Framed Still-life Paintings

This striking mid-century semi-abstract oil painting on canvas by renowned Denver modernist Paul K. Smith captures the vibrant energy of an artist’s studio. Painted in the mid-20th century, the composition features expressive renderings of flowers, paint supplies...

Oil on canvas 130.5 x 97 cm Signed and dated lower right: A Marinier 1889 Alfred Hippolyte Marinier was born in Orsay in 1833. A student of Jules Noël and Henri Marie Beyle, he ex...

An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Bos...

Oil painting on canvas. Neapolitan school of the seventeenth-eighteenth century. The large composition is rich in numerous different elements: in the center stands a large floral com...

August Frederick Biehle (American, 1885–1979) Chrysanthemums and Gerbera Daisies Gouache and litho crayon on paper Signed lower right 28 x 20 inches 33.75 x 26 inches, framed A vers...

Lilies and Rose bud by Rosie Copeland [2019] original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm F...

Wonderful painting on canvas of playing cards in the Trompe L'oeil style by Elena and Michel Gran. Signed in the lower right hand corner. Presents very well overall and is ready to h...

Maurice Asselin (1882-1947) Les Anémones, a bouquet of anemones signed upper right oil on canvas 38 x 46 cm Label of the exhibition Maurice Asselin at the Galerie Schmit in february...

Oil on panel, monogrammed mid left Image size: 15 x 12 1/4 inches (38 x 31 cm) Dutch ripple style frame Loeding was born in Leiden in around 1637 and was admitted into the Leiden Guild of St Luke in 1664. Like other Dutch cities, Leiden required membership in the guilds in order to sell wares falling under the various specifications. There is no record of his artistic training or influences, but he likely belonged to the circle of artists including Pieter de Ring and Gerrit Dou, who founded and maintained the Guild.  Loeding is last registered as a member in 1673. One of the most versatile genres that emerged from Dutch 17th Century artistic specialisms is that of 'pronkstilleven'; a laden table with a variety of rich textures, like ornate glassware, gilded goblets, exquisite nautilus cups...

“Gather” is an elegant still life by Boston-based artist McKenzie West, capturing a delicate arrangement of shells and crab claws nestled in a dark bowl. This intimate composition ex...

Vibrant Still Life with Sunflowers And Ladybug. Artist singed lower left canvas 24x20 with frame 30x26x1.5. Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract constructionists, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as laid down by the European Cubists. Sobel’s work was selected for the First Exhibit of Modern Art Museum Krakow in 1948-49. Judith Sobel emigrated to the newly found Israel where she lived for five years, becoming very active in Israel’s emerging art...

Still life with peonies 1969, plywood, oil, 68x59 cm

Warm toned modern cubist abstract still life enhanced giclee painting by Houston, TX artist David Adickes. The work features yellow and red flowers in an abstracted face shaped vase. Signed by the artist in the front upper right corner. Currently hung in a beautiful gold frame. Dimensions Without Frame: H 23.5 in. x W 17.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures, from the Virtuoso in downtown Houston...

'Glass Half Full' Contemporary Still Life painting with Peach, Cherries and Jug, perfect for a kitchen or dining room. Also has the matching pair 'Cherries and Peach' - please do not...

Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with w...

Bright whimsical colors are helping to dispel the grayness of the winter inside Acton Memorial Library’s meeting room, where Boston-based artist Maureen O’Connor’s 20 paintings are on display through February. Randi Hopkins, former assistant curator at Boston’s Institute of Contemporary Art, has called O’Connor “a masterful painter of some of our favorite things.” A pair of ceramic ducks...

This fruit still life, "Fresh Picked", by artist W.C. Nowell is a 8x12 oil painting on canvas featuring a teal basket of bright red fresh strawberries fallen on the table onto a blue...

Conditions ; Excellent condition, original canvas frame, no prior retouching or restauration, and no future restauration necessary. Original Victorian gilet frame in perfect conditio...

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

An oil painting of a vase of flowers atop a windowsill. An antique radiator takes space beneath the windowsil. The window is flanked by pink patterned drapes. The paned window gives ...

An oil painting of sunny cliffs overlooking crisp blue water in California. Exhibited at Grenning Gallery in August 2020. Artist Bio Marc Dalessio was born in 1972 in Los Angeles,...

Flowers on a blue background 1999, cardboard, oil, 17x13 cm The main focus of the painting is a still life arrangement of flowers set against a blue background. The artist's intent...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower right FRAMED: 23.625" x 19.625" x 1.25" UNFRAMED: 20" x 16" Artist Statement “This painting...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Work on canvas Golden wooden frame Dimensions with frame : 55 x 45.5 x 4.2 cm This work of art features a magnificent floral arrangement where white and red roses bloom. The flowers...

