Alvaro Guillot

In front of the Window, Oil Painting by Alvaro Guillot

1968

CONSTRUCTED STILL LIFE Size: 63 x 49 cm (including frame) Oil on canvas A striking mid-century still life rendered through bold geometry and a masterful play of colour planes, execu...

THREE PEARS A CUP Size: 49.5 x 58.5 cm (including frame) Oil on canvas A quiet and contemplative still life that depicts a simple tabletop arrangement of three green pears and...

Sunlit Balcony Size: 66 x 58 cm (including frame) Oil on canvas A vibrant and joyfully expressive mid-century painting that captures the view from a sunlit balcony overlooking a blu...

The painterly work of Helga Scholler includes works from a period of more than 40 years and shows a range of uncompromising expressive works of all genres, which represents a further...

The painterly work of Helga Scholler includes works from a period of more than 40 years and shows a range of uncompromising expressive works of all genres, which represents a further...

In the flyleaf of the catalog published on the occasion of his exhibition in the Gallery Pels-Leusden in Berlin in 1982, there is the following dedication: “For the very gifted Rolan...

The painter has revived an old motif for this painting. The earliest flower still lifes in Europe originate from Early Netherlandish painting. Earlier flower paintings come from West...

In the flyleaf of the catalog published on the occasion of his exhibition in the Gallery Pels-Leusden in Berlin in 1982, there is the following dedication: “For the very gifted Rolan...

The paintings are drawn with oil on the canvas. Midnight in the magic garden. Hurray! The series of paintings "My funny birds" continues. Bright contrasts. Fancy flowers. Each of the...

“Morning Light” epitomizes the abundance of Spring with its bustling bouquet of white lilies, yellow roses, and a sliced open, ready to be eaten pink grapefruit. Despite the levity of the scene, Lucas has challenged herself with space, making a clear contrast between subject and background. She is consciously rejecting the “ironed on” effect of a subject onto a canvas, a trap to which lesser artists might succumb. Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...