Deborah Bigeleisen

Deborah Bigeleisen - Duality 2, Painting 2025

2025

Within the abstract genre Plesh uses media and surface literally to explore, creating visuals which captivate the viewer with intrigue, drawing them in. . His works permit, in fact e...

“Disclosure” is a moment of transition, when light meets form, and silence is filled with life. The flower seems to unfold in space, its petals stretching towards the new, changing t...

"Except for Then" is a contemporary abstract painting of warm golds, pinks, peach and orange. Oil on canvas, signed on verso. 2010 48" x 36" canvas Deirdre Schanen artist statemen...

The principle that organizes the universe is movement between opposite sides. “Everything flows, nothing remainsâ€

"Variation 2" is a colorful, dynamic, positive acrylic painting on canvas. It is a Color Field Painting with expressive and gestural black and white movements. The sides of the a...

"Variation 1" is a colorful, dynamic, positive acrylic painting on canvas. It is a Color Field Painting with expressive and gestural black and white movements. The sides of the a...

Universal Language :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Lo...

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in ...

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. Th...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...