By any measure, the artist is a Western painter, but there is an unmistakable Oriental aura in the serenity of his work and in its confident delicacy, as in ''Still Life With Birds.'' His portraits, such as ''Julie Manet,'' and some of his landscapes, done in oil on paper, can seem summary in their impetuous sketchiness and still seem finished. His ''Study for Swimmer'' and ''Osage Indian or Early Morning'' can project the stoicism of an ascetic and yet convey a stirringly expressive mood. And, too, there is a disruptive approach in some instances, a cavalier archness, that contrasts brusquely with the personal warmth. A sensuality of faint colors is suffused into compositions that can be quite rigorous, with the severe self-consciousness of old photographs that they suggest. Mr. MacWhinnie can flesh out parts of his figures, like the head, with a plastic assertiveness, while the rest of the body is absorbed into the stylized and mechanical flatness of his composition. The artist nimbly and effectively bridges imperatives of abstract and representational art. On view with Mr. MacWhinnie's works is the art of John Day. Like Mr. MacWhinnie, Mr. Day has a penchant for pictorial paradoxes, but he is an abstractionist who combines a quiet voluptuousness of color and light with a stern geometric structure. While we are aware in these fascinating works of the freedom and imaginative subtleties suggested in the colors and the lyrical light, we are also conscious that these effects are kept in check by the structural severity Mr. Day has imposed upon them. There seems to be a tranquil push and pull between the actual surfaces of the works and their intimations of depth, a kind of mathematical certainty about them pitted against a metaphysical and spiritual ambiguity.

Creator:
John MacWhinnie (1945, American)
Creation Year:
1972
Dimensions:
Height: 28 in (71.12 cm)Width: 18 in (45.72 cm)
Medium:
Canvas,Oil
Movement Style:
Realist
Period:
1970-1979
Condition:
Gallery Location:
Wilton Manors, FL
Reference Number:
1stDibs: LU24524732661

1870s Realist Portrait Paintings

Materials

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August Holmberg
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Robert Kenneth White "Sanctuary in Feathers" Large Figurative Oil Painting

Located in Miami, FL

ROBERT KENNETH WHITE – "SANCTUARY IN FEATHERS" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display HUMANITY AND HARMONY “Sanctuary in Feathers” captures a poignant moment ...

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Robert Kenneth White
Robert Kenneth White "Sanctuary in Feathers" Large Figurative Oil Painting, 2018

