Carl Grauer

In the Guest Room (Contemporary Interior Painting of a Bedroom Doorway)

2022

Twelve Chairs revisits the visual language of 1920s modernism. With bold, simplified lines and a graphic immediacy reminiscent of drawing, Zura evokes the era’s spirit of primitivism...

Surrealist contemporary tablescape, acrylic on canvas by Scottish artist Frank McLean Docherty R.S.W. Signed and dated bottom left. This piece is wonder...

Surrealist contemporary acrylic on canvas by Scottish artist Frank McLean Docherty R.S.W. This piece is wonderfully colourful, playful and is typical of his witty sense of humour. Docherty likes to tease us visually and asks questions and presents conundrums to the viewer. Frank McLean Docherty was born in Glasgow, Scotland in 1942. He became a student at Glasgow School of Art in 1960 and graduated from the Department of Printed Textiles in 1964. He taught in a secondary school in the East End of Glasgow for two years, thereafter departing to work in Dublin in the Republic of Ireland as a textile designer (Marks & Spencer, Heals and Liberty of London). He was also an illustrator for a range of newspapers and an Art Director of magazines. In 1973, he was appointed Principal Teacher of Art in a Scottish High School and in 1978 was honoured by the Queen when he was appointed Member of the Royal Society of Painters in Watercolours (R.S.W.) He left education in 1994. Since that time he has developed a vision which is quite unique in Scottish Art. Bank Managers, toucans, lighthouses, penguins, bowler hats, Frank Docherty...

Surrealist contemporary tablescape, acrylic on canvas by Scottish artist Frank McLean Docherty R.S.W. Signed and dated bottom left, presented in custom wood frame. This piece is wonderfully colourful, playful and is typical of his witty sense of humour. Docherty likes to tease us visually and asks questions and presents conundrums to the viewer. Frank McLean Docherty was born in Glasgow, Scotland in 1942. He became a student at Glasgow School of Art in 1960 and graduated from the Department of Printed Textiles in 1964. He taught in a secondary school in the East End of Glasgow for two years, thereafter departing to work in Dublin in the Republic of Ireland as a textile designer (Marks & Spencer, Heals and Liberty of London). He was also an illustrator for a range of newspapers and an Art Director of magazines. In 1973, he was appointed Principal Teacher of Art in a Scottish High School and in 1978 was honoured by the Queen when he was appointed Member of the Royal Society of Painters in Watercolours (R.S.W.) He left education in 1994. Since that time he has developed a vision which is quite unique in Scottish Art. Bank Managers, toucans, lighthouses, penguins, bowler hats, Frank Docherty...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

A joyful depiction of a towering celebration cake decorated in edible wild flowers. This painting has a great deal of texture, vibrancy and character. Kerry Louise Bennett, artist and painter, has original artworks available with Wychwood Art in our gallery and online. Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes colourful paintings loaded with texture and pattern. Her previous lives working in set design, upholstery and photography, and her passion for music and literature, all feed into the semi-abstract interior and still life compositions she paints. In one sense the objects painted and the relationships between them can be seen as arbitrary, necessary only to serve a sense of spatial orchestration, and the abstract sensibility of a process-led artist, however, an element of romance and storytelling always seems to emerge in her charming characterful paintings. Colour and composition, strong mark-making and the pure materiality of paint drive my creative practice, but of course everything I make reveals something of me - the introvert, the observer, the dreamer. I work over multiple layers before finding the story the painting wants to tell. In some ways I feel like the conductor of an unruly orchestra - there is a musicality to my work, and my visual vocabulary draws on the everyday to capture a kind of unconscious narrative that transforms chaos into calm, worry into joy, the mundane to the magical. Kerry says of herself: I am obsessed with colour first and foremost – it’s impact is so visceral, but mark making is also important – usually expressed through pattern and the shapes of things often scratched into the surface of the paint, with textures then built up over many layers. My visual vocabulary draws on the ordinary stuff of life - chairs, plants...

A series of paintings exploring the dynamic and expressive shapes of pot plants. I love the way that nature expresses itself; plants often remind me of dancers, but being rooted in solid earth or a heavy pot their 'moves' seem to express an un-self-conscious celebration of life, and a contented acceptance of their earthbound limitations. Throwing Some Shapes I ,II, III by Kerry Louise Bennett...

This contemporary still-life depicts two vibrant and juicy prawns with a lemon wedge on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is re...

This contemporary still-life depicts two vibrant and juicy prawns with a lemon wedge on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is re...

This contemporary still-life depicts a ripe artichoke and lemon wedge on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung ...