Katerina Skasi

Autopilot

2023

Portraits of Androids, Blond Sophia #1, 2018 Hand embellished monoprint on canvas 47 1/5 × 35 2/5 in 120 × 90 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black femme. With the erotic and intimacy front and center on her canvases, whether they’re miniature or large, Christina’s work offers a lens into this moment in her life — a moment intentionally focused on reclamation & personal exploration. In addition to honing in on her practice, she has also carved out spaces for Black and brown femme and non-binary artists to showcase their work with a series of exhibitions, the most recent being Sapphic Summer at Brian Leo Projects. Looking forward, the self-proclaimed “AfroRomantic Lyrical Abstractionist ” plans to publish a memoir in conversation with her paintings, debut her first solo museum exhibition, and continue to co-create curative spaces for artists of color...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Ieri Pnoi 3rd Eye Angel, 2018 Acrylic on canvas 120 x 60 cm The artwork is currently on view as part of Prosperity Prophecy at the Mykonos Municipal Gallery i...