$4,900 Sale Price

$14,000

H 39 in W 39 in D 1 in

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Randall Exon (b.1956). Matthew, 1990. Oil on wood panel. Measures 24 x 36 inches. Unframed. Excellent condition with no damage or conservation. Signed and dated lower right. Gallery stamp on verso. Plastic wall mount taped down on verso. Provenance: The More Gallery INC, Philadelphia; Aramark Corporate Collection. Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. In 2003, the James A. Michener Art Museum in Doylestown, Pennsylvania, staged a solo exhibition of his work. He was awarded the Thomas Benedict Clarke Prize in the 2004 179th Annual Invitation Exhibition of Contemporary American Art at the National Academy Museum and School of Fine Arts, New York. 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Michener Art Museum, Doylestown, PA 2001 Mulvane Museum of Art, Topeka, KS 2000 More Gallery, Philadelphia, PA 1998 More Gallery, Philadelphia, PA 1996 More Gallery, Philadelphia, PA 1994 More Gallery, Philadelphia, PA 1993 Tasis England American School, Main Gallery, Thorpe, Surrey, England 1992 More Gallery, Philadelphia, PA Theatre Gallery, Washburn University, Topeka, KS Widener University Art Museum, Chester, PA 1990 Charles More Gallery, Philadelphia, PA 1988 West Chester University, McKinney Gallery, Mitchell Hall, West Chester, PA Charles More Gallery, Philadelphia, PA Carleton College, Northfield, MN 1987 University of Maine at Machias, University Gallery, ME Topeka Public Library, Central Gallery, KS 1986 More Gallery, Philadelphia, PA 1984 More Gallery, Philadelphia, PA Stoneybrook School, Suffolk, Long Island, NY 1981-82 Florence Wilcox Gallery, Swarthmore College, PA Beauchamp Gallery, Topeka, KS SELECTED GROUP EXHIBITIONS 2019 Unforeseeable Thereness, Stanek Gallery, Philadelphia, PA 2018 Vis-à-Vis, Hirschl & Adler Galleries, New York, NY 2017 The New Baroque, Booth Gallery, New York, NY, curated by Robert Zeller Painted Landscapes: Contemporary Views, Heritage Museums and Gardens, Sandwich, MA 2016 Mixed Environs: Contemporary Painters, Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA 2015 Home is Where the Art Is, Hirschl & Adler Galleries, New York, NY 2014 Our American Life, Hirschl & Adler Galleries, New York, NY 2014 Edge of the Seat, The Rye Arts Center Gallery, Rye, NY 2013 Duets: Art in Conversation, Hirschl & Adler Galleries, New York, NY 2012 Haunting Narratives: Detours from Philadelphia Realism, 1935-Present, Woodmere Art Museum, Philadelphia, PA Structuring Nature, Walton Arts Center, Fayetteville, AR Summer Selections, Hirschl & Adler Modern, New York, NY 2011 Masterworks: The Best of Hirschl & Adler, Hirschl & Adler Galleries, New York, NY 2010 Summer Selections, Hirschl & Adler Modern, New York, NY 2009 Holiday Selections, Hirschl & Adler Modern, New York, NY 2008-2009 American Green – Art and Stewardship, Somerville-Manning Gallery, Greenville, DE 2008 Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2007 Finding a Form: Influences in Figurative Painting, Tower Gallery, Philadelphia, PA Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2006-2008 Visions of the Susquehanna, Susquehanna Art Museum, PA; Governor’s Residence, Harrisburgh, PA; Washington County Museum of Fine Arts, Hagerstown, MD; Roberson Center for Art and Science, Binghamton, NY. 2006 Summer Selections, Hirschl & Adler Modern, New York, NY 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, NY Selected Works from the Ballinglen Collection, United States Embassy to Ireland, Ambassadors Residence, Phoenix Park, Dublin, Republic of Ireland. Part of the Art in the Embassies Program, Washington D.C. 2001 Personal Affinities, Contemporary Artists Influenced by the works of Edwin Dickinson, Pennsylvania Academy of the Fine Arts Museum, Philadelphia, PA 2000 December Show, Fenton Gallery, Cork City, Ireland Works from the Archives, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1999 New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, NY Indomitable Spirits, The Figure At The End Of The Century, The Art Institute of Southern California, Laguna Beach, CA 1998 Visual Poetry, A Selection of Work by Artists Inspired by the Words and Sentiments of Walt Whitman, Stedman Gallery, Rutgers University, Camden, NJ The Artist's Window, Lee Hansley Gallery, Raleigh, NC Embodied Fictions, Twelve