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Alec Franco Gen #5, Mixed media Abstract painting on paper2021
2021
$1,000
£764.62
€875.88
CA$1,410.41
A$1,535.06
CHF 820.28
MX$18,537.68
NOK 10,308.94
SEK 9,588.51
DKK 6,543.20
About the Item
DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characterize us in our concrete individuality, make us unrepeatable and yet resist us. That chain of molecules constitutes a conglomerate of clues that someone elucidates because we do not know how to read it. We do not know the links that make up that nucleic acid that delineates us and characterizes us genetically. Curious phenomenon of not having access to such precise and accurate data about oneself. They skimp on us, they deny us despite having more authority than anyone to know their own characteristics. The geneticist, the scientist, is the one who can illustrate our exact and unique genetic conformation. We are carriers of a key that identifies us but we do not know. Alec Franco's DNA work inquires about this secret and inaccessible figure and displays these nucleic acid segments from color, shape and texture. DNA visually and plastically explores the morphology of our genetic sequence. Franco's series investigates that cryptography, its textures and nuances in a tension between the hidden hereditary transmission we carry and the manifested and displayed visually by his work. It raises the horror and emptiness of the encounter with oneself while his palette proposes the fullness and joyful plethora of those who reach self-knowledge, overcoming the initial horror of the encounter with their own identity and uniqueness that we carry without certainties. DNA proposes a way to access that knowledge that is elusive to us by another way, the artistic one.
Franco's work plays between the limit and the no limit, imagining the idea of macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dimensions. It is through the presence of color, combined with an abstraction sometimes with expressionist and many other surreal overtones, where his work expands in various formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood and steel) transiting mixed materialities that overlap, crushing the apparent figures against heterogeneous backgrounds. Franco's work plays between the limit and the no limit, imagining the idea of macro universes and micro cosmos, combining them in the same space, mixing, separating and uniting dimensions.
- Creator:Alec Franco (1972, Argentinian)
- Creation Year:2021
- Dimensions:Height: 19.69 in (50 cm)Width: 13.78 in (35 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU45339398032
Alec Franco
Alec Franco was born on August 7, 1972 in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been editor together with other artists, writers and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
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Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loosely figurative fragments, patterns, and color fields collide. Working in series, Manning sets up rule-driven visual frameworks such as grids, repeated motifs, cut-outs, and layered shapes, and then interrupts them through shifts in palette, gesture, and scale. The result is a retro-contemporary language: paintings that acknowledge a world shaped by data and screens while insisting on the tactility, stillness, and breath of paint.
• One-of-a-kind abstract artwork on paper measuring 20 x 16 inches
• Unframed and signed by the artist on the back
• Includes certificate of authenticity issued by the art gallery
• Convenient local Los Angeles delivery available
• Affordable Continental U.S. and international shipping available
Across his practice, Manning has maintained a clear studio ethos: to “paint through the questions” of life lived alongside algorithms. Instead of reproducing digital aesthetics, he uses rule sets to destabilize them—allowing glitches, misalignments, and pauses to surface. The work’s visual “systems” act less like predictive code and more like open, humanized structures where attention can rest. This stance has resonated with curators and collectors attuned to abstraction’s current arc: grounded in art-historical form, responsive to contemporary cognition, and committed to the slow time of looking.
Manning earned a BFA in Two-Dimensional Studies from Bowling Green State University (2011) and an MFA from the University of Cincinnati (2014). His work has been exhibited widely in the U.S. and abroad and gained early institutional and critical attention through selection for the 2017 Texas Biennial, curated by Leslie Moody Castro, with press coverage in Texas arts media.
Artspace Warehouse has been representing and exhibiting Max Manning's original artworks since 2025. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery.
The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artspace Warehouse prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience.
