Still-life Paintings

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

'Bright Light' from Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness, and mystery. An elegant painting referencing dried eucalyptus leaves that the artist piled up in her studio and studied under a variety of natural and man-made lighting arrangements, as well as at various times of day and night. Oil on panel with natural alabaster ground into the pigments. The painting celebrates natures abstract qualities with a realist's approach. Peek has floated tulips, roses and other flowers and leaves from 17th century still life paintings through the dark smoky atmosphere of her paintings of night...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf, Jan Davidsz de Heem, Abraham van Beijeren...

'Morning Light' from Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness, and mystery. An elegant painting refere...

'Reflections II' depicts eucalyptus leaves in warm, natural tones. An abstract oil painting on panel from established artist, Stephanie Peek, who is known for works of art that conve...

Still life in earth colors, with dried flowers Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Summer flowers in yellow, green, cyan colors. Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

Aponovich paints complex still life compositions, with a strong undercurrent of surrealism pervading the work. His exquisite paintings are distinguished by their geometry, proportion...

Aponovich paints complex still life compositions, with a strong undercurrent of surrealism pervading the work. His exquisite paintings are distinguished by their geometry, proportion...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

"Bread and Butter," Oil on Canvas, 32 x 48 Inches, is an elegant, large-scale, highly realistic still life of a twisted loaf of bread (like a brioche), butter in its foil wrapper par...

"Mulford Onions," Oil on Canvas, 34 x 50 Inches, is a large-scale, elegant, very realistic still life of 2 onions side by side on a light green/gray ground. The monumental proport...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that...

William Merrit Chase American, 1849-1916 Fruit and Porcelain Signed "Wm M Chase." l.l., identified on labels from the Corcoran Gallery of Art, B...

JUAN DE ARELLANO Spanish, 1614 - 1676 Cesta de Flores signed Juan de Arellano (lower lright) oil on canvas original period carved, gilt and polychrome...

Robin Hextrum's (US based) "Flowers Turning in the Sky" is an original, handmade oil painting that depicts a floral bouquet with a variety of Peonies, Carnations, grapes, fruit and o...

Robin Hextrum's (US based) "Peony with Yellow Patterns" is an original, handmade oil painting that depicts a pink and white peony with a yellow pattern in the background. Robin Hex...

Robin Hextrum's (US based) "Flowers Floating in Chromatic Clouds" is an original, handmade oil painting that depicts a floral bouquet with a variety of Peonies, Carnations, Orchids a...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

Apples with walnuts. 2019. Oil on canvas, 45x65 cm Realistic still life with apples and walnuts on white drapery Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona gr...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...

Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...

Robin Hextrum's (US based) "Mega City Redux" is an oil painting that depicts a calm blue background with gold patterning interrupted with bright red and orange floral patterns and bo...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Carl Smith combines his own photographic material with drawings and other fragments of narrative imagery onto canvas. He works with several layout combinations before creating a fini...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Artis Lane’s “Flowers in a Pink Vase” fills the canvas with the breathtaking beauty of colors and with the dynamic energy of their movement. The subject of the flower has captured the interest of both artists and viewers across centuries and in numerous cultures. Mosaics of flowers can be seen on the villa floors in Pompeii and Herculaneum pre 79 A.D., the Dutch painter Jan Davidsz de Heem is famed for his Baroque still lifes of flowers in the 1600s, French artist, Edouard Manet’s Last Flowers are revered as some of his best work, and the 20th c. silkscreens of Andy Warhol’s Poppys...

A strong modernist oil painting depicted in 1936 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

A strong modernist oil painting depicted in 1927 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

A whimsical depiction by Martha Walter of an interior morning scene of white and pink roses arrangement in a glass vase on top of a table, and fruit on a decorated plate. In the background, the window overlooking the backyard, with the use of bold colors and strong contrasts makes Walter's work so striking and captivating. The flowers are executed with bold petals and exciting colors and this depiction is a wonderful scene done in her home. As an acclaimed American Impressionist painter and one of the premier female artists to be recognized within the fine arts community of the time, she was known for her bright plein-air beach scenes and domestic portraits. Martha Walter studied under William Merritt Chase and was greatly influenced by the then-established French Impressionists Edgar Degas, Camille Pissarro, Claude Monet, and Eugène Boudin. Walter's works took on a looser style; she also used black paint, a color often excluded by other Impressionists. The painting is on canvasboard with the Martha Walter Estate stamp on the reverse, and it comes housed in an antiqued champagne color...

A whimsical depiction by Martha Walter of an interior morning scene of white, pink, and red roses arrangement in glass and ceramic vases on top of a table with a red mantel, and a bo...