Keerthana Kumar

Things We Miss

2025

In Molina’s artwork “Home Sweet Home,” the artist offers a vibrant and rich portrayal of an art collector couple in their domestic space, embracing a maximalist aesthetic. Blending painting and collage techniques, Molina creates a scene teeming with opulent textures, intricate patterns, and familiar artworks reminiscent of the 1960s era, which serves as her...

In this portrait, a young man stands with quiet confidence against a richly textured pink background. Dressed in a color-blocked tank top of rose, gold, and blue paired with crisp wh...

“Liquid Diet” is a striking contemporary oil painting inspired by the 1983 cult classic film “The Hunger,” starring Susan Sarandon and David Bowie. This atmospheric piece fuses gothi...

In this piece by the Korean artist Yuni, a sophisticated interplay emerges as a map-like grid of streets overlays a figure crafted from vibrant geometric shapes. This enigmatic compo...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

TITLE - Your Absence DIMENSION : 48 x 60 inches " I feel your absence. It’s like you took part of me with you when you left. " DETAILS : - Artwork will be carefully packaged ready for delivery with Tracking Number. - You will receive the artwork "Ready to Hang", the canvas is stretched on a wooden frame. - High quality acrylic, UV varnish. - Includes a certificate of authenticity signed by the artist. - Every piece of mine has it’s own personality ! This is a unique piece of art. - The side of the painting is painted. - The images in context are scale approximately. I recommend you to measure the dimensions with your tape to visualize the artwork in your space. THANKS for your interest in my art! I will be happy to create a unique custom piece in any size. Please do not hesitate to contact me if you have any questions or just to say hi when you purchase your piece. I hope my artworks will bring some joy and thoughtfulness to you. Copyright ©POOVI ART...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...