Unknown

Framed Contemporary Oil - Counting the Coin

21st Century

Outstanding quality Victorian Genre scene of some fishermen helping some high-class ladies on to their small boat. The style is a type of the High-end Victorian Genre scene. Painters like Tissot, Millais, the Pre-Raphaelites, and other genre painters all painted in this high-quality style. The painting is signed and dated lower left and is an oil on canvas, but alas the signature is not obvious enough to know the painter. The history of the painting is that it came from an English private collection of paintings...

Incredibly realistic and charming early 20th century oval portrait of a young child. Oil on board signed and dated top left. Cannot make out signature. Date looks to be 1915. Wonderf...

Oil on canvas realized in 2000. Hand signed, titled and dated on rear. Includes a contemporary wooden frame cm. 53x38. Very good condition except for some very minor losses of color.

Oil on canvas realized in 2000. Hand signed, titled and dated on rear. Includes a contemporary wooden frame cm. 53x38. Very good condition except for some very minor losses of color.

Oil on board realized by Paolo Scheggi (1955) in 1990s. Hand signed. Titled on rear. With a painted wooden frame which is part of the painting. Very good condition. Paolo Schegg...

Oil on canvas realized by an italian painter in 1990s and hand signed "De Silvestri". Very good condition.

Anonymous, Cuzco School A Portrait of Archangel Raphael With Fish oil on canvas 1800s canvas dimensions 22.24 x 15.74 inches (56.5 x 40 cm) frame ...

'Portrait of Blue-Eyed Woman', oil on board, signed by artist, Ayral, French School (circa 1960s). Discovered in the South of France, this small portrait is painted with vibrant colo...

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...