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George ClareFine Victorian English Still Life Oil Painting Fruit on the Ground Beautiful
$1,603.95
£1,160
€1,366.96
CA$2,207.75
A$2,385.09
CHF 1,268.89
MX$28,699.15
NOK 16,066.86
SEK 14,693.58
DKK 10,211.85
About the Item
Still Life of Fruit
by George Clare (1830-1900) *see notes below
signed oil on canvas, framed
framed: 12 x 14 inches
canvas : 7 x 9 inches
Provenance: private collection, UK
Condition: very good condition
George Clare lived and died in Barnet, Hertfordshire; although it is known that he spent some time (during the 1860's) in Birmingham evidenced by the fact that his address is given as 173, Bristol Street, Birmingham for the paintings he exhibited during the 1860's. As to George's artistic training, one is not sure; however, his technique is a delicate stippling as he was greatly influenced by William Hunt.
Through his stippling technique, Clare was able to capture the beauty of nature, giving life and individualized each aspect of the painting.
George exhibited his first works in 1864 exhibiting at the Royal Academy - #356 "Plums, etc."; the British Institution #395 "Camellia, etc.", at the Royal Society of British Artists - #410 "Grapes, plums, etc." and #741 "Camellias &c.". He would continue to exhibit his works till 1874.
Two of George's sons, Oliver and Vincent, were also artists and became quite famous for their still life and flower paintings.
For more any more information please do contact us with any questions you may have. Thank you.
- Creator:George Clare (1853 - 1927, British)
- Dimensions:Height: 12 in (30.48 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU509316785192
George Clare
George Clare lived and died in Barnet, Hertfordshire; although it is known that he spent some time (during the 1860's) in Birmingham evidenced by the fact that his address is given as 173, Bristol Street, Birmingham for the paintings he exhibited during the 1860's. As to George's artistic training, one is not sure; however, his technique is a delicate stippling as he was greatly influenced by William Hunt. Through his stippling technique, Clare was able to capture the beauty of nature, giving life and individualized each aspect of the painting. George exhibited his first works in 1864 exhibiting at the Royal Academy - "Plums, etc."; the British Institution; "Camellia, etc.", at the Royal Society of British Artists; "Grapes, plums, etc." and "Camellias &c.". He would continue to exhibit his works till 1874. Two of George's sons, Oliver and Vincent, were also artists and became quite famous for their still life and flower paintings.
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