Marvin Hayes

The Flashlight by Eldridge Cleaver Black Panther - Playboy Illustration

1969

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

In a 1971 interview with Ebony Magazine, Alvin Hollinsworth commented on his African Jesus Christ painting, "I have always felt that Christ was a Blac...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Art Deco/Cubist rendition of two Black Men with Muscular Bodies in an artistically formal pose with shovels and pitchforks. The work is executed in an Art Deco/Cubist style. Titled ...

A captivating, 1950s Mid-Century Modern portrait painting of a young black man by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young Afri...

Artist: John Biggers, American (1924 - 2001) Title: Return II Year: circa 2000 Medium: Acrylic/Mixed Media on Canvas Size: 28 x 22 inches Signed and dated on reverse by Mrs. Hazel B...

ROMARE BEARDEN 1970-1980 THE LAMP (after the 1984 collage on board by Bearden) Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...

Clarence Holbrook Carter (American, 1904-2000) The Mayor, 1979 Acrylic and collage on scintilla Signed lower right 30 x 22 inches A surrealist mid-century figural abstract painting....