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Jean DufyNATURE MORTE AU BOUQUET DE ROSES ET DE MARGUERITES1931
1931
$25,000
£19,021.34
€21,916.46
CA$35,492.18
A$38,076.75
CHF 20,423.59
MX$458,439
NOK 257,463.30
SEK 234,770.85
DKK 163,745.19
About the Item
ARTIST: Jean Dufy (French,1888 - 1964)
TITLE: “NATURE MORTE AU BOUQUET DE ROSES ET DE MARGUERITES” (Signed watercolor/mixed media work)
DESCRIPTION: Watercolor/ Mixed media, on paper, 21" x 17",Signed and dated 1931
CONDITION: Very Good- no restoration or damage
FRAMING: Original modern frame and mat
Provenance: Sotheby’s London March 2007
Jean Dufy (French 1888–1964)
Today, Jean Dufy is recognized as a significant figure in 20th-century French art, with his works held in prestigious collections such as the Museum of Modern Art (MoMA) in New York, the Centre Pompidou in Paris, and the Art Institute of Chicago. His market presence has grown steadily, with collectors valuing the optimism and technical mastery of his watercolors and oils. Dufy’s art remains a testament to the enduring beauty and vibrancy of the era he painted.
His still life paintings (natures mortes) represent a rarer and highly prized facet of his body of work. These compositions often feature domestic intimacy, showcasing bouquets of flowers—such as roses, mimosa, or anemones—arranged alongside fruit bowls, teapots, and open books. In works like Nature morte au panier de mimosa (1929) or Still Life with Bouquet of Flowers (1927), Dufy applied the same vibrant energy found in his street scenes to indoor settings. The objects are not merely static; they are rendered with intense, contrasting pigments (often deep blues, reds, and sunny yellows) and loose, expressive hatching that imbues them with life. These paintings demonstrate his ability to find the "musicality" of color even in quiet, inanimate subjects, revealing a structural solidity inherited from Cézanne but softened by his own poetic touch.
He was a celebrated French painter whose work encapsulates the vibrant "joie de vivre" of the Parisian scene. He was the younger brother of the renowned Fauvist painter Raoul Dufy. Jean established a distinct and formidable reputation as a master of color and light. He played a pivotal role in the modern art movements of the early 20th century, particularly within Post-Impressionism. His arrival in Paris in 1912 immersed him in the avant-garde circles of Montmartre, where he befriended luminaries such as Georges Braque and Pablo Picasso. His work is celebrated today not just for its familial connection but for its unique lyrical quality that captured the optimism and rhythm of the Jazz Age.
Style and Major Themes
Dufy’s artistic style is characterized by fluid, rhythmic brushstrokes and a luminous, saturated color palette that led critics to describe his paintings as visual "notes of music." His oeuvre is a colorful chronicle of Parisian society, famously depicting the bustling streets, the Eiffel Tower, orchestras, circuses, and horse races. Unlike the strict analytical approach of Cubism, Dufy’s work remained decorative and accessible, often blending the bold colors of Fauvism with a delicate, almost calligraphic line. A significant portion of his career was also dedicated to the decorative arts; for over thirty years, he designed patterns for the porcelain manufacturer Théodore Haviland, a discipline that undoubtedly refined his keen sense of composition and color harmony.
- Creator:Jean Dufy (1888 - 1964, French)
- Creation Year:1931
- Dimensions:Height: 21 in (53.34 cm)Width: 17 in (43.18 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU170217305592
Jean Dufy
Jean Dufy was a French Art Deco artist, best known for his colourful, melodic depictions of post-war Parisian society. Working to capture everyday life, from concert halls and circuses to country landscapes and busy Parisian streets, Dufy focused on recreating the feeling and impression of a scene, rather than individual details. In 1906, Dufy visited the exhibition ‘Cercle de l’Art Moderne’ in La Havre, and it was this show that eventually inspired him to pursue an artistic career. The exhibit, one of Dufy’s first exposures to Modern Art, crucially shaped his approach to art and introduced him to artists such as Picasso and Matisse. While he had no formal training, his older brother was well-known French Fauvist Raoul Dufy, who served as his artistic mentor. In January 1914, Dufy launched his artistic career, holding his first show at Galerie Berthe Weil. He returned to Paris after the war and settled in the Montmartre district of Paris, moving next door to artist George Braque, who encouraged Dufy to experiment with Cubism. His personal painting style developed into a vibrant fusion of Post-Impressionism with a loose decorative approach to colour and line, which he achieved from his work in porcelain design. For almost 30 years, Dufy worked for Limoge porcelain manufacturer Theodore Haviland, hand-painting decorative designs of animals and flowers. At the 1925 L’exposition Internationale des Arts Décoratifs he was awarded a gold medal for designing the service ‘Châteaux de France’. Dufy participated in many exhibitions, including the Salon d’Automne, which reflected the popularity of jazz music and the art of Parisian culture after the war. Dufy would return to his native Normandy throughout his life and spent long stretches of time in the south of France. The dynamism of these landscapes and cityscapes - particularly noticeable in the street scene Route de Rives (Touraine)- are so cleverly captured due to Dufy’s uniquely musical and distinctive Post-Impressionistic style.
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