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Portrait of Girl and Dogs is signed and dated 1861 and exhibited in 1862 is by Gourlay Steell, (1819-1894) RSA, appointed as Animal Painter for Scotland to Queen Victoria’s Court aft...

19th century English Antique oil portrait of a Terrier dog in an interior Earl was the brother of George Earl and the uncle of Maud Earl and Percy Earl. H...

W.Redworth, English portrait of a terrier dog, circa 1935 Wonderful oil on canvas portrait. A very English animal portrait and a very well painted painting, framed in an amazing a...

Oil on canvas, signed and dated lower right 1882 Image size: 36 x 29 inches (92 x 74 cm) Gilt Watts frame LITERATURE The Life and Work of Frank Holl, Ada ...

Oil on canvas Image size: 28 3/4 x 24 inches (73 x 61 cm) Contemporary style gilt frame This portrait is an evocative example of Devis' Regency period portraiture, featuring a pleasant looking young girl holding a book in an outdoor setting. Working with a darker palette, a strongly accented diagonal recession, and dramatic contrasts of light and shadow, Devis heightens the girl's three-dimensional physical presence in the foreground of the composition. The Artist  Arthur William Devis (10 August 1762 – 11 February 1822) was an English painter of history paintings and portraits. He painted portraits and historical subjects, sixty-five of which he exhibited (1779–1821) at the Royal Academy. Among his more famous works are a depiction of the Death of Nelson and a posthumous portrait of Nelson. Devis was born in London, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. Devis was the younger brother of the painter Thomas Anthony Devis (1757–1810) and of the schoolmistress and grammarian Ellin Devis (1746–1820), teacher, among others, of author of Maria Edgeworth and Frances Burney (later novelist Madame d'Arblay). He followed his elder brother Thomas Anthony in becoming a pupil at the Royal Academy Schools in 1774 and like his brother exhibited at the Free Society of Artists, of which in 1768 their father had become president, and at the Royal Academy. Early on he came to the notice of Sir Joshua Reynolds. He was appointed draughtsman on the British East India Company's packet Antelope in a voyage in 1783, under Captain Henry Wilson. In her he was injured in an encounter with Papuans near the Schouten Islands and was then wrecked on the Pelew Islands before proceeding to Canton and thence to Bengal. During his voyages, the artist received arrow wounds, one of which inflicted permanent injury on his lower jaw. During his time in Bengal, he painted a portrait of Sir William Jones, at the time a judge in Fort William. The painting now hangs at the British Library. He was back in London by 1795 and is recorded on 21 July 1797 as living at 27 George Street, Hanover Square, where he was insured by the Sun Assurance Office. He is noted for his involvement in the creation of the posthumous cult of Horatio Nelson. As she returned from Trafalgar, Devis went out to meet HMS Victory and was present on board the ship during the autopsy of Nelson's body conducted by Dr Beatty, the ship's surgeon. With the help of sketches he took at that time, he painted a heroic Death of Nelson, which proved a sensation. Devis also painted Dr Beatty, and was commissioned by him to produce a half-length painting of Nelson as vice-admiral, which he lent to Emma Hamilton (who later lost it in an accident whilst travelling). Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it. Lord Howe owned one, and another ended up in the collection of the National Maritime Museum. It also appeared as an engraving in Beatty's published account of Nelson's death. Other work includes a portrait of King George III on horseback, and a range of portraits of admirals and generals, along with historical subjects, such as the Babington Plot and the signing of the Magna Carta...

'The Feather Boa,' a large oil painting of Miss Crofton by Herbert Sidney British, 1901 Frame: height 193cm, width 115cm, depth 6cm Canvas: height 143, width 77cm, depth 3cm By the British artist Herbert Sidney, (1858-1923), this remarkable full length portrait also titled 'The Feather Boa,' depicts Miss Alice...

Chestnuts by the fireside Mark William Langlois ( British, 1848-1924) signed bottom right oil on canvas, framed framed: 26 x 21 inches painting: 21 x 27 inches provenance: private co...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

Portrait of a Fisherman with a Pipe Newlyn (Cornish) School, 19th century oil painting on canvas, unframed canvas : 20 x 16 inches provenance: ...

Portrait of a Noble Lady English School, circa 1820's-1930's period oil on canvas, unframed painting: 35 x 28 inches provenance: private collection, London condition: some old restor...