John Christopher Miles

John Miles, American, Atlantic Salmon on a Riverbank, oil on canvas, dated 1885

1885

'The Artist's Garden' by Julius Moessel, 1943. Munich Academy, Art Institute of Chicago, Philadelphia Academy of Fine Arts, Corcoran ----- Signed lower left 'Moessel' for Julius Moe...

Anthurium Still Life Oil on Canvas 40″ x 30″ framed by Texas artist Julie England Look for free shipping at checkout Anthurium Still Life was inspired by the idea of abstract ...

Clean and modern still life by unknown artist "LM" (20th Century). Pastel colored flowers sit in a vase at the back of the composition. In front of the vase is a basket of yellow-gre...

"Gardenias in Juliska Vase" is a still life painting featuring hues of green, white, and dark blue. Sarah Lamb is inspired by the work of John Singer Sar...

Represented by George Billis Gallery, NYC & LA -- I paint the reality of the Southern California environment: how structures once revered for their groundbreaking ideas in design and...

Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honored subject m...

In Ducks in the Studio Schmitt reveals the influence of the Impressionists and the Pointillists by adopting their bright and pure colors. However, he chose not to paint with small do...

A pair of large contemporary paintings depicting a brick wall and window in a realist style. The paintings measure 72 x 30.5 inches each and are in basic wood-slat frames.

Hans Weingaertner (1896-1970). Oil on canvas measures 8 x 10 inches; 14 x 16 inches in a frame of the period. Signed lower right. Excellent, clean condition with no damage or restoration. Signed with monogram and dated 1966 en verso. Biography: Birth place: Krailburg, Germany Addresses: Lynhurst, NJ; Belleville, NJ Profession: Painter Studied: Royal Acad., Munich, Germany, and with Ludwig Klein, Moritz Hyman, A. Jank. Exhibited: Soc. Indep. Artists, 1929-40; BM, 1932; New Haven PCC, 1934-39; AIC, 1936; traveling exhib., 1936-37; Corcoran Gal biennial, 1939; Montclair AM, 1938, 1939; New Jersey State Mus., Trenton, 1939; Newark Mus., 1940, 1944; Carnegie Inst., 1941; VMFA, 1946; Penn. State Teachers College, 1944, 1946; PAFA Ann., 1951; WMAA; NAD; CAFA; Salons of Am. Awards: prizes, Montclair AM, 1949, 1950; New Haven PCC, 1950; Newark Art Club, 1951; Bamberger purchase, 1964 Member: Mod. Artists, New Jersey; Soc. Indep. Artists; New Haven PCC; New Jersey AA; Audubon Artists; New Jersey WCS Work: Newark Mus.; Rutgers Univ.; Jefferson H...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...