Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Sanford Robinson Gifford
A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford), 1878

1878

$65,700
£49,915.78
€57,363.72
CA$92,283.71
A$100,448.49
CHF 53,224.06
MX$1,208,045.09
NOK 676,730.36
SEK 620,148.49
DKK 428,503.47

About the Item

Sanford Robinson Gifford (American 1823-1880) A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford) "The Artist's Wife" Oil on Paper mounted on canvas, painted in 1878, 2 years before his death. In original giltwood frame. Painting: 8 1/4" high by 7 1/4" wide Frame: 15" high x 13.5" wide Provenance: Private Collection (acquired by descent directly from the artist in 1878) Alexander Gallery, New York (acquired from the above) Acquired from the above in 1986 by the present owner The Art Institute of Chicago (Reference Number 1986.184) New York, Private Collection Literature: Ila Weiss, The Poetic Landscape: The Art and Experience of Sanford R. Gifford, Newark, 1987, no. 10, p. 309, illustrated The Art Institute of Chicago, letter from Milo Naeve to Mr. and Mrs. William Y. Hutchinson, as referenced in the curatorial object file Exhibited: New York, Alexander Gallery, Sanford Robinson Gifford, 1986, no. 42, illustrated Sanford Robinson Gifford was an American landscape painter who lived from 1823 to 1880. He was associated with the Hudson River School, a group of American artists known for their romantic and detailed portrayals of the American landscape. Gifford's paintings often depicted scenes of nature, including mountains, rivers, and forests, and he was particularly known for his atmospheric and luminous depictions of light and color. Gifford was born on July 10, 1823, in Greenfield, New York. He displayed artistic talent from a young age and began his formal artistic training at Brown University, where he studied under the American painter Henry Cheever Pratt. Gifford later studied in New York City under the renowned landscape painter John Rubens Smith. In the 1850s, Gifford traveled extensively throughout Europe, studying the works of European landscape painters and gaining inspiration for his own artistic style. He spent time in Italy, where he was influenced by the luminist painters, who emphasized the effects of light and atmosphere in their works. After returning to the United States, Gifford became one of the leading figures of the Hudson River School. He exhibited his paintings at the National Academy of Design and became a member of the Century Association, an organization of prominent New York City artists and intellectuals. Gifford's paintings often featured dramatic landscapes, with a focus on capturing the grandeur and natural beauty of the American wilderness. He had a particular affinity for coastal scenes, and many of his works depicted the rugged shores of New England or the tranquil marshes of Long Island. Gifford's paintings were characterized by their meticulous attention to detail and their careful observation of light and atmospheric effects. He often employed a warm and radiant palette, capturing the play of light and shadow on the landscape. His works conveyed a sense of tranquility and reverence for nature, reflecting the ideals of the Hudson River School. Sadly, Sanford Robinson Gifford's career was cut short when he died unexpectedly on August 29, 1880, at the age of 57. However, his contributions to American landscape painting continue to be recognized and appreciated today. His works can be found in numerous museums and art collections, including the Metropolitan Museum of Art, the National Gallery of Art, and the Smithsonian American Art Museum.
  • Creator:
    Sanford Robinson Gifford (1823-1880, American)
  • Creation Year:
    1878
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 13.5 in (34.29 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Queens, NY
  • Reference Number:
    1stDibs: LU1151212615882

More From This Seller

View All
Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child
By Lilly Martin Spencer
Located in Queens, NY
Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...
Category

19th Century Romantic Portrait Paintings

Materials

Oil

Lilly Martin Spencer (American, 1822-1902) God Bless My Father Portrait Painting
By Lilly Martin Spencer
Located in Queens, NY
Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...
Category

19th Century Academic Portrait Paintings

Materials

Oil

English School, A Rare Portrait of John Scott Russell and "The Great Eastern"
Located in Queens, NY
English School, A Rare Historical and Important Portrait Painting of John Scott Russell and "The Great Eastern", (19th Century) Oil on canvas, in a period hardwood frame. John Scott Russell of Scotland (1808-1882) was one of the great marine engineers of the 19th century. In 1858 he launched the Great Eastern, (depicted here in this painting) then the world's largest ship, which would make history by laying the first transatlantic telegraph cable...
Category

19th Century Portrait Paintings

Materials

Canvas, Oil

Emanuel Oberhauser (Austrian, 1854 - 1919) Full Length "Orientalist Queen" Oil
By Emanuel Oberhauser
Located in Queens, NY
Emanuel Oberhauser (Austrian, 1854 - 1919) An Exceptional quality full length oil on canvas painting of a Young Orientalist Queen / Odalisque. 19th ...
Category

