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Lucie TullatVintage fish still life oil painting by French artist Lucie Tullat (1895-1984)1930
s
1930 s
$1,666.76
£1,238.28
€1,399
CA$2,311.04
A$2,485.32
CHF 1,328.91
MX$29,972.31
NOK 16,804.95
SEK 15,311.47
DKK 10,662.70
About the Item
Rare vintage oil painting of fish by French artist Lucie Tullat, signed in the bottom right and in it's original frame. A simplistic composition that has a big affect on the eye! Keeping the colour tones to a minimum, this clever artist, one of my favourites, has given us a rare quality painting ideal for a kitchen or dining room. The background hues are dark, a brown or wood table on which an oval silver plate rests, bottle green tissue or napkin introduces a new colour and the fish luminate the painting, where the artist has used big generous swirls of impasto enforced oils of whites, creams and greys working well together to give a delightful, unusual and animated painting
Medium: Oil on stretched canvas in original frame
Overall size: 21ins x 14.5ins or 53cms x 37cms (all measurements are approx)
Date: 1930's
Condition: The painting is in good vintage condition, expect imperfections associated with age. The frame appears to be the original, you should expect losses and imperfections throughout.
Signed: Lucie (Luc, Luce) Tullat (1895-1984) Lucie Tullat was a female French artist, born on 26 March 1895, in St-Germain-en-Laye. She was primarily a painter of landscapes and still-lifes. She studied at the École des Beaux-Arts in Paris from 1919 to 1925. She exhibited in Paris at the Salon d'Automne, where she was a member from 1946, the Salon des Tuileries and the Salon du Dessin et de la Peinture à l'Eau.
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- Creator:Lucie Tullat (1895 - 1984, French)
- Creation Year:1930 s
- Dimensions:Height: 14.5 in (36.83 cm)Width: 21 in (53.34 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:AIGNAN, FR
- Reference Number:1stDibs: LU2448217454322
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"DUCK HUNT" MERGANSERS, DUCK CALL, SHOTGUN DATED 1889 FRAME 43 X 35 NEWCOMB
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Edward Chalmers Leavitt
(1842 - 1904)
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Medium: Oil
Dated 1889
"Duck Hunt" Mergansers
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Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower.
Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil
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He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace.
Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan.
Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896.
Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town.
Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces.
He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts.
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