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Ernest AlbertAmerican, Oriental Still Life with CeramicsCirca 1942
Circa 1942
$16,000
£12,124.62
€13,972.22
CA$22,628.41
A$24,334.96
CHF 13,011.95
MX$293,472.75
NOK 164,545.05
SEK 149,921.72
DKK 104,403.46
About the Item
An amazing and impressive quality still life!
Ernest Albert was a true Connecticut landscape artist, devoted to depicting the different seasons in an Impressionist manner. Albert was part of just a handful of painters, native to Connecticut, and making up a very small but important movement in American Impressionism. In 1941 he had his last major one-man exhibition at Rockefeller Center in New York. It is around this time we believe he painted the still lifes which were so striking in presence and quality. Influenced by Japonsim, he probably felt the lure to compliment his landscape work with these still lifes that afforded him the chance to paint more tightly and show off his technical abilities. At this later date in his career, Albert most likely felt it soothing and fulfilling to sit and study these still lifes, like our Oriental Still Life Also. Albert had long been a part of the Connecticut school of artists and would have been highly familiar with Emil Carlsen’s still lifes which were highly regarded by anyone critical within artistic spheres. Albert’s still lifes are clearly influenced by Carlsen’s approach but Albert brings to his canvases more color and brilliance. Carlsen was a bit of a monochromatic painter and Albert, while often a sensitive and pastel oriented color user, also saw this as an opportunity to do richly jewel toned colors that existed in the pottery.
Frame is hand carved 23 karat gilded frame of exceptional quality.
Oriental Still Life, Circa 1942
Signed: Ernest Albert ANA lower right
Oil on canvas
30 x 36 inches
Framed: 35 1/2 x 41 1/2 inches
(18617)
Ernest Albert
American 1857-1946
Oriental Still Life, Circa 1942
Signed: Ernest Albert ANA lower right
Oil on canvas
30 x 36 inches
Framed: 35 1/2 x 41 1/2 inches
Often still life painting is about academically showing off and being able to capture what was before them in an impressive manner. It is evident though that Albert enjoyed doing these works and it comes through in the care and attention to every stroke which is expertly and patiently thought through.
- Creator:Ernest Albert (1857 - 1946, Belgian)
- Creation Year:Circa 1942
- Dimensions:Height: 35 in (88.9 cm)Width: 41.5 in (105.41 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Very fine condition and ready to hang.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1413216719202
Ernest Albert
A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art Medal* at age 15, while he was studying at the Brooklyn Art Institute. Though Albert had some early success as a newspaper artist, his introduction to the theater world in 1877 began a career in stage design; he worked on productions starring most of the best-known performers of the day. During this time in 1879, he employed and befriended young Jules Guerin, who went on to become the Lincoln Memorial Muralist. From New York City, Albert went to St. Louis in 1880, and five years later to Chicago. In 1892, he became involved with the Chicago World's Colombian Exposition. He was responsible for the color schemes and ornamental design of many of the interiors of buildings in that renowned and successful fair. While in Chicago, he helped found the American Society of Scenic Painters. In 1894, Albert returned to New York City, where, from then on, his work in scenic design was centered. His Albert Studios did the sets for many successful productions. All along, he had painted whenever he could snatch the time. At the pinnacle of his career in 1905, he began to withdraw gradually from his theater work. His family was settled in the striking new house he had built in New Rochelle, New York; his financial independence was established; and from then on, he devoted most of his considerable talent and energy to his landscapes. Albert's landscapes, painted mostly in Old Lyme, Connecticut and later on Monhegan Island, Maine (as well as a few on the West Coast), are simple in composition but subtle in effect. His impressionistic rendering of color and light imbue his quiet country scenes with all the magic of the moment. The gentle strength of these pictures and of his still life ensured their popularity and earned him a place as one of America's respected artists. Albert was active in several organizations and was a founder and first president of the Allied Artists of America.
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