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Pierre Carrier-BelleuseRitratto di Attrice Parigi Belle Epoque Pastello Firmato Art Nouveau1921
1921
$10,166.51
£7,549.20
€8,500
CA$13,967.26
A$15,185.23
CHF 8,051.23
MX$182,032.38
NOK 102,326.94
SEK 93,745.39
DKK 64,797.27
About the Item
Pierre Carrier-Belleuse (Parigi, 1851-1931).
"Portrait of Actress in Belle Epoque Paris" pastel on canvas signed upper right and dated 1921 in its original gilt wood frame.
Bellissimo ritratto che evoca l'atmosfera brillante della Parigi di inizio Novecento; la giovane e affascinante donna che posa di tre quarti, con una fascia che le adorna i capelli ed un abito scollato, ricorda moltissimo le splendide attrici che popolavano le notti parigine che il pittore amava frequentare. Carrier-Belleuse era un contemporaneo di Edgar Degas e i due esposero contemporaneamente nei principali Salon di Parigi.
Biography:
Pierre Gérard Albert Carrier de Belleuse, known as Pierre Carrier-Belleuse, born January 28, 1851 in the 8th arrondissement of Paris (formerly) and died in the 16th arrondissement of Paris on December 31 , 1932, was a French painter.
He is the author of numerous portraits of ballerinas from the Opera as well as singers and actresses from Parisian theaters.
Pierre Carrier-Belleuse is the son of sculptor Albert-Ernest Carrier-Belleuse and Louise Anne Adnot. A pupil first of his father, then of Alexandre Cabanel at the École des beaux-arts in Paris, he first exhibited at the 1875 Salon. Riceve una menzione d'onore nel 1887. Come suo padre, la sua opera si concentra principalmente sulle donne. I suoi disegni di ballerine venivano spesso riprodotti sul Le Figaro Illustré.
Partecipò all'Esposizione Universale del 1889 e vinse una medaglia d'argento che lo mise fuori concorso. He joined the Société nationale des beaux-arts in 1890 and was appointed a member in 1893. Every year he exhibited there the pastels that made him successful. In 1895 he was appointed president of the International Society of Painting and Sculpture.
Dal 1885 lavorò quasi esclusivamente con i pastelli. In the same year he married Thérèse Duhamel-Surville, great-granddaughter of Honoré de Balzac. From this marriage a daughter, Pierrette, was born.
In the 1890s he taught at the Académie Julian in Paris.
Pierre Carrier-Belleuse ha dipinto molto sulla Costa d'Opale. Possedeva una villa in cima ad una scogliera a Wissant. The surrounding dunes have been the setting for many of his works. He attended the Wissant School, founded by his painter friends Adrien Demont and Virginie Demont-Breton.
From 1885 to 1932, he lived at 31 boulevard Berthier in the 17th arrondissement of Paris, where a memorial plaque pays tribute to him. È sepolto nel cimitero di Carnot a Suresnes, nella stessa tomba della scrittrice Laure Surville, nonna della moglie del pittore.
- Creator:Pierre Carrier-Belleuse (1851-1932, French)
- Creation Year:1921
- Dimensions:Height: 31.5 in (80 cm)Width: 26.78 in (68 cm)
- More Editions Sizes:senza cornice 71 x 58,5Price: $10,167
- Medium:
- Movement Style:
- Period:
- Condition:Segni di usura compatibili con l età. Lieve scolorimento alla base.
- Gallery Location:Pistoia, IT
- Reference Number:1stDibs: LU2746215997862
Pierre Carrier-Belleuse
Pierre Carrier-Belleuse was one of four artists born to Albert-Ernest Carrier-Belleuse (1824-1887), a thriving sculptor. Pierre studied at the l’Ecole des Beaux-Arts, Paris, under Alexandre Cabanel (1824-1881) and Pierre Victor Galland (1822-1892). The influence of their soft palates and classical style can be seen in the present lot. He exhibited in the Salon de Paris from 1875, receiving an honorable mention in 1887 and a silver medal at the Universalle Exposition in 1889. He flourished in his depictions of Ballerinas, where his favored medium of pastel allowed him to capture the movement of their dance. Carrier-Belleuse enjoyed working on a large scale. Between 1914 and 1916, Carrier-Belleuse and Auguste François-Marie Gorguet proposed, planned and co-created what was considered world's largest painting: Panthéon de la Guerre (45 ft. high and 402 ft. in circumference) containing almost 6,000 portraits, painted mostly from life.
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