Ashlee Selburg

Propagation

2023

ASHLEE SELBURG Hummingbird House Ink and pencil on paper 14 x 11 inches

Ashlee received her BFA with a Minor in Art History from University of Missouri-Columbia in 2012 and has been exhibiting and selling her artwork for the past twelve years. When she’s not making art, Ashlee loves to get lost in her garden with her four year old son where they battle pirates on lost islands, fly with dragons around kingdoms in the sky, and search lush jungles for purple tigers.

Ashlee Selburg (American, b. 1989) Ashlee Selburg is a multidisciplinary artist whose ink drawings and paintings are characterized by whimsical narratives, imaginative scenarios, and...

ASHLEE SELBURG The Guardian Ink and pencil on paper 6 x 8 inches

Represented by George Billis Gallery NYC. In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collec...

Pomology - acrylic on canvas. 2018. Barbara Holt writes of her work; Ancient Egyptian artists tried to fill the voids in their compositions to discourage evil spirits from finding a ...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

Nature has always been Tara Esperanza’s muse and source of endless fascination and inspiration. From an early age, her love for the environment shaped her way of seeing the world. As...