REPRESENTATION
Artspace Warehouse, Los Angeles, USA
SOLO EXHIBITIONS
2017 Language Game, TW Fine Art, Brisbane, Queensland, Australia
2015 In Tongues, EN EM Art Space, Sacramento, California
2014 Now Made with Real Paint, No Future Projects (online)
Soul-Rocket, Pipeline Artist Space, Cincinnati, Ohio
2013 Uberplasticist Exhibition #1, Pipeline Artist Space, Cincinnati, Ohio
2011 Screening Reality: Erotomania (Paintings and Drawings by Max Manning), Bowen Thompson Student Union, Bowling Green, Ohio
GROUP EXHIBITIONS
2025 Space City Spotlight, Seismic Gallery, Houston, Texas
2023 No Zoning, Reeves Art and Design, Houston, Texas
2022 Crimson Tide, Soft Times Gallery, San Francisco, California
The Big Show, Lawndale Art Center, Houston, Texas
Small Works, Soft Times Gallery, San Francisco, California
Summer Preview, Todd Weiner Gallery, Kansas City, Missouri
2022 Salina Biennial, Salina Art Center, Salina, Kansas
Project for Ukraine, Far By Wide — Online Exhibition
Miami University Yeck Young Painters Competition, Miami University, Oxford, Ohio
2021 Quiet Fire, curated by Jessica Cannon and Jay Gaskill, Far By Wide — Online Exhibition
Not Just Another Anthropocenic Love Story, Trestle Gallery, Brooklyn, New York
DAAP Made, University of Cincinnati Indian Hill Gallery, Cincinnati, Ohio
Loop, Box 13 ArtSpace, Houston, Texas
2020 Concrete Pocket, Houston Community College Central Gallery, Houston, Texas
Lines of Thought, CICA Museum, Gimpo, South Korea
Flatfile Exhibition, Collar Works, Troy, New York
Mirror Eye, curated by Youngspace and Far by Wide, Ortega y Gasset Projects, Brooklyn, NY
Ortega y Gasset Flatfile Exhibition, Ortega y Gasset Projects, Brooklyn, New York
2019 The Christmas Edit, TWFINEART
Group Art Show, Todd Weiner Gallery, Kansas City, MO
Be. Long. I Like Your Work Juried Exhibition, curated by Erika B. Hess, David Linneweh, and Mychaelyn Michalec, Dutoit Gallery, Dayton, Ohio
Of Texas, curated by Adam Farcus, Lease Agreement, Lubbock, Texas
Priority Mail, Ground Floor Gallery, Brooklyn, NY
Art Hustle, Reed Gallery, Cincinnati, OH
Lobster Dinner, curated by Will Hutnick, Trestle Gallery, Brooklyn, New York
2018 Trade Show, My Friend PTX, Paris, Texas
TWFAX2 + Matt Sheridan + W Hotel, TW Fine Art, Brisbane, Queensland, Australia
Papercuts, curated by Kristian Day, Saatchi Gallery, London, England
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2017 Paper Cuts, curated by Kristian Day and Jeanette Gunnarsson, Tripp Gallery, London, England
Winter Exhibition, James May Gallery, St. Algoma, Wisconsin
2017 Texas Biennial, curated by Leslie Moody Castro, Big Medium Austin, Austin, Texas
Milestones, Bowling Green State University, Bowling Green, Ohio
Antipol, curated by Max Presneill and Chris Trueman, Durden and Ray, Los Angeles, California
Priority Mail, Ground Floor Gallery, Brooklyn, New York
Chaos, Ro2 Art, Dallas, Texas
Intimates, Skylab Gallery, Columbus, Ohio
ATTACH FILES, 50/50, Kansas City, Missouri
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From Here, Fluorescent Gallery, Knoxville, Tennessee
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Divisible: please, actually, introspective, Divisible Project Space, Dayton, Ohio
Business Casual, collaborative show with Jessica Simorte, Neon Heater Gallery, Findlay, Ohio
LUSH, Contemporary Arts Center, Cincinnati, Ohio
Fiction, University of Dayton Galleries, Dayton, Ohio
2013 Fresh Paint Showcase, Media Wall at Commerce Square, Philadelphia, Pennsylvania
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Wintery Mix, Rock Paper Scissors, Cincinnati, Ohio
Crosspollination, Collaborative show with Jessica Simorte, 840 Gallery, Cincinnati, Ohio
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All Fall Down, Meyers Gallery, University of Cincinnati, Cincinnati, Ohio
Modern Makers
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