George Weissbort

George Weissbort (1928-2013) - 20th Century Oil, Tomatoes and Porcelain

Unknown

Still Life, oil on board. Tomatoes and courgettes on a wooden chopping board with checkered towel. Presented in a contemporary style frame. Signed to the lower right and dated 1971.

Still Life, oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort).

Still life, oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort).

Still life, oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort).

Still life with fruit and vegetables is an original painting realized by Luigi Spazzapan during the 1930s. Oil on canvas. Not signed. On the back, the archive number: 2950037. Inclu...

Still Life is an original artwork realized by Philippe Golbert. Oil on Panel, mid-20th Century. Handsigned in the lower right margin. 25 x 60 cm. Framed 40x75 cm. Good conditons!

Tomatoes on a Table, Still Life, Oil Painting by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 18 x 21.5 inches Stunning original Impressionist oil ...

Still Life is an artwork realized by Ernesto Alcide Campestrini (1897-1983). Oil on Table. cm 50x60; 55 x 66 cm with frame. Hand signed in the lower left margin. Good condition. Alcide Ernesto Campestrini was born in Milan, where the family had moved in 1897. After the first rudiments of art with his father, from 1914 he was a student at the Brera Academy in Milan, under the guidance of Ambrogio Antonio Alciati. In 1919 he resumed his painting studies in Brera, interrupted by enlistment. He concluded them in 1922, the year in which he obtained his teaching qualification. He lived in Milan and in 1923 he exhibited Smiles of other times at the Palazzo della Società per le Belle Arti and Permanent Exhibition: the so-called Brera Biennale, at the following one in 1925, presented with Ultime note and El disperados. In 1926 he exhibited Porta Volta, at the First Art Exhibition of Milanese Artists organized by the Meneghina family, the contemporary Self-Portrait is one of the first works by him that we know so far today. He devoted himself to still life, figure painting and the alpine landscape, the Trentino one in particular, with a technique linked to his father's school and to the late nineteenth-century tradition. He held several personal exhibitions in Milan. The Campestrini family spends their holidays in Valsugana several times, sometimes as guests of Emma Campestrini's relatives. The painter falls in love with Lake Caldonazzo, depicted several times in his canvases, such as in the 1949 painting...