19th Century Portrait Paintings

Materials

Oil

Alfred Copestick, Coastal Scene: New York, Oil on Canvas, 1857
Located in Queens, NY
Alfred Copestick (1837–1859) Coastal Scene: New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower right: A. Copestick NY 1857 Painted at just twenty years of age, Coastal Scene: New York demonstrates Alfred Copestick’s remarkable promise as a marine painter in antebellum America. The scene brims with energy: a single sailboat heels sharply into the wind, its rigging taut against the storm, while foamy waves break against a rugged shoreline. Above, clouds mass and dissolve, illuminated by shafts of storm-lit light. Copestick’s treatment is both romantic and naturalistic, conveying the sublime tension between man, sea, and sky. His confident brushwork captures atmosphere with an immediacy and sensitivity rarely found in so young an artist. The work survives in its original giltwood frame, richly carved in a mid-nineteenth-century American style, which not only underscores its historical authenticity but also heightens the tonal drama of the painting. Alfred Copestick came of age during a fertile moment in American painting, when marine art and landscape were central to cultural identity. Though little is known of his formal training, his works suggest familiarity with and admiration for leading marine painters such as James E. Buttersworth, famed for his racing yachts; Francis Augustus Silva, who later developed a luminist style of coastal painting; and earlier masters like Thomas Birch, whose shipwrecks and storm scenes set a precedent for drama at sea. Copestick also absorbed broader currents in American landscape painting. The Hudson River School, led by Thomas Cole, Asher B...
Category

19th Century Academic Landscape Paintings

Materials

Canvas, Oil

Alfred Copestick, Fort Hamilton from the Narrows, New York, 1857
Located in Queens, NY
Alfred Copestick (1837–1859) Fort Hamilton from the Narrows, New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower left: A. Copestick NY 1857 Painted when Copestick was only twenty years old, Fort Hamilton from the Narrows, New York captures both the military fortifications and maritime vitality of New York Harbor at mid-century. In the foreground, the fortress bastion commands the shoreline, while sail and steam vessels traverse the Narrows — the strategic waterway linking Upper New York Bay to the Atlantic. Copestick conveys not only the architectural solidity of Fort Hamilton but also the shifting atmosphere above, where cloud formations build and dissolve across a wind-driven sky. The painting is a remarkable marriage of documentary precision and romantic sensibility. The young artist’s brush imbues the fortress with weight and presence, yet the broader scene is alive with the transience of weather and the ceaseless motion of the sea. In its original giltwood frame, richly carved and preserving the period character, the canvas is a rare survival of a gifted hand cut short in its prime. This canvas reveals Copestick’s deep engagement with the maritime traditions of American art. The careful delineation of sailing vessels recalls the precision of James E. Buttersworth, while the atmospheric breadth echoes the influence of Fitz Henry Lane and John F. Kensett. The choice of subject — the strategic Narrows and its fortress — also reflects the national mood of the 1850s, when American identity was bound up with its coasts, harbors, and defenses. The romantic skies and dramatic contrasts suggest the impact of the Hudson River School, particularly the legacy of Thomas Cole and Asher B...
Category

19th Century Academic Landscape Paintings

Materials

Canvas, Oil

You May Also Like

Francis John Wyburd (1826-1909) - Oil, Portrait of the Artist s Mother
By Francis John Wyburd
Located in Corsham, GB
An accomplished portrait by British artist Francis John Wyburd (1826-1909) of his mother, Sarah Wyburd. The work is well presented in a vintage oval frame with a floral running patte...
Category

Mid-19th Century Portrait Paintings

Materials

Oil

Portrait of Miss Tonks, Signed and dated 19th Century Oil
Located in London, GB
Oil on canvas, signed and dated lower right 1882 Image size: 36 x 29 inches (92 x 74 cm) Gilt Watts frame LITERATURE The Life and Work of Frank Holl, Ada ...
Category

19th Century Victorian Portrait Paintings

Materials

Canvas, Oil

1870’s Victorian English Portrait of Country House Lady Large Oil on Canvas
Located in Cirencester, Gloucestershire
Portrait of a Lady English artist, circa 1870’s oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: over...
Category

Late 19th Century Victorian Portrait Paintings

Materials

Oil

Portrait of a Miss Anna Davenport, dated 1853 by Charles V BOND (19th century)
Located in Blackwater, GB
Portrait of a Miss Anna Davenport, dated 1853 by Charles V BOND (19th century) Large 19th Century American School portrait traditionally identified as a Miss Anna Davenport of Detr...
Category

19th Century Portrait Paintings

Materials

Canvas, Oil

American School Portrait of a Lady
Located in New York, NY
Portrait of a Lady, c. 1900 Oil on canvas 36 x 28 1/2 in. Framed: 37 3/4 x 30 1/2 in.
Category

Early 1900s American Realist Portrait Paintings

Materials

Canvas, Oil

Antique Late 19th Century English Oil on Canvas Painting Female Portrait 1900
Located in Portland, OR
Antique English oil on canvas portrait painting, circa 1900. A very handsome Impressionist portrait of a youthful lady in Edwardian dress. Oil on canvas, signed to the upper left "F ...
Category

Early 1900s English School Portrait Paintings

Materials

Canvas, Oil