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Ritchelly OliveiraThe girl in the feather canyons2023
2023
$10,087.54
£7,471.33
€8,400
CA$13,799.24
A$15,017.82
CHF 7,960.93
MX$180,675.84
NOK 100,970.18
SEK 92,380.65
DKK 64,009.45
About the Item
In Ritchelly Oliveira's compelling painting, "The Girl in Feather Canyons," the viewer is drawn into a scene of poignant introspection and vulnerability. At the heart of the composition stands an orange-hued woman, her gaze fixed directly upon the viewer with a sense of quiet contemplation. Wrapped in a tender embrace of self-comfort, she hugs herself tightly, conveying a palpable sense of emotional fragility and solitude.
Surrounding the woman are a flock of white doves, their graceful forms suspended in mid-air as they encircle her. These birds, traditionally symbolic of peace and freedom, take on a deeper significance within Oliveira's work. In his artistic interpretation, birds represent weaknesses, embodying the delicate aspects of human experience that render us vulnerable and exposed.
Notably, the birds in Oliveira's painting are depicted without legs, forever suspended in flight and unable to land. This imagery serves as a powerful metaphor for the perpetual nature of vulnerability and fragility, highlighting how these qualities are inherent to the human condition and persistently shape our lives.
Through his masterful use of color, composition, and symbolism, Oliveira invites viewers to contemplate the complexities of inner strength and vulnerability. "The Girl in Feather Canyons" serves as a poignant reminder of the resilience found within moments of solitude and self-reflection, offering a glimpse into the tender complexities of the human spirit.
- Creator:Ritchelly Oliveira (1993, Brazilian)
- Creation Year:2023
- Dimensions:Height: 38.19 in (97 cm)Width: 30.71 in (78 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Porto, PT
- Reference Number:1stDibs: LU2214214111272
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enter visual arts at the Federal University of Goiás (UFG), he found
human figure a margin to present his speech about what he
understands the deeper aspects of emotional relationships. He works about what he suspects to be love and, believing that this is a universal feeling. Believing that affective relationships are built from the individual and
as their surroundings interfere with them, he tries to rescue the possibility
to construct discourses about love, especially black love. The importance
to reflect together on issues such as sexuality, responsibility
affective and colorism are necessary canons in this invitation to fulfill the ideals
dangerous and exclusionary forms of romantic love that circulate in our environments.
About the Seller
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