Horizontal Still-life Paintings

Summer in Bude, Cornwall [2021] original Oil paint on canvas Image size: H:25 cm x W:40 cm Complete Size of Unframed Work: H:25 cm x W:40 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A 40x25cm palette knife oil painting on canvas depicting Bude beach...

This fruit still life, "Fresh Picked", by artist W.C. Nowell is a 8x12 oil painting on canvas featuring a teal basket of bright red fresh strawberries fallen on the table onto a blue...

Works of Liene Liepina are full of life and joy because of photography-like, realistic details on the one hand, and intense and slightly artificial color...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

An oil painting of sunny cliffs overlooking crisp blue water in California. Exhibited at Grenning Gallery in August 2020. Artist Bio Marc Dalessio was born in 1972 in Los Angeles,...

"Watermelon by the Sea" is a surrealistic still life on the beach. Ackrill takes inspiration from his beach surroundings in Florida. Artist Bio Anthony Ackrill was born in Alaska i...

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

William Merrit Chase American, 1849-1916 Fruit and Porcelain Signed "Wm M Chase." l.l., identified on labels from the Corcoran Gallery of Art, B...

Sauer often creates paintings that are rendered from dream encounters. "Can something be perceived as both ordinary and absurd? When does it crossover from one realm to the other? W...

Daud Akhriev's (EUR and US based) "Peaceful Afternoon" is an original, handmade oil painting that depicts an interior setting adorned with fine wooden fur...

Crimson Apples Size: 51.5 x 64.5 cm (including frame) Oil on board A striking and characterful still life composition executed in oil on board, by the established Swedish artist Eri...

NORDIC TABLE SETTING Watercolour on paper Size: 60.5 x 82 cm (including frame) A finely detailed 20th century large watercolour still life that captures a traditional Nordic feast l...

"Welcome Home" is an oil painting by American realist Maryann Lucas. It depicts a vase full of flowers sitting on a table w gathered linen and a pair of pears. A wooden windowsill l...

Sour cherries , flowers,red blue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic stud...

Perched of clay and glass, acrylic on canvas Dimensions in centimeters (H) 60 x (W) 120 x (D) 2 cm. In inches: (H) 23.62 x (W) 47.24 The elements of this still life seem to pose im...

André Hambourg (French, 1909-1999) Les fruits d'automne, 1957 Oil on canvas Canvas Dimensions: 9 x 13-3/4 inches (22.9 x 34.9 cm) Framed Dimensions: 14.75 X 20 X 2.5 Inches Signed lo...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

FISH & FLOWERS Size: 47 x 62 cm (including frame) Oil on Canvas Laid onto Board A characterful mid-century modernist style still life oil composition, painted onto canvas. At the h...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

From the Hammock (Abstracted Earth Tone Landscape)by David Konigsberg 2025, oil on panel, 23.5 x 24 inches Konigsberg is a conceptual realist who works across media and painting gen...

Mockery and Hate are the English translations of Sköll and Hati, the Norse mythological wolves that chase the Sun and Moon across the sky and ultimately devour them at Ragnarok. They...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Oil on canvas Canvas size: 11.25 x 13 inches each Framed size: 18 x 20 inches each Signed lower right

A classic Yektai subject of melding flower still life with a landscape background. Land and sea become one as the orchid's form and colors blend into the waves of the seascape. The leaves of the plant start to become the waves crashing onto the shore and the sun could be mistaken for a blossom. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and studio in Sag Harbor. He grew up in a cultural home of art and artists, with his Greek-American Mother, and his Father, Manoucher Yektai...

This softly colored pastel of summer roses is superbly rendered by important French symbolistt artist De Scevola. He studied at the atelier Cormon and exhibited first with the Artist...

DIRTY OR CLEAN? depicts a grouping of laundry consisting of solid colors as well as striped patterned shirts in a photo representational rendering. Sauer meticulously creates a composition of organized chaos that is shown to exemplify the beauty in the mundane. This piece appears as part of a two-person exhibition with Jason Stout in April 2021 at Channel To Channel...

These turned up in our inventory and we decided to sell them as a set, thinking someone who loves the kitchen might find them a perfect grouping!

An impressionist-style oil on canvas painting. It depicts a close up of the Wainscott pond, in East Hampton, New York after sunset. The sandbanks and greenery surround the pond, a de...

Red Apples, Fuchsia Pink, Green Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina,...

Maurice Asselin (1882-1947) A Still life with a book Signed upper right Oil on canvas 54 x 65 cm no frame In good condition, a small superficial scratch on the lower right side, ...

Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...

Erik van de Beek (Dutch artist) Lemniscate 15,2 x 27,9 cm ( framed included 19,2 x 31,9 cm) Oil paint on wood panel Artist Erik van de Beek lives and works in Nijmegen. The modest N...

