Panel Still-life Paintings

Acquired by the gallery directly from the artist Signed "MKW" on back Artist Statement "White poppies and magenta wisteria against a rustic white wall panel set...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

Trompe L’Oeil with a Two Partridges Clesse Louis Brussels 1889 – 1961 Belgian Painter Signature: Signed bottom right Medium: Oil on panel Dimensions: Image size 50,50 x 40 cm, frame size 64 x 53,50 cm Biography: Clesse Louis Liévin Théophile was born on June 15, 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

Provenance Acquired by the gallery directly from the artist FRAMED: 17.5" x 14.5" x 1.375" UNFRAMED: 12" x 9" Description This still life is lively with its intermingled blue and vio...

Anne Sargent Walker's "Summer Flowers" is a contemporary still life in oil of flowers in a glass. Freshly painted and lushly colored, blossoms sport shades of pink and white, with le...

"Kings Leap, Canyon de Chelly" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 17.5 x 21.5 inches framed and is ready to h...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

Helen Weber Large wall hanging wood and metal sculptural relief in a tropical Hawaiian or Polynesian motif with tropical flowers. "Art belongs everywhere from cruise ships to churches" This has been the mantra of Helen Webber since she began her career in the 1970’s creating hundreds of art works for public spaces throughout the United states and abroad. It was her strongly held belief that art can touch the spirit of many more people than those whose art experiences are limited to the halls and walls of museums and galleries. Her bold and richly hued art works executed in a wide variety of media, such as tapestry, glass, metal wood and clay have been installed in universities, corporations, medical facilities, cruise ships, hotels, religious spaces, community and civic centers and even in a train station. Over the years many architects and interior designers have collaborated with Helen Webber finding that her work enhanced their designed environments, giving her the opportunity to create art for well known corporations as well as multitudes of residences. It is the tapestries that she is best known for, and it is this medium that dominates the largest body of her work, which was first introduced to the design world in the mid 1970's. The tapestries utilize a fabric collage technique combining an array of designer upholstery fabrics such as velvets, brocades, worsteds, jacquards, mohair, hand woven woolens, among many others. Yarns of all kinds are integrated into the tapestries surrounding the edges of each fabric piece. Some clients, who saw that Webber’s particular art style could be expressed in a variety of media, offered her commissions in stained and etched glass, wood collage, sculpted tile...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Direct observation excites me. It allows for close, quiet, and constant discovery. The subtle shifts that occur in natural changing light create living color harmonies and moments of...

Artist: Ian Hornak (1944-2002) Title: Still Life with Baroque Cauliflower, Artichokes and Radishes Year: 2002 Medium: Oil on Panel with artist painted frame Size: 42 x 31.5 inches Co...

Provenance Acquired by American Legacy Fine Arts directly from the artist FRAMED: 23.625" x 19.625" x 1.25" UNFRAMED: 20" x 16" Artist Statement “This painting of ‘White Orchid’ we...

Scott Conary's "Two" is an original, handmade impressionist still-life oil painting that depicts a steak resting on a cutting board, split perfectly in two against an abstracted whit...

Orange Peel Curls by Lori Larusso (2024) is a compact, vivid composition rendered in acrylic and pigmented varnish on panel. The slick, ultra-glossy surface reflects light, giving th...

Mia Bergeron's (US based) "Spring Floe" is an original, handmade oil painting that depicts yellow flowers gathered in a vase in front of a window revealing a picturesque landscape. ...

Hyperreal oil painting of plywood board by Anthony Adcock - Oil on ACM (aluminum composite material) **No wood was used in this piece. It is an oil painting - painted by hand on ACM...

Hyperreal oil painting by Anthony Adcock titled "Untitled (After)"- Oil on mounted linen. **There is no steel or rust in this piece. It is hand-painted oil on linen canvas and mount...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

An oil painting by Anthony Mastromatteo. A hyper-real depiction of a wrapped package, white paper folded into wrapping paper around a special object, most likely a gift, is secured b...

Provenance Acquired by the gallery directly from the artist Signed "CL Cook" on lower left Artist Statement “ 'At Home in the Garden' is a visual daydream manifesting a peaceful re...