Contemporary Figure Painters, The Boyden Gallery, St. Mary's College of Maryland, St. Mary’s City, MD 1997 Abstract and Image, Four Painters, Hopkin's Center, Dartmouth College, Hanover, NH An Extended View: Landscapes by Philadelphia Artists, Levy and Paley Galleries, Moore College of Art and Design, Philadelphia, PA 1996 Figure Drawings, Hillyer Hall, Smith College, Northampton, MA Figurative Paintings, Edith Caldwell Gallery, San Francisco, CA A Show of Hands (Exhibit and auction to assist AIDS research), Moore College of Art and Design, Philadelphia, PA 1994 Figures in the Landscape, More Gallery, Philadelphia, PA 1992 Landscapes by Randall Exon & Joseph Byrne, Dartmouth College, Hanover, NH 1991 A Show of Hands, Moore College of Art and Design, Philadelphia, PA 1991 Ten Contemporary Philadelphia Painters, Westmoreland Museum, Greensburg, PA 1991 Sport in Art, Woodmere Museum, Chestnut Hill, PA 1990 Myth and Monument, More Gallery, Philadelphia, PA 1990 Evidence of the Senses, 7 Painters, Woodmere Museum, Chestnut Hill, PA Pollack Award Winners, Mulvane Gallery, Washburn University, Topeka, KS 1989 Works on Paper, More Gallery, Philadelphia, PA Nocturnes, More Gallery, Philadelphia, PA 1986 Nature Morte, Southern Alleghenies Museum of Art, St. Francis College, Loretto, PA 1984 The Spirit of the Coast: Paintings, Monmouth Museum, NJ Drawings: Personal and Intimate, More Gallery, Philadelphia, PA Night Paintings, Florence Wilcox Gallery, Swarthmore, PA 1983 Realist Direction, Penn State University Museum, University Park, PA 1981 Graduate Student Traveling Exhibit, University of Iowa, Iowa City, IA 1980 Selected Painters, Mulvane Gallery, Washburn University, Topeka, KS 1979 Artists Choose Artists Exhibit, University of Missouri at Kansas City Art Gallery, MO JURIED SHOWS 1990 Philadelphia Art Now, Philadelphia Museum of Art, PA 1989 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1987 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1984 Butler Institute of American Art Annual Exhibit, Youngstown, OH National Academy of Design Biannual Competition, New York, NY 1981 32nd Iowa Artists Exhibition, Des Moines Art Center, Des Moines, IA 1980 Iowa Artists Solon, Burnnier Gallery, Iowa State University, Ames, IA 1979 Kansas Bankers Association Exhibition, Topeka, KS AWARDS/GRANTS/RESIDENCIES 2004 The Thomas Benedict Clarke Prize, 179th Annual Invitational Exhibition of Contemporary American Art, National Academy Museum and School of Fine Arts, New York, NY 2001 2nd Fellowship, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1997 Fellow, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1992 Washburn Fellow, Washburn University, Topeka, KS 1989 Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1988 Andrew Carnegie Prize, 163rd Annual Exhibition of the National Academy of Design, New York, NY 1987 1985-86 1984 1981 1981 1980 1976, 78 TEACHING 1982-present 1994-00 1980-82 Best of Show prize, juried museum exhibition, The State Museum of Pennsylvania, Harrisburg, PA Henry Luce Scholar, Bali, Indonesia Julius Halgarten Prize for Best Painting by an Artist under 35 years of age Academy of Design Annual Exhibition, New York, NY Iowa Artists Salon, Second Prize Skowhegan Scholarship Award, University of Iowa, Iowa City, IA Student Award, 32nd Iowa Artists Exhibition, Des Moines Art Center, IA Charles Pollack purchase prize for the best painting from annual student exhibition, Washburn University, Topeka, KS Professor in Studio Arts, Swarthmore College, Swarthmore, PA Chair, Department of Art, Swarthmore College, Swarthmore, PA Teaching Assistant to Ben Frank Moss, University of Iowa, Iowa City, IA VISITING ARTIST/LECTURES 2002 2001 1998 1995 1994 1993 1994, 1992 1992 1989 1987 1986 1985 1982 Pennsylvania State University, Abington, PA Hollins College, Roanoke, VA Maryland Arts Institute, Baltimore, MD Beaver College, Glenside, PA Union College, Department of Art, Schenectady, NY Allentown Art Museum, PA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Bucks County Community College, Newtown, PA Tasis England American School, Thorpe, Surrey, England Boston Art Institute, MA Boston University, M.F.A. program, MA Beaver College, Department of Art, Philadelphia, PA Dartmouth College, Department of Visual Studies, Hanover, NH Dartmouth College, Department of Visual Studies, Hanover, NH Carleton College, Northfield, MN University of Maine at Machias, ME Horsham College of Art, Horsham, England Stoneybrook School, Suffolk, Long Island, NY Moore College of Art, Basic Drawing, Philadelphia, PA Vassar College, Department of Art, Poughkeepsie, NY PUBLIC COLLECTIONS Allentown Art Museum, PA ARA Corporation, Philadelphia, PA Security Pacific National Bank, Sanger Branch, Los Angeles, CA University of Iowa, Permanent Collection, Iowa City, IA Mulvane Gallery Permanent Collection, Washburn University, Topeka, KS Woodmere Museum, Mt. 