Unknown

Dipinto Ritratto di Nobildonna fine 800

fine XIX secolo

Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...

Olio su tela. L'opera riprende i modi diffusi in tutta Europa da Jakob Ferdinand Voet, pittore fiammingo affermatosi soprattutto come ritrattista, che ebbe ampio seguito sia negli a...

Oil on Canvas. L'opera riprende i modi diffusi in tutta Europa da Jakob Ferdinand Voet, pittore fiammingo affermatosi soprattutto come ritrattista, che ebbe ampio seguito sia negli ...

Oil on Canvas. Central European school of the 18th century. The distinguished lady, flaunting a dress embellished with bows and lace, is seated at her desk and holding a letter; in t...

This strong Flemish Old Master portrait oil painting is attributed to Ferdinand Voet. The sitter is Anna De Hooghe, the fourth wife of artist Ludolf Bakhuizen (1631-1708), a German-born Dutch painter, draughtsman, calligrapher and printmaker. He was the leading Dutch painter of maritime subjects after Willem van de Velde the Elder and Younger left for England in 1672. He also painted portraits of his family and circle of friends. Painted circa 1660 Anna is standing profile but turned to the viewer/artist with her hand to her heart. She is set in a landscape at twilight. A really lovely painting and superb example of Dutch art. It is recorded in the RKD archives with N Maes signature LL - since removed through restoration. Provenance. The estate of George Way. Archive RKD Condition. Oil on canvas, 38 inches by 34 inches unframed and in good condition. Frame. Housed in a fine period carved frame, 46 inches by 42 inches framed and in good condition. Jacob Ferdinand Voet or Jakob Ferdinand Voet (1639-1689) was a Flemish portrait...

Portrait of Lady in Blue Dress French School 18th century, painting done in oil on canvas depicting a gentlewoman. The female figure wears a light blue dress with white lace neckline...

Portrait of noblewoman, known as "the Little Princess of Longueville," attributed to Jean Ducayer (1595-1685). Oak plank, one board, not parqueted. Jean Ducayer, a court painter...

Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689) Atelier Portrait of the Young Ortensia Mancini, Duchess of La Meilleraye (Rome 1646 - Chelsea 1699) Oil on canvas 75 x 61 cm. - exquisite gilded and lacquered wooden double frame 105 x 91 cm. The beautiful painting depicting the young and attractive Duchess Ortensia Mancini is part of the refined portraiture of Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689). Of Flemish origin, the painter achieved great success with the aristocratic families of Rome - where he stayed from 1663 to 1679 - thanks to the famous series of portraits commissioned by Cardinal Flavio Chigi, depicting the most enchanting women of the time, and now housed in the Palazzo Chigi in Ariccia. The paintings became so popular that the artist was repeatedly asked to reproduce replicas and similar versions of them: the 'cabinet des dames' was thus one of the Roman fashions of the 17th century, justifying the large number of female portraits attributable to his workshop that gravitated on the market. Voet flaunted in his portraits a peculiar softness and grace in the rendering of the complexions, a subtle voluptuousness in the description of the lips, entrusted to small brushstrokes of red, a sense of calm fixity in the pose, all characteristics that are immediately reflected in the work under examination. Our young effigy, Hortense Mancini...