John Houston

Still Life, Anstruther, Oil on Board Painting by John Houston, 1953

1953

Still Life, Oil on Board Painting by John Armstrong, 1960 Additional information: Medium: Oil on board 11 1/4 x 15 1/8 in 28.5 x 38.5 cm Signed and dated This painting shows Armstrong's earlier career as a theatre designer, with its subjects arranged on a window sill as if actors in a play; the leaf and muntin, painted in a similar tone of green, act as a mid-ground to the autumnal trees outside the Artist's London home. Painted after Armstrong had returned to the city from Lamorna, Cornwall, as a struggling artist, models were too expensive and so he resorted to using fruits and vegetables from his local market. Showing a Cycladic vessel that appears in other works from 1957 onwards, as illustrated in Lambirth's book, including Still life with Mushrooms from 1961. The distinctive brick-like pattern of Armstrong's brushstrokes shines through here. John Armstrong was a painter of imaginative subjects, designer of film and stage sets, mural painter and book illustrator. Born in Hastings, Sussex, John Rutherford Armstrong attended St Paul's School, London, and studied law at St John's College, Oxford, before taking up art at St John's Wood School of Art (1913-14). He served in the Royal Field Artillery (1914-19) before returning to St John's Wood School for a short period after the war. His first one-man exhibition was at the Leicester Galleries in 1928, where he first met members of the Unit One group, joining them for their 1933 exhibition. It was after this that Armstrong's work began to develop a Surrealist character. Much of Armstrong's oeuvre has its foundation in classical legend, landscape, or imagery, surely understandable given his classical education and WW1 service in the Near East. Varied Greek vase forms regularly make an appearance in his work from the mid-1930s, notably in his GPO poster...

Still life with Fruit and Flowers, Oil on Canvas by Matthew Smith, 1950s Circa Additional information: Medium: Oil on Canvas 25.5 x 31 cm 10 1/8 x 1...

Flower Piece, Oil on Board Painting by Anne Estelle Rice Additional information: Medium: Oil on board 50.8 x 40.6 cm 20 x 16 in

Still Life with Violin, Oil on Canvas Painting by David Mcclure 1926-1998 Additional information: Medium: Oil on canvas 70 x 90.5 cm 27 1/2 x 35 5/8 in Provenance Estate of the Art...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Still life is a modern artwork realized by Cristianus in the mid-20th Century. Mixed colored oil painting on canvas. Includes frame.

The Still Life is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. Th...

Kae Dorn Cass was born in 1901 and remained a life-long Clevelander. She was a survivor of the 1908 Collinwood Elementary School fire which killed her sister and 171 other children. ...