Natale Schiavoni

By Natale Schiavoni, Odalisca

19th Century

etta Crapo Smith (American, 1862 - 1921) Signed: L. Crapo Smith (Lower, Left) " Resting on the Shore ", January 9, 1898 Pastel and Gouache on Paper 18" x 13" Housed in its origi...

Pastel on paper stretched on canvas Each 23 ¼ x 19 ¾ inches; 59 x 50 cm Framed dimensions, each: 83 x 67.5 cm Both signed ‘F. Cotes Px 1751’ Collections: Captain Penton; Christie’...

1930s painting by the important Italian artist Tito Corbella Beautiful and rare work by the important Italian artist of the first half of the 20th century Tito Corbella. It depicts w...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

"BAILE" Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: Oil stick aerosol on paper Size framed: 33.5" x 27.5" inch ABOUT THE ARTIST: Isaac Pelayo is a head on cras...

Circle of Johann Heinrich Schmidt Possible Portrait of Young Napoleon 1749-1829 Pastel on parchment Image size: 23 1/2 x 19 inches Unsigned This portrait likely depicts a young Emp...

"Woman in Red Turban” Portrait Oil Painting 63x47 in by Katherine Bakhoum Tisné Pastel on paper. Framed. Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

"Behind Green Eyes" is a compelling mixed media portrait by French contemporary artist Natalya Speaks, part of her evocative Women series—an introspective journey into the female exp...

This contemporary painting, titled "Bond of Souls", is a striking work by French artist Natalya Mougenot, forming part of her ongoing series dedicated to exploring the theme of women...

This contemporary abstract expressive portrait of a woman was created by French-based Kazakhstani artist Natalya, who now lives and works in Lyon. "Before the Mirror" captures a youn...