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Diana TremaineLevity I2017
2017
$4,000
£3,019.14
€3,460.01
CA$5,583.02
A$6,082.21
CHF 3,212.04
MX$73,015.36
NOK 40,925.03
SEK 37,403.94
DKK 25,845.83
About the Item
Transparent yellow, pink, green and blue, blow up beach ball from Diana Tremaine, whose dynamic oil paintings reflect a search for truth and meaning through simple human experience. Tremaine develops brushstrokes and marks by adding and then obliterating some of the story in a free-association editorial process of discovering what is most important and lasting. The melancholy images echo her experiences in an autobiographical fashion, but are also universal, touching upon and evoking our collective memories like ghosts of what was. There is visual poetry in these surfaces, including the tension that exists when simultaneously holding on and letting go.
'Levity I' 30 x 30 inches, is painted traditionally with oil on canvas. It is ready to hang and enjoy and framing is not required. Artist signed, dated and titled verso.
The bicoastal New York City-born artist studied and taught in both Northern and Southern California. She later moved to Montana—in a search for spiritual space and room to breathe—where she works and lives with her family and horses.
Presented from Andra Norris Gallery in Burlingame, CA.
- Creator:Diana Tremaine (American)
- Creation Year:2017
- Dimensions:Height: 30 in (76.2 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Burlingame, CA
- Reference Number:Seller: TRED1stDibs: LU37532028863
Diana Tremaine
Diana Tremaine is a bicoastal New York City-born artist who studied and taught in both Northern and Southern California. She later moved to Montana in search of spiritual space and room to breathe, where she now works and lives with her family. She uses swans as a metaphor for beauty and resilience rising above chaos during difficult times. Tremaine's dynamic, representational and nature-centric oil paintings reflect a search for truth and meaning. Tremaine develops brushstrokes and marks by adding and then obliterating some of the stories in a free-association editorial process of discovering what is most important and lasting. The melancholy images echo her experiences in an autobiographical fashion, but they are also universal and touch upon and evoke our collective memories like ghosts of what was. Created with a limited palette, there is visual poetry in her surfaces, including the tension that exists when simultaneously holding on and letting go. Tremaine has exhibited widely and with success.
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