Unknown

Mid 20th Century Oil - Lady In Yellow And Blue

Unknown

Female study, oil on board. Signed to the lower left and dated '75.

With powerful eyes, a woman gazes straight at the viewer, capturing a tender, sincere moment within the sickly evening light. The artwork has been finished with slight impastos worke...

An evocative mid-20th-century portrait of a pensive lady in blue by the established portrait artist John Walton RP (1925–2023). Rendered in soft, hazy brushwork, Walton gently illumi...

An energetic portrait of a fashionable woman, likely dating to the late-1940s. Presented glazed in a distressed gilt-effect wooden frame. Unsigned. On board.

LADY IN YELLOW Size: 56 x 46 cm (including frame) Oil on Board A quirky and well-executed mid-century modernist portrait composition, painted in oil onto board. In this painting we...

A superb oil on panel by Pauline Glass who was educated on the continent at the Academy Julien and who exhibited throughout her career. This stunning oil is a bold, adventurous and c...

Signed lower right, 'H. Lauer' for Hans Lauer, (Argentine-German, 1902-1989) and dated 1965. Hans Lauer emerges as a sympathetic chronicler of Patagonian light, a German-born landscapist who made Argentina his country and Bariloche his enduring motif. Born in Nuremberg in 1902, he emigrated to Argentina in 1920 and fixed his practice in the Nahuel Huapi region, painting the blue-white atmospheres of the lake basin and the sheltering stands of native forest with a direct, self-taught hand; he remained rooted there until his death in Bariloche in 1989. Contemporary reports place him working across northern Patagonia—San Martín de los Andes among his circuits—where he translated the temperate Andean palette into sober oils and watercolors keyed to weather and season rather than to metropolitan fashions. Autodidact by formation, he belongs to that émigré cohort who stitched European discipline to local terrain, and by the 1950s–60s his production reflects an assured, observational plein-air habit that privileges structure over effect. While Bariloche provided the studio and the subject, his name also circulates in Buenos Aires contexts through collectors and dealers who sought Patagonian views during the mid-century tourism boom, an afterlife that helped keep his vistas in the market even as he remained geographically anchored to the south. Within the regional history of Argentine painting...

A beautiful signed and dated 1957 Hungarian oil on canvas portrait of a lady wearing a yellow shirt, by Zsuzsi Roboz. Excellent quality work by this important female Hungarian pain...