Catherine Koenig

Glass Catcher

2001

A contemporary realist oil painting by American artist A.J. Fries. Artist’s Statement: My paintings are less about the images or scenes that they depict and more about my state o...

Amanda Besl Shelf Life, 2024 Oil on canvas 31 x 23 inches Signed on reverse In Shelf Life, Amanda Besl constructs a visually arresting still life that fuses botanical precision wit...

An original contemporary oil painting by Amanda Besl from her most recent body of work created in 2017. Throughout her career, Amanda Besl has focused primarily on the inner worlds ...

An original realist egg tempera painting by American artist Catherine Koenig created during her travels to Mexico. This work will be featured in the gallery's upcoming exhibition "Dr...

This is a one of a kind original painting by southern California artist, Leslie Winokur. Its dimensions are 20" x 10" x 1" (HxWxD). It is oil on linen. ...

In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collection and, collectively, to the individual f...

Claudine Picard is a French artist born in 1949 who lives & works in Sainte Marie, France. She is graduated from the Ecole Nationale des Arts Décoratifs in 1973 (ENSAD).

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...