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Elizabeth Osborne (American/Philadelphia, b. 1936) Manchester #4, 1988. Watercolor painting on paper. Signed and dated l.l. Sight: 8 3/4" x 11 3/4". Frame: 17" x 20". Provenance: Purchased from Jane Haslem Gallery in 1990. From the collection of Nancy Elizabeth Stanley. 1936, born Philadelphia, Pennsylvania 1959, BFA, University of Pennsylvania, Philadelphia, Pennsylvania 1954-58, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania SOLO EXHIBITIONS Berry Campbell, New York, Elizabeth Osborne: A Retrospective, 2022. Locks Gallery, Philadelphia, Pennsylvania, Reflections: Painting Memory, 2017. Locks Gallery, Philadelphia, Pennsylvania, Watercolors: Five Decades, 2017. The Delaware Art Museum, Wilmington, Delaware, Elizabeth Osborne: The 1960s, 2016. Luther W. Brady Art Gallery, George Washington University, Washington, D.C., Color Bloc: Paintings by Elizabeth Osborne, 2015. The James A. Michener Art Museum, Doylestown, Pennsylvania, Veils of Color: Juxtapositions and Recent Work by Elizabeth Osborne, 2015. (Traveled to The Lancaster Museum of Art, Lancaster, Pennsylvania, 2016.) Locks Gallery, Philadelphia, Pennsylvania, Luminous Gestures: New Works by Elizabeth Osborne, 2013. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: Watercolors, 2011. Locks Gallery, Philadelphia, Pennsylvania, New Work, 2011. The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Elizabeth Osborne: The Color of Light, 2009. Locks Gallery, Philadelphia, Pennsylvania, Figurative ‘60s, 2007. Locks Gallery, Philadelphia, Pennsylvania, Floating Landscapes: 1971-1979, 2006. J. Cacciola Galleries, New York, Works on Paper, 2006. The Print Center, Philadelphia, Pennsylvania, Recent Prints, 2005. Locks Gallery, Philadelphia, Pennsylvania, 2004. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: 30 Years, Works on Paper, 2002. Locks Gallery, Philadelphia, Pennsylvania, Vantage, 2000. Old Main Art Museum, Northern Arizona University, Flagstaff, Arizona, 1998. Locks Gallery, Philadelphia, Pennsylvania, 1997. Locks Gallery, Philadelphia, Pennsylvania, 1994. Jane Haslem Gallery, Washington, D.C., 1994. North Dakota Museum of Art, Grand Forks, North Dakota, 1993-94. Locks Gallery, Philadelphia, Pennsylvania, 1992. Arronson Gallery, The University of Arts, Philadelphia, Pennsylvania, Watercolors, 1991. University of the Arts, Philadelphia, Pennsylvania, 1990. Marian Locks Gallery, Philadelphia, Pennsylvania, 1988. Fischbach Gallery, New York, 1988. Fischbach Gallery, New York, 1984. Fischbach Gallery, New York, 1982. Fischbach Gallery, New York, 1980. Marian Locks Gallery, Philadelphia, Pennsylvania, 1978. Marian Locks Gallery, Philadelphia, Pennsylvania, 1976. Gimpel & Weitzenhoffer, Ltd., New York, 1977. Gimpel & Weitzenhoffer, Ltd., New York, 1974. Marian Locks Gallery, Philadelphia, Pennsylvania, Landscapes, 1972. Makler Gallery, Philadelphia, Pennsylvania, 1970. American Consulate, Sao Paulo, Brazil, 1969. Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1963. GROUP EXHIBITIONS Avery Galleries, Bryn Mawr, Pennsylvania, The Women of the Pennsylvania Academy of the Fine Arts: Past to Present, 2024. Berry Campbell, New York, Perseverance, 2024. Locks Gallery, Philadelphia, Pennsylvania, From Dusk Till Dawn, 2015. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, “Something Clicked in Philly”: David Lynch and His Contemporaries, 2014. Locks Gallery, Philadelphia, Pennsylvania, It’s Not the Numbers, 2014. Locks Gallery, Philadelphia, Pennsylvania, Works on Paper, 2013. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, The Female Gaze: Women Artists Making Their World, 2013. Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, Four Visions/Four Painters: Murray Dessner...

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