Oksana Kalenyuk

Sunflowers, Original oil Painting, Ready to Hang

2018

Signed impressionist oil on canvas still life by French painter Jeanne Baudot. The work depicts a bowl filled with red and green apples and grapes. Signature: Signed upper left Dimensions: Framed: 33"x29" Unframed: 26"x22" Provenance: By direct descent from Jeanne Baudot to her godson Jean Griot Jeanne Baudot's father, Emile, was doctor to French artist Auguste Renoir's relatives when they lived in Louveciennes. In 1893, she met Auguste Renoir through her cousin Paul Gallimard, an art collector. Renoir travelled from his studio in Montmartre to meet the aspiring painter and give his opinion on her work. Renoir was so impressed with what he saw that soon she became his only pupil. Form 1897 to 1914, she lived at 4, Rue du Général Leclerc in Louveciennes, where Renoir had his workshop. She became the godmother of Auguste Renoir's second son, Jean Renoir, at the Saint-Pierre de Montmartre church, while Georges Durand-Ruel was the godfather. Throughout her life she stayed close to Jean Renoir, who became a film director. He wrote the preface of the exhibition catalogue of her retrospective in 1960 at Galerie Durand-Ruel. Auguste Renoir painted several portraits of Jeanne Baudot. They became great friends, accomplices and confidants. They painted side by side, in the studio of the painter, in the studio of Jeanne and outside, in the countryside, in Louveciennes, in the South and elsewhere, chatting cheerfully. He gave her advice, and shared his own concerns, such as those caused by his talks with the representatives of the State to make them accept the paintings bequeathed by Gustave Caillebotte. Maurice Denis painted Auguste Renoir and Miss Jeanne Baudot in 1906. Jeanne Baudot was a childhood friend of painter Julie Manet, the daughter of Berthe Morisot and Eugène Manet, and appears in many instances of Manet's diary. Her name was given to a street in Louveciennes. Lifetime Exhibitions: 1905, Paris, Salon d'Automne. 1906, Paris, Salon des indépendants. 1925, Paris, Salon des Tuileries. 1930, Paris, Galerie Dru from November to December 1930. 1950, Paris, Galerie Durand-Ruel, from April 28 to May 15, 1950. Retrospective Exhibitions: 1966, Paris, Galerie Durand-Ruel, Dame & Demoiselles – Blanche Hoschedé, Jeanne Baudot, Paule Gobillard...

Genre: Impressionist Subject: Still Life Medium: Oil Surface: Canvas Dimensions: 15.25" x 24" Hand signed lower right Frederick B. Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Skoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw. He also showed at the Paris Salon de Tuileries and the Salon d’Automne with exhibitions protesting the French Academy’s Salon system. A high point in Serger’s career was an exhibition at the famed Bernheim-Jeune in Paris. The Bernheim-Jeune was known for displaying the artwork of premier artists such as, Marc Chagall, Pablo Picasso and Paul Cezanne. Finally, in 1937, the City of Paris Museum purchased one of his paintings to be part of their collection. During the onset of World War II, the Sergers moved several times, possibly in reaction to widespread Anti-Semitism during this period. They lived briefly in England, Panama, Guatemala, and Mexico. Finally, in 1941, they established permanent residence in Manhattan, New York. Serger set up a studio along 57th Street in Manhattan. Once again, he began painting prolifically and exhibiting his artwork in such prestigious galleries as Schoneman, Van Diemen-Lilienfeld and John Heller...

Original painting on canvas. Hand signed on front by the artist. Canvas size 40 x 30 in. Frame size approx 49 x 39 in. Artwork is in excellent condition. Certificate of authenticity ...

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