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration Antonio Petruccelli (1907 - 1994) JAPAN ISSUE Fortune cover proposal, c. 1936 14 1/4 x 12 inches (sight) Framed 19 3/4 X 17 3/4 Inches Gouache on board Signed lower left BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

S. Montey (XX-XXI), Still Life of Bouquet and Fruit, Acrylic on Canvas, signed lower right, giltwood frame. Image: 29.75" H x 29.5" W; frame: 36.75" H x 36.75" W. Provenance: From a ...

"Gathering no. 2" by Alyson Kinkade 9" x 9" oil on canvas 11x11" framed in black floater style "One of a handful of still life paintings I've done over the years. This one features dried Chinese Lantern plants in a simple black vase...

NORDIC TABLE SETTING Watercolour on paper Size: 60.5 x 82 cm (including frame) A finely detailed 20th century large watercolour still life that captures a traditional Nordic feast l...

Crimson Apples Size: 51.5 x 64.5 cm (including frame) Oil on board A striking and characterful still life composition executed in oil on board, by the established Swedish artist Eri...

FRUIT & RED MUG Oil on Board Size: 39.5 x 39.5 cm (including frame) An expressive and beautifully textured mid-century still life oil composition, executed i...

"Welcome Home" is an oil painting by American realist Maryann Lucas. It depicts a vase full of flowers sitting on a table w gathered linen and a pair of pears. A wooden windowsill l...

Gregory Block's (US based) "Chocolate Cruller" is an original, handmade oil painting that depicts a cruller pastry covered with a chocolate glaze. Gregory was born in Kansas City, ...

Dance in the Wind is a vibrant acrylic painting on canvas depicting a maple tree with fall-colored leaves during autumn season. Comes framed and ready to hang.

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

Inscription on back of drawing: Laughter is mad, and reckless mirth— What does she in this weary earth? Should Wealth, or Fame, Our life employ. Death comes, our labour to destroy; ...

André Hambourg (French, 1909-1999) Les fruits d'automne, 1957 Oil on canvas Canvas Dimensions: 9 x 13-3/4 inches (22.9 x 34.9 cm) Framed Dimensions: 14.75 X 20 X 2.5 Inches Signed lo...

FISH & FLOWERS Size: 47 x 62 cm (including frame) Oil on Canvas Laid onto Board A characterful mid-century modernist style still life oil composition, painted onto canvas. At the h...

Vintage Floral Still Life - Cup with Stack of Flowers Detailed and moody still life of flowers in a ridged cup by Alan Inger (British b. 1901 d. 1978.) The background is full of dee...

Léon Louis PARENT (Armentières, 1869 – Aulnay-sous-Bois, 1943) Interior with portrait Oil on canvas Signed and dated lower right 35 x 27 cm without frame 45 x 38 cm with frame 1911...

Marie Lucie Nessi-Valtat Bouquet of flowers, ca. 1950 Oil on canvas Paper: 15 7/10 × 12 3/5 in l 40 × 32 cm Frame: 20 3/4 17 1/2 l 53 x 45 cm Marie-Lucie Nessi Valtat was a French p...

Wonderful example of Houston Artist David Adickes's early work. This heavily textured still life features 2 apples and 3 bottles. Most likely this work was framed at Dubose Gallery o...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Mockery and Hate are the English translations of Sköll and Hati, the Norse mythological wolves that chase the Sun and Moon across the sky and ultimately devour them at Ragnarok. They...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

"What to Wear" is an oil painting featuring hues of yellow, blue, and purple. Marc Chatov is inspired by the work of Diego Velasquez, Édouard Manet, William Bouguereau. Renowned po...

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

Oil on canvas Canvas size: 11.25 x 13 inches each Framed size: 18 x 20 inches each Signed lower right

Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...

This bright and colorful floral painting, "Pink Roses in Raspberry Glass", is a 12x12 still life oil painting on canvas by Maryann Lucas. Fea...

Oil on board signed on reverse (frame included at no charge) ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fanta...

This softly colored pastel of summer roses is superbly rendered by important French symbolistt artist De Scevola. He studied at the atelier Cormon and exhibited first with the Artist...

These turned up in our inventory and we decided to sell them as a set, thinking someone who loves the kitchen might find them a perfect grouping!

This bright and colorful floral painting, "Arrangement of Zinnias", is a 24x22 still life oil painting on canvas by Maryann Lucas. Featured a colorful arrangement of pink, yellow, a...

An impressionist-style oil on canvas painting. It depicts a close up of the Wainscott pond, in East Hampton, New York after sunset. The sandbanks and greenery surround the pond, a de...

Red Apples, Fuchsia Pink, Green Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina,...

Erik van de Beek (Dutch artist) Lemniscate 15,2 x 27,9 cm ( framed included 19,2 x 31,9 cm) Oil paint on wood panel Artist Erik van de Beek lives and works in Nijmegen. The modest N...