Still life with books and pears is an artwork with frame, realized by an unknown artist of mid-20th Century. Oil on panel. 36 x 51 cm ; 56 x 70 cm with framed. Good conditions

Oracle 2016 Oil on Panel 9" x 12" unframed 16 1/2" x 19 1/4" framed Taxidermy monkey head sits atop a brick wrapped in plastic. Many of the artist's ...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

'Fine Wine' by Miguel Angel Nunez is an incredible example of the artist being able to capture the stunning details and light with the up most precision Through Miguel’s precise br...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Lori Larusso’s Flower Painting transforms an ordinary still life into a bold, iconic composition. Set against a calm periwinkle background, a clear glass jar holds four roses—one red...

"Lemon Peel" by Lori Larusso is a shaped-panel painting that transforms a simple lemon into a vibrant, sculptural image. The curling peel is rendered with crisp precision and set aga...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

Marilla Palmer Ethereal Web, 2025 24K gold, acrylic on Ampersand panel 16 x 12 in. (pal251) Marilla Palmer lives and works in Brooklyn, NY and has shown extensively throughout the U...

Provenance Acquired by the gallery directly from the artist Signed "CL Cook" on lower left Artist Statement "Here I wish to evoke feelings of the night sky, in this quiet still lif...

Artist Statement ​ I like to think that my food paintings are a bit of a time capsule... especially the foods in their package. I like to explore the contrast between a wrapper and ...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Anthony Waichulis' "Acidulcis" is an original, handmade oil still-life painting that depicts a bowl of lemons on a wooden table, with bright sunlight shining in through the partially...

My current practice centers on still-life painting. Objects are typically arranged in complex structures to create representational challenges. Working from life, I am attempting to ...

A colorful impressionist floral still life with fruit by American artist Humbert Howard (1905-1990). Howard was born in Philadelphia and considered an important figure among contemporary African-American artists. He was educated at Howard University in Washington, D.C., the University of Pennsylvania in Philadelphia, and the Barnes Foundation in Merion, Pennsylvania. Howard was also art director of the Pyramid Club, a respected black cultural center in Philadelphia. As director of the club’s art exhibitions, he selected works by both black and white artists for display. By the time he retired in 1971, he had developed a loyal following of collectors and dealers in the Philadelphia area. In the eighties, he became increasingly involved with younger members of the local art scene and became a mentor to emerging black artists...

"Canyon de Chelly, Tower of Rock" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 21.5 x 17.5 inches framed and is ready t...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

Vase of flowers on window sill

Interior with fruit (Interior con frutas). Expressionist Colorful Oil on wood panel Still life with view in the background, Author: Aracely Alarcón. Me...

Fabian Jean graduated with a Bachelor of Fine Arts from Concordia University. He has had solo exhibitions in Montreal, Toronto and Halifax and has been included in several group exhi...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Flower Vase is an artwork realized in the early 20th Century by Marcel Gilly. Original oil painting on panel. Hand-signed on the lower right. Good cond...

This piece titled "Ancient Jewels" is an original artwork made from scrap material on canvas by Keith Garcia. This piece measures 12”h x 12”w. "Ancient Jewels" debuted during Paradigm Gallery's thirteenth anniversary exhibition, "Lucky 13", which featured works that use the...

Dalessio depicts en plein air, a fisherman on the rocks of the beach, waiting for his catch. Even with his broad impressionistic strokes, Dalessio composes reflections of the rocks a...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hints about the story in the piec...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Elizabeth Zanzinger's (US based) "Feedback Loop" is an oil painting that depicts peculiar machine with wiring and red in interior with white background Elizabeth Zanzinger is an awa...

Scott Conary's "Rose at Dusk" is an original, handmade oil painting that depicts a hyper realistic white flower with a dark background. About the Artist...

Irvine [2021] Original Oil paint on wood panel Image size: H:30.5 cm x W:30.5 cm Complete Size of Unframed Work: H:30.5 cm x W:30.5 cm x D:0.5cm Framed Size: H:34.5 cm x W:34.5 cm x ...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he works, generating a distinct back-and-forth between representation and abstraction. Although ...

Chris Liberti is a favorite with collectors here and abroad. Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he works, generating a distinct bac...

This painting features hues of yellow and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

Roses for Vishnu is a 20" x 24" oil painting completed in December 2024. . Raj Chaudhuri describes himself as one of the New Orientalists a traveling painter in the modern world. ...

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

Bay Area artist Michelle Fillmore found her love of oil painting at the University of Las Vegas, where she graduated with a BA in Painting and Drawin...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...