Helen Greenfield

Copper Pans On Table 20th Century British Modernist Oil Painting

The Kitchen Table by Helen Greenfield (British 20th century) painting on artist paper, unframed artist paper: 10.5 x 7.5 inches condition: overall very good provenance: all the pain...

Contemporary Impressionist Still Life by Helen Greenfield (British 20th century) signed initials oil painting on board, framed framed: 25 x 31 inches board: 24 x 30 inches condition:...

Title: Original Oil Painting of Rustic Kitchen Scene with Copper Pot and Onions Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 14 (height) x 10.5 (width), ...

'The Party's Over' by Helen Greenfield (British 20th century) signed initials oil painting on board, unframed board: 16 x 16 inches condition: overall very good provenance: all the p...

This charmingly impressionist oil still life depicts an antique copper pot, a glass bottle, and two artichokes by French artist Raymond Bailly, 1970s. Original artwork on paper dis...

A soft still life study by the artist Pauline Plummer (b.1933) depicting an array of stoneware vessels that have been carefully curated on a linen-covered table. Signed and dated to ...

Still life is an artwork realzied by Gastone Breddo in the second half of 90s. Painting from the artist's workshop in Livorno , stamp on the back. 70x 50 cm with frame. Oil on can...

A rare and charming German mid-century onion still life by Daniel Wohlgemuth (German, 1876-1967). Signed "Wohlgemuth", dated "1964" lower right. Unframed. Image size: 20"H x 28"W. Wohlgemuth, Daniel (1876-1967), a son of Johannes Wohlgemuth of Albisheim an der Pfrim and Katharina (Krehbiel) Wohlgemuth of Weierhof, was born at Albisheim 17 April 1876, but reared by his uncle Johannes Krehbiel of Weierhof, studied art at Frankfurt and Strasbourg, and finally at the Art Academy in Munich under Franz von Stuck. His travels in Italy, Palestine, and Russia contributed to his development. His artistic work was done chiefly in his native Rhenish Hesse and the Palatinate (for a time living at Weierhof, later at Gundersheim near Worms), but also for a time in Munich and Berlin. His chief medium was black and white drawing, including charcoal (often lithographs) but also water colors and oils. His themes were largely landscapes, often of his native land, with a fine series on Palestine. He also did many portraits, including an ex­cellent one of Albert Schweitzer...