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Pair of portraits follower of Philippe de Champaigne

$11,488.67List Price

About the Item

Follower of Philippe de Champaigne (Brussels, May 26, 1602 - Paris, August 12, 1674) Pair of portraits (2) Oil on canvas , 58 x 44 cm with frame, 67 x 54 cm A sense of deep stillness and intense introspection characterizes the pair of portraits depicting a noblewoman and a nobleman whose coat of arms refers to the French municipality Grand-Rullecourt, located in the Pas-de-Calais department in the Haute-France region. Champaigne was a master at capturing the essence of his subjects, revealing their personalities through an understated and rigorous style. His portraits are not simply physical representations, but true psychological studies. The faces, often illuminated by a sharp, cold light, seem to emerge from the darkness, revealing every detail, every wrinkle, every expression. There is no room for idealization or flattery. Champaigne paints the truth, with all its rawness and beauty. The poses are composed, almost static, conveying a sense of dignity and authority. The colors are cool and restrained, dominated by grays, blues and browns, creating an atmosphere of seriousness and rigor. But beyond their austere appearance, Champaigne's portraits reveal a deep humanity. The gazes, often direct and penetrating, seem to invite the viewer to reflect on life, death, and spirituality. Philippe de Champaigne, born in Brussels and settled in Paris in 1621, was a highly successful court painter. He soon abandoned Baroque influences for a more measured and rigorous style, becoming the favorite artist of powerful figures. Champaigne was the leading French portrait painter in the reign of Louis XIII. He was employed by the king and Cardinal Richelieu, for whom he executed the series of portraits for which he is chiefly remembered. Champaigne was also a prolific painter of altarpieces and religious paintings, such as "The Dream of St. Joseph." He arrived in Paris in 1621 and began his career working on the decoration of the Luxembourg Palace for the queen mother, Marie de' Medici. His style reflects his Flemish origins and the robust realism of Rubens. His handling of drapery is reminiscent of that of ancient Roman statues. His work is characterized by austere realism, static composition, and cool colors, with a focus on the psychological rendering of his subjects. After the loss of his family, he came to Jansenism, further influencing his style toward simplicity and spirituality. Champaigne produced numerous sacred works and portraits of great intensity, most notably those of Richelieu and members of the Port-Royal community. He died in 1674, leaving an indelible mark on 17th-century French portraiture. Champaigne became a founding member of the French Academy, but under the influence of Jansenism, he increasingly withdrew from the court and focused on portraits of leading Jansenists. The style of these, and of his devotional works of the time, reflects the austere religious doctrine of that movement. His portraits are windows to the soul, allowing us to glimpse the complexity and depth of the human soul. Whether it is a powerful cardinal like Richelieu or a devout nun from Port-Royal, Champaigne manages to capture the essence of each individual, revealing their uniqueness and humanity.

Dimensions:
Height: 22.84 in (58 cm)Width: 17.33 in (44 cm)
Medium:
Cotton Canvas,Oil
After:
Philippe de Champaigne (1602 - 1674)
Period:
17th Century
Condition:
Gallery Location:
Milan, IT
Reference Number:
1stDibs: LU2639216023212

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