Yves Meriel Bussy

The Blue Blouse

This colourful and warm-toned oil on canvas painting entitled ‘Femme à la lampe’ (Woman under candlelight) is an abstract figurative genre work that is circa the 20th Century and is ...

The bench in the shade

A collectable Estonian painter, very well-known in Scandinavia. Anna is an Estonian painter, in her work she focuses mainly on nature, women’s or more correctly her own psyche and p...

La Tonnelle Aux Roses

Rene Genis (French 1922-2004) "Le Gilet Bleu” The Blue Jacket. Portrait of a young man in a blue jacket/sweater with an insignia on the breast and a blue ...

Artist/ School: Rene Leroy (French b. 1932) Title: Modernist portrait of a woman Medium: oil painting on canvas Size: painting: 11.5 x 10.5 inches Provenance: all the paintings w...

Elegant genre painting of the early 21 st century. Cassigneul is famouse for his modern approach to elegant woman Housed in a custom gold leaf frame Accompanied with a certifica...

Signed lower right, 'H. Lauer' for Hans Lauer, (Argentine-German, 1902-1989) and dated 1965. Hans Lauer emerges as a sympathetic chronicler of Patagonian light, a German-born landscapist who made Argentina his country and Bariloche his enduring motif. Born in Nuremberg in 1902, he emigrated to Argentina in 1920 and fixed his practice in the Nahuel Huapi region, painting the blue-white atmospheres of the lake basin and the sheltering stands of native forest with a direct, self-taught hand; he remained rooted there until his death in Bariloche in 1989. Contemporary reports place him working across northern Patagonia—San Martín de los Andes among his circuits—where he translated the temperate Andean palette into sober oils and watercolors keyed to weather and season rather than to metropolitan fashions. Autodidact by formation, he belongs to that émigré cohort who stitched European discipline to local terrain, and by the 1950s–60s his production reflects an assured, observational plein-air habit that privileges structure over effect. While Bariloche provided the studio and the subject, his name also circulates in Buenos Aires contexts through collectors and dealers who sought Patagonian views during the mid-century tourism boom, an afterlife that helped keep his vistas in the market even as he remained geographically anchored to the south. Within the regional history of Argentine painting...