Stella Jae

Bastet

2023

Stella Jae Soul 2023 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 27.95 x 16.92 inches (71 x 43cm) Edition: 15 Signed, titled and dated on ...

Stella Jae Cleopatra 2024 Oil on canvas Size: 31.49 x 23.62 x inches (80 x 60 cm) Signed by hand COA provided *This piece will ship unstreched and rolled. **Framing options are avai...

Stella Jae Flood 2023 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24.01 x 18.11 inches (61 x 46cm) Edition: 15 Signed, titled and dated on...

Stella Jae Cosmos 2023 Oil on Canvas Size: 51.96 x 35.03 inches (132 x 89cm) Signed by hand COA provided Ref.: 924802-2112 ---------- Tags: #StellaJRichey...

Original artwork by Daria Kusto. Acrylic on Wotercolor Paper. The magic flow reality... Shipping from Spain, safely and promptly.

Original artwork. 'High Emotion' is striking original artwork by Adam Bartlett, hand rendered in acrylic and emulsion paint, featuring his signature Cheetah, beautifully tray framed....

NORA SEE grew up in Allentown, Pennsylvania, where, as a child, she taught herself to draw. She received a Bachelor of Fine Arts in Painting from the Corcoran College of Art and Design and a Master of Fine Arts from the University of New Orleans. She works and lives in New Orleans. In her oil paintings, Nora See renders framed paintings on walls with which human figures interact. Through her classical painting style and the use of historical visual references, her pieces contrast the past with the present. By combining these temporal elements with the use of frames as containers, she explores themes of consumption, imprisonment, and liberation. Nora’s work has been exhibited in a variety of venues and is also in the personal collection of Blake Lively and Ryan Reynolds. The artist says of her work... “Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography. I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects...

Mixed media on paper by artist Daria Kusto The magic flow reality... Shipped well protected, unframed.