Lucien-Victor Guirand de Scevola (1871-1950) A Bunch of flowers Oil on on canvas Signed upper left 38 x 46 cm In a nice modern frame : 53 x 61 cm Lucien...

Artwork sold with frame (55 x 75 x 4 cm)

ARTIST STATEMENT Realism as a style has basically remained unchanged since the Renaissance. Realism as a technique, however, has definitely been altered and heavily influenced by tec...

Ginny Williams, "The Quiet Approach of Spring" – Serene Oil Painting on Canvas Embrace the gentle transition of seasons with "The Quiet Approach of Spring", a captivating 20 x 24-inc...

Stephanie Richards b. 1978 Cornflowers and Sashiko Cloth oil on board 30 x 30.3 cm 11 3/4 x 11 7/8 in signed with initials "My works are composed o...

Boats at sunset depicted in this calm and peaceful oil painting — Tamales Bay Evening — from American Realist Willard Dixon. The canvas is 17 x 50 inches...

I’ve always been attracted to the built environment. Bridges are a great subject. Each one is specially engineered to solve the problem of how to get across the void. While usually n...

Colin Fraser's remarkable tempera still-life and landscapes have a luminosity that seems to irradiate from them. It’s an effect that conjures a remembering of the timeless moment or ...

Translated title: "Forest" Acrylic on double canvas. This is a diptych.

Original Oil Painting on Cotton Canvas by Carlos Bruscianelli. 24x36 inches, 2018. Varnished work (glossy varnish). Black Gallery Frame :: Painting :: Realism :: This piece comes w...

"Mulford Onions," Oil on Canvas, 34 x 50 Inches, is a large-scale, elegant, very realistic still life of 2 onions side by side on a light green/gray ground. The monumental proport...

"Train Engine" is an oil painting created in 2020 by Dianne L. Massey Dunbar depicting a lego train. About the artist: When Dianne Massey Dunbar was ver...

Works of Liene Liepina are full of life and joy because of photography-like, realistic details on the one hand, and intense and slightly artificial color...

The artist is enjoing a free use of paint and vibrant colour with this uplifting portrayal of the English flower. Rachael's works on paper are particularly organic.  Diluted paint i...

Lowney's richly painted visionary landscapes and her figurative bronzes evoke a sense of the magic of the natural world and the potency of the human creative unconscious. Her work is...

A fine large oil, school of Pierre Bonnard. circa 1950's. oil on canvas 55cmx75cm The original wood and textured gesso frame 72cmx92cm Titled 'On the Window Sill'. Indistinctly sign...

Patt Baldino is an artist passionate about capturing the beauty and complexity of the natural world through her award-winning oil paintings. Her work is rooted in a deep appreciation...

Victorian Still Life with Flowers and Fauna a Small Oil Painting, one of a pair. Beautiful and highly detailed small Oil on Canvas, mounted on Stretchers and housed in a period styl...

Artist Commentary: Inspired by the geometry of a local country barn on a late afternoon Keywords: red, barns, country, landscape, bucolic, summer, barn, trees, farm, impressionist, realism About the artist: Lynne's work was recently chosen by the U.S. Department of State to be featured in the Art in Embassies Program for the U.S. Embassies in Djibouti, East Africa and Colombo, Sri Lanka. She has had numerous solo shows in New York City galleries, as well as the Booth Western Art Museum and the James McNeil Whistler...

In Love is in the Air, Ruiz addresses the politically charged issue of fumigating poppy fields with a deeply human and spiritual tone. This series contrasts the striking beauty of p...

A still life painting in oil on canvas of red and yellow onions and onion skins with a glass bowl. Inspired by Spanish still life painting. It is gallery wrapped with clean white sid...

"Twilight in Tavarnelle" is a bright yet romantic contemporary impressionist still life in Florence, in the artist's studio. Framed Dimensions: 39.9 x 47.9 inches Amy Florence is ...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

This captivating trompe-lœil painting showcases Jean Grimal’s extraordinary mastery of illusion. A vivid red cardinal, a black wooden flute, curling manuscripts and brittle music she...

Title: Family Dish Medium: Oil on canvas Size: 23.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

VERNON KERR – "FULL BLOWN ROSES" Oil on Canvas ⚜ Hand Signed ⚜ Dated ⚜ Conservation Frame A CLASSIC STILL LIFE WITH BLOOMING ROSES This original 1974 oil painting by American artist...

William P. Canton Woodville born 1884. Studied Herkomers. Lived in Hertfordshire. Signed with monogram and dated 1927. Original oil on canvas 14 x 10 inches. Frame size 18